William Butler Yeats’ “The Second Coming” is one of the famous and well-known poem. It describes an apocalyptic situation in the first stanza while also assuring the readers of the hope of the arrival of a messianic figure in the second. The gloomy, darksome picture that is delineated by Yeats creates a fear in the reader’s mind about the falling worldly conditions as optimistic language later tried to give hope. This feeling of apocalypse came into Yeats’ mind as the world was advancing at a fast speed and he felt it needed to slow down a bit. Thus, the poem “The Second Coming” came about.
The poem begins with a horrifying scene as “things fall apart” as the falcon which symbolizes evilness, turns to the “widening gyre”. This creates a terrifying timidity in the reader from the beginning. The first stanza further goes along to instigate more frightening feeling as goodness is sinking down when the speaker says, “innocence is drowned”. On the other hand, the evildoers or “the worst are full of passionate intensity”. From this first stanza, it is clear that a satanic takeover is on t...
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
"The blood-dimmed tied is loosed, and everywhere the ceremony of innocence is drowned". As many currently see our society today, Yeats was in fear of what the future had in store, and felt it necessary to warn society of their abominable behavior. All of the good in the society has been taken over and overwhelmed by the horrible actions. No longer do ceremonies, or acts of kindness, take place, which Yeats believes is a direct effect of the loss of youth and innocence. "That twenty centuries of stony sleep were vexed to nightmare by a rocking cradle". This quote from "The Second Coming" informs the society that if they do not begin to correct their transgressions against one another as a whole they will awake the anti-Christ. The anti-Christ will come to claim his Jesus and correct the predicament that they have gotten themselves in to.
The characters of the poem are also some very meaningful keys in showing the hidden meaning. The first stanza describes the crowd that has gathered to watch the enactment of our human lives. Lines three and four states "an angel throng, bewinged, and bedight in veils, and drowned in tears." Poe is stating that a group of angels is going to watch the spectacle put on for them, although they are already drowning in the tears from plays before. The orchestra that plays for them is another set of characters that have meaning. They represent the background in everyone's life by "playing the music of the spheres." A third set of characters that show hidden meaning is the "Mimes, in the form of God on high." They denote the people that inhabit the earth. Poe describes them as "Mere puppets they, who come and go at bidding of vast formless things." The vast formless things are the ideas that we have. Ideas like the things that we think we have to do for ourselves to survive and succeed. They also make up drama of the play. A final, prominent figure in this dramatic performance is the conqueror worm. Poe illustrates it as "a blood-red thing.
The ethical life of the poem, then, depends upon the propositions that evil. . . that is part of this life is too much for the preeminent man. . . . that after all our efforts doom is there for all of us” (48).
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
Percy Bysshe Shelley's "Ozymandias" portrays the past power of authority symbolized by the once great world power of Egypt. William Butler Yeats' "The Second Coming" portrays the past power religion once had over the world, gradually lost ever since the end of Shelley's era of Romanticism. "Ozymandias" was written in a time when human rule coupled with religious guidance, but was slowly easing away from that old tradition as they entered the highly progressive era of the Victorians. In his poem, Shelley was comparing the formally powerful Egyptian pharaoh's "antique" and prideful form of rule with the unsuccessful future the "traveller" met in the desert with the ruins of the king's "shattered visage" (Longman, Shelley, p. 1710, l. 1 & 4). In a sense, Shelley was also saying that human rulership was just as easily able to fail as the once great and powerful world rule of Egypt once did, for ages. Yeats also is alluding to this idea, but imposing his view on another type of rule once great for hundreds of years of its rulership, that of Christianity or religion in general. In "The Second Coming" he envisions the "falcon" of humanity drifting away and ignoring "the falconer," Christian religions (Longman, Yeats, p. 2329, l. 2). "The falcon cannot hear the falconer;/ Things fall apart" says Yeats, depicting how human reliance on religion has become cold and disinterested in its lead anymore due to human progress of science, thus their loss of reliance and trustworthiness of religion's claims.
Life is full of change, it is the natural order of things, without change life would be at a standstill, without cause, just an empty world. Change is how new ideas arise, how things become better or worse, without it we wouldn’t be here on this earth. In opposition, there is also a world of changelessness, it is the only thing that remains constant in our lives, there is always change and that gives us the allusion of changelessness. Things are moving so fast that they seem to be standing still as a car flying down the road at sixty-five miles an hour, without the background we wouldn’t be able to tell of the movement. Each of these famous poems by Yeats express this view of the world in their own different stories His first being, “When You Are Old” a poem to a lost lover, in his past that he want to speak to her future person. Next there is the peace searching for him in, “Lake Isle Innis free” where he goes to escape the cities constant change, and his poem written at the same place, “The Swans at Lake Coole” as he watches the seemingly eternity living swans live forever. He finishes with the greatness of, “The Second Coming” where he strictly talks about what the human nature is losing, religion as in “Sailing to Byzantium” whereas the relation of changelessness would be the greatest ending to a life, instead of living that life over again. William Butler Yeats, has a fantastic way of expressing the opposition of the two mediums in life, Change and Changelessness.
