The Semiotics of Covers
I'm going to buy a book today - but not a school book, a real book - a bestseller. I walk past the harmonica man standing outside of the Brown Office Building, clamping my ears shut against the discordant melodies he's spewing out at me. I enter the Brown Bookstore - my Mecca, my Graceland. I strut past the tables near the door and walk toward the bestseller wall, my being allthewhile bombarded by hardcovers seeking my wandering eyes. Howard Stern in drag screams out at me from the left, something about Colin Powell and a journey crys out from the right. Wishing not to be manipulated into buying an expensive book, I squint my eyes and keep on walking, eventually reaching the ordering counter. I pause, close my eyes and turn around.
As my eyes slowly open, my field of vision becomes filled with paperbacks. Hundreds of them, displayed out before me like some crude mosaic, each one lined up and facing me on tiny little shelves. They're all roughly the same size, all the same shape - the only thing that differs is their covers. Each book is showing me a different picture, a different color, a different font. Each book juxtaposes its elements in a different way, highlighting certain objects while de-emphasizing others. Each book is telling me something, trying to appeal to my gaze. What are they saying? Will it work?
The study of these elements of the cover - each book's signs and the images/ideas they signify- is particularly appropriate in the case of bestsellers. This is not to say that the covers of bestsellers hold a monopoly on sign/signifier possibilities - nothing could be farther from the truth - its just that in the case of bestsellers, the effect these signs and signifiers have on the aura of a book are just more interesting. Proof of this all but surrounds us. Take a look at almost any other section in the brown bookstore: almost all books, with the exception of bestsellers and the very new releases, are presented on shelves with their binding pointing out. The only thing one can really ascertain when gazing upon these books is the title and color on the cover. Such elements are important, but don't grab the eye. Unless you're looking for a specific title or author, what you see on these shelves doesn't really effect one's eyes.
The authors do eventually (pg. 205) acknowledge that some may see the book as trying to enrage the public just to sell books. In fact, Ron Levy, P...
Cytomegalovirus (CMV) is the most common virus in the United States that can infect almost any individual. Cytomegalovirus is also referred to as Herpesvirus-5, which belongs to a branch of Herpesviridae family. Herpesviridae has a spherical shape that contains four significant elements that are important to the viron. The four elements are the core, tegument, capsid and the envelope. Alphaherpesvirinae, Betaherpesvirinae and Gammaherpesvirinae are three subfamilies which belong to Herpesviridae. Cytomegalovirus belongs to the Betaherpesvirinae family, which also include Muromegalovirus and Roseolovirus. The Alphaherpesvirinae subfamily includes Simplexvirus, Varicellovirus, Mardivirus and Iltovirus genera. The Gammaherpesvirinae subfamily contains Lymphocryptovirus and Rhadinovirus genera. The diameter size of the virus is based on each specific family; however, the core remains the same throughout the species, which contains single layer of double stranded DNA tightly condensed in the capsid. In the tegument component, there are 30 or more viral proteins that are shapeless that encompass the capsid. Out of the four major components, the tegument has the most poorly defined structure. On the other hand, the capsid is a well-defined structure that is an icosahedron, which is composed of 162 capsomeres, 12 of which are pentons and 150 are hexons (1). Last but not least, the liquid envelope surrounds the tegument with approximately 10 glycoprotein and cellular proteins. Each subfamily under the herpesviriade has its own arrangement between the liquid envelop and the tegument layer.
Beacham, W. (Ed.). (1986). Beacham’s Popular Fiction In America, Volume 3. Washington DC: Beacham Publishing.
In a world dominated by technology, reading novels has become dull. Instead of immersing into books, we choose to listen to Justin Bieber’s new songs and to scroll through Instagram posts. We have come to completely neglect the simple pleasures of flipping through pages and getting to finally finish a story. Sherman Alexie and Stephan King’s essays attempt to revive this interest in books that has long been lost. They remind us of the important role that reading plays in our daily lives. “The Joy of Reading and Writing: Superman and Me,” for instance, demonstrates how being literate saved the narrator from the oppressive nature of society. The author explains that even though he was capable of reading complex books at an astonishingly young
Over the history of our country Native Americas have long since been oppressed in trying to practice their Native Religions freely, and openly. It wasn’t until the American Indian Religious Freedom Act (AIRFA) of 1978, which “acknowledged the unique nature of Native spirituality” (Limb & Hodge, 2008, p. 618). This law stated that the policy of the United States would be to protect and preserve the right of Native Americans to believe and practice their traditional religions. This was the first major step in the United States history that sought to protect Native Americans and their rights to self-expression of spirituality.
It is very easy to agree with Moebius statement that ‘good’ picture books contain some form of invisible and intangible concepts that keeps the reader returning. In Voices in the Park it is very easy to see Moebius idea due to the ability of technology to create detailed and complex books. In contrast, Potter has produced a book that more subtle in showing this relying not on technology like Voices in the Park but working within severe limitations. Blending page turns, text, colour to create understandable concepts. Goodman comments that some would argue that these elements in pictures interfere with and detract from the text, and thus undermine the confidence of the reader. An extrapolation of this idea is that preconceived ideas and pictures of another spoil the reader’s entrance to literacy.
For example, - how do you interpret the group of people on the cover of the book?
There are two types of people in this world, the first ones are, the people who doesn't really like reading books because most of them doesn't have pictures on it, and they find it extremely boring. Then the other type of people, who simply gets lost into their book every time they read, because they just simply love reading. Some of them even say that when they're reading, it is taking them to a different world that only their imagination can create. That is why some people consider their books as their most priced possessions, because of how much it means to them and also some books can be rather pricey. Indeed, books can really be expensive, however, you might be too astonished when you see the following books, because they're considered
In the library she would alternate what types of books they would read. Whenever she would read to him she would read in a way that made you cling to every word the author wrote. In times like these, Rodriguez would become engaged in these books. “I sat there and sensed for the very first time some possibility of fellowship between reader and writer, a communication, never intimate like that I heard spoken words at home convey, but nonetheless personal.” (Rodriguez 228). During this part of Rodriguez’s life, his view towards books changed.
Ever since I was a child, I've never liked reading. Every time I was told to read, I would just sleep or do something else instead. In "A Love Affair with Books" by Bernadete Piassa tells a story about her passion for reading books. Piassa demonstrates how reading books has influenced her life. Reading her story has given me a different perspective on books. It has showed me that not only are they words written on paper, they are also feelings and expressions.
Shen, F. (2002 September 24). Off the shelf; Who should decide what books you read? The Washington Post, pp.2. Retrieved December 2, 2002 from Lexis-Nexis/Academic database.
McDonalds. What had started as a humble family owned drive-through has become a multi-million dollar industry. Everywhere one goes, there are reminders of how amazingly widespread this company has become, whether it be seeing McDonald’s famous golden arches on a billboard or hearing the catchy “I’m Lovin’ It” tune in a commercial. But more than this, McDonalds has become part of our global identity– our McWorld.
New York, NY. Simon & Schuster Unspecified author. (2011, March 9). The New York Times. GAF score.
McDonald’s was the first company to try to export America’s fast food and changes in eating habits to other nations. McDonald’s has over
Just like waking up in the morning and inhaling my first conscious-breath of the day, reading is something essential to me. As I child, I used to dream of having my own and private reading place where I would sit and spend my whole day reading my favorite books without any disturbance. Thanks to my dreams, I now have a wonderful private library in my house. This place is not similar to any other ordinary library but a mini place where you can find a massive number of interesting books of different varieties.