The Role of Vengeance in Euripides’ Medea and Bacchae

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Medea and Agaue, the tragic heroes of Euripides’ Medea and Bacchae, represent similar ideas. For both plays, the plot focuses on those two characters’ attainment of vengeance, so that their desire for a form of retribution is the primary driving force behind the plays’ conflicts. In each case, the revenges taken by Medea and Agaue are the results of their acting on their most basic, instinctual emotions without the self-control given by a more reasoned nature. Accordingly, the women and their pursuit of revenge become representative of the emotional side of human thinking. The characters that Medea and Agaue eventually destroy, Jason and Pentheus, support and represent reason, civilization, and ambition. As these male characters against which Medea and Agaue take their revenge hold purely civilized and unemotional values, they become the opposite of their play’s women. Thus, the conflict in each play becomes less specific. Instead, both plays seen together become a more generalized reflection on the natural opposition of logic and emotion, and the tragic results of their imbalance. Revenge motivates both Agaue and Medea towards the eventual destruction of each of their opposing characters, but the perspectives of each woman differ significantly. Medea’s incentive for her actions is very definite: her lover Jason wronged her by breaking his promises to her and taking a different wife. She plans all of her actions for the duration of the play using her entirely emotional anger at Jason’s betrayal. However, the emotion behind Medea’s actions still includes a form of justice. As Medea represents is a guest of both Jason and the Corinthian king, her exile from Corinth constitutes a violation of xenia. This break in pro... ... middle of paper ... ... return to reason after the god’s madness leaves her, which also shows the relationship of reason and emotion within thought. Both Medea and Bacchae show that an imbalance of reason and emotion lead to tragedy: just as “civilized men ignore at their peril the world of instinct, emotion, and irrational experience” (Vellacott 9), the abandonment of all reason and the inability to restrain oneself also leads to misfortune, what Jason notes as the “fatal results [that] follow from ungoverned rage” (Medea 30). Medea and Agaue’s pursuit of vengeance leads to the loss of their homes and families, which makes them lose the possibility of retaining any civilized values, as they become dependent on the hospitality of others. Ultimately, their fates leave them as pitiable figures, making them, instead of the characters that they destroy, the victims of their tragedies.

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