William Butler Yeats was born on June thirteenth, eighteen sixty-five, at ten-forty pm, in Sandymount, Dublin (Foster, 13). He grew up lanky, untidy, slightly myopic, and extremely thin. He had black hair, high cheek bones, olive skin, and slanting eyes (Foster, 34). It was presumed he was Tubercular. As a child he was ridiculed, mainly because of his Irish heritage (Foster, 16). He accomplished many things in his life time.
Within both Thomas Hardy’s “The Convergence of the Twain” and W. B. Yeats’ “The Second Coming”, the actions of God are extremely prevalent, though the timing of His intervention varies greatly. Though, both poems were published within a five year period (1914 and 1919 respectively), they convey significantly different perspectives on the actions of God, in relation to our actions as human beings. These poems were written less than a decade apart, but are separated by one significant event that changed the world: the First World War. Though, God plays a prevalent role within both works. His intervention occurs at different times. Yeats demonstrates a God that reacts to man’s actions, whereas Hardy’s God is omniscient, developing a correction to man’s perception of accomplishment before the Titanic is ever constructed. Hardy’s writing came just after the sinking of the Titanic, and he demonstrates that man had outstepped his bounds. In sinking the ‘unsinkable’ ship, according to the speaker, God is correcting the misadventure of man. Yeats’ poem was written shortly after World War I, and the speaker foresees an apocalypse due to the sin of man as a whole. Both authors portray the perceived actions of God, though the speaker within “The Convergence of the Twain” appears to be more accepting and less fearful. Throughout “The Second Coming”, the speaker demonstrates their fear of God’s inevitable reaction to World War I. Both poems share the imagery of water, though its significance varies between poems. The speaker’s acceptance of God’s will within Hardy’s poem represents a devout religiosity that is unwavering throughout this writing, and Yeats’ depiction focuses on fear of the coming future.
One of the many coinciding concepts between the two is the daunted apprehension of both the poem and the book. In Things Fall Apart it seems like whenever the main character, Okonkwo, gains hope things happen to fall apart . The contents of The Second Coming told of a chaotic world and a base that could not hold because of it’s own inner conflicts. In Addition to the synonymous feeling both the book and the poem give, they both expose a great shift from and old era to a new era. The Second Coming reveals an apocolypse. Yeats shows this change by describing the conversions our world, as a global community, made throughout history. Key lines that refer to these changes in time are “Turning and Turning in the widening gyre the falcon cannot hear the falconer”. These lines refer to the constant adjustments we have to make and also the fact that we cannot go back in time . Chinua Achebe also reveals a major shift by describing Umuofa as it was in the beginning. In describing Umuofa as it was originally he makes it easier to catch sight of the major changes throughout the story.
He is almost sleeping while doing this. This creates a very powerful visual image. It epitomizes how the people left to grieve act. Many people stricken by death want to be left alone and bottle themselves up. The first few lines of the poem illustrate how deeply in sorrow the man is. This image should affect everyone. It should make the reader sympathize or even empathize with the man. Another main way he uses imagery is through the black bird or the raven. The presence of the bird is a bad omen. It is supposed to be followed by maleficent things. The bird is used to symbolize death figuratively and literally. The bird only says one word the entire poem. It repeats “nevermore.” This word can be interpreted multiple ways each time it is said. It is also possible that the bird is not talking. It is possible that the bird is an image created by
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
In the poem, Coming, by Yeats, Yeats uses a falcon and a falconer as a symbol. This whole poem is all about how the world is changing. According to Yeats’ philosophy, the world goes through 2000 year periods w...
“Sailing to Byzantium”, published in 1928, “An Irish Airman Foresees His Death”, published in 1919, and “The Second Coming”, published in 1920, are all some of the most highly regarded works of William Butler Yeats. Although each poem seemingly contains its own personal ideas and focus on particular topics, one common theme is found throughout all three: death. In “Sailing to Byzantium” Yeats discusses the matter of growing old and attempting to find a way to live eternally after death has taken its toll, while in “An Irish Airman Foresees His Death” he creates an internal dialogue of an Irish airman as he feels he is about to take his final flight into death, and lastly in “The Second Coming” he creates an allegory for post-war Ireland by alluding to the Apocalypse. Each of these poems is popular not only due to the incredible manner in which they were written, but rather, due to the voice in which Yeats discusses each of the poem’s respective subjects. Through his modernist style, yet traditional form, William Butler Yeats wrote “Sailing to Byzantium”, “An Irish Airman Foresees His Death”, and “The Second Coming” as an attempt to answering the difficult questions that surround death in a way which resonated so strongly onto the audience that continues its legacy to this day.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.