Medea and Agaue, the tragic heroes of Euripides’ Medea and Bacchae, represent similar ideas. For both plays, the plot focuses on those two characters’ attainment of vengeance, so that their desire for a form of retribution is the primary driving force behind the plays’ conflicts. In each case, the revenges taken by Medea and Agaue are the results of their acting on their most basic, instinctual emotions without the self-control given by a more reasoned nature. Accordingly, the women and their pursuit of revenge become representative of the emotional side of human thinking. The characters that Medea and Agaue eventually destroy, Jason and Pentheus, support and represent reason, civilization, and ambition. As these male characters against which Medea and Agaue take their revenge hold purely civilized and unemotional values, they become the opposite of their play’s women. Thus, the conflict in each play becomes less specific. Instead, both plays seen together become a more generalized reflection on the natural opposition of logic and emotion, and the tragic results of their imbalance. Revenge motivates both Agaue and Medea towards the eventual destruction of each of their opposing characters, but the perspectives of each woman differ significantly. Medea’s incentive for her actions is very definite: her lover Jason wronged her by breaking his promises to her and taking a different wife. She plans all of her actions for the duration of the play using her entirely emotional anger at Jason’s betrayal. However, the emotion behind Medea’s actions still includes a form of justice. As Medea represents is a guest of both Jason and the Corinthian king, her exile from Corinth constitutes a violation of xenia. This break in pro... ... middle of paper ... ... return to reason after the god’s madness leaves her, which also shows the relationship of reason and emotion within thought. Both Medea and Bacchae show that an imbalance of reason and emotion lead to tragedy: just as “civilized men ignore at their peril the world of instinct, emotion, and irrational experience” (Vellacott 9), the abandonment of all reason and the inability to restrain oneself also leads to misfortune, what Jason notes as the “fatal results [that] follow from ungoverned rage” (Medea 30). Medea and Agaue’s pursuit of vengeance leads to the loss of their homes and families, which makes them lose the possibility of retaining any civilized values, as they become dependent on the hospitality of others. Ultimately, their fates leave them as pitiable figures, making them, instead of the characters that they destroy, the victims of their tragedies.
“Euripides Bacchae”. 29 Oct. 2015. Lecture). First I will demonstrate how the empowerment of the Bacchants is seen as a threat to the rational male civilization, but becomes more desirable as the play progresses. Secondly, I will show how the seemingly beneficial powers gained through female empowerment are revealed to be destructive and violent. Finally, I will illustrate how both the civilized rational male and wild irrational female symbolically fail at the plays end, whereas the balance between male and female is triumphant.
With no husband, no country to turn to, and no one she can really depend on for rescue, Medea is trapped by her circumstances. Instead of becoming crushed, however, Medea turns it against those she hate. She attacks the weaknesses in her enemies’ character. Knowing Jason would feel guilty about his abandonment, Medea sent her own children to deliver the poisoned gifts, despite the certain death her children would face being involved in such a plot. Knowing the princess would not resist flashy gifts, she cursed the dress and crown. Knowing the king’s love for his daughter would cause him to rush to her aid, Medea formulated the curse to spread to those who touched the daughter as well. As each facet of her plan had to be executed perfectly to succeed, Medea demonstrated the full potential of her capabilities. She proves that when a society completely scorns and devalues women, everyone will pay as women are incredibly strong.
The comparisons between Medea and Hamlet are numerous. Both are stories about revenge that end in the controversial main character sacrificing everything in order to preserve one of the most important markers of identity of their time: honor. Medea was a controversial character in ancient times not only because of her filicide, but because she asserted that women have honor, an idea that was not the norm in Greece. In sharp contrast to her is Hamlet, the tragic hero that was honor-bound by his society to avenge his father’s death, yet only does so at the expense of his entire kingdom. The difference in how society treats Hamlet and Medea in their quests to preserve their honor result in tragedy for both characters, as Hamlet lets the masculine values of honor in his society come in the way of his sanity and Medea draws honor, in a society that does not acknowledge her efforts as valid, out to its very limits, causing Jason pain at the expense of her own children, despite social pressures such as duty and gender roles deterring them from completing their vengeance. Both sacrifice almost everything in their quests, breaking societal norms and bringing into question the validity of their revenge.
Medea is a tragedy written by acclaimed Greek playwright Euripides.fortunately, had the opportunity to view last night's performance. Euripides cleverly uncovers the reality of Ancient Greek society, shining a light on the treatment of women and the emotions and thoughts that provoked during their time in society. As they were voiceless, Euripides acted as a voice. The scene is set during a male- dominated society, Medea the protagonist challenges the views and chooses to ignore the normality of civilisation. Treated as an outsider her passion for revenge conquers the motherly instincts she possesses, provoking a deep hatred and sparking revenge towards her once loved family.
The play in all entirety is a major spectacle but Medea’s burning desire for revenge was what captivated viewers the most. As spectators we watch with fascination and horror how the series of events unfold. The chorus also watches Medea’s cutthroat destruction of her enemies. Some might perceive this as an unsettling spectacle. Nonetheless the genius and cunningness of her action is revered not only b...
Despite the contrast in the characters of Euripedes' Medea and Aristophanes' Lysistrata, the two playwrights depicted how gender inequality can start a fire. As with Medea and Jason, the battle between the two lead to former's madness, leading to the death of the enemies she considered, and, unfortunately, leading as well to the death of her own children. Medea felt betrayed and left behind by her husband Jason, as well as continuously aggravated by Creon despite the fact that i...
The two contemporary productions of Medea were selected for this essay in an effort to contrast the ancient Greek version of the play with two modernized versions, which would demonstrate a wide distinction between the styles of production. Furthermore, both modernized versions of the play add their own innovation to the production, making for an even broader dissimilarity among the plays. Moreover, both recent productions are fashioned within cultures which have borrowed their political, social, and moral ways of life from Ancient Greek society, specifically, South Africa¹ (British Colonies), and The United States².
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
How do we define reason as just? When asked this question, it really makes you begin to wonder how to depict what one might think is just. In the story of Medea, reason is what drives many of the characters actions. For example, the reason that Jason leaves Medea for Creon's daughter is for his own benefit. Is that just? Medea then kills Creon and his daughter for revenge against Jason. Is that just?.
Even in today’s society, gender roles play a part in how people view the world. Although more important than the gender roles are the emotions that antagonize the psyche of the human. Medea shows how jealousy can lead to revenge and influence bad decisions and ruin or even end lives. Ironically, the decisions she makes to kill her children, leaves Jason helpless much like a Greek wife during this time. She removes the opportunity for him to voice his opinions, needs, and desires. This flip of traditional gender roles shows how gender roles are not a reliable way to view a society.
When Medea Jason discovers Jason’s plans to marry Creon’s daughter she was hurt deeply. But when Creon tells her that she was being exiled we see her hurt turn into vengeance. Because Medea was a manipulative person she was only needed one day to plan and execute her plan to destroy Jason.
Medea's plan was set into motion. She has nothing to loose. She is even angrier because she betrayed her own father and her people for him. She even bears the burden of having Pelias killed by his daughters for Jason. She decides to take revenge out on Jason's bride and poisons her. She also doesn't want Jason to take the children from her. She decides to kill them, but agonizes over this decision before killing them. Some critics view this as a pathetic attempt at motherhood. I know there is a certain bond between mother and child. She just wants to hurt Jason as much as she has been hurt. "She first secures a place of refuge, and seems almost on the point of bespeaking a new connection. Medea abandoned by the entire world, was still sufficient for herself." (blackmask).