The source of all evil, a terrifying entity, and the adversary of God in an eternal war for the souls of mankind, Satan is often put forward as a powerful “other,” having little in common with those he tempts and torments. For example, in Dante’s Inferno, Satan is massive, strong and beast-like, chained like Cerberus in Hell for the punishment of mankind, chewing on the bodies of history’s greatest traitors like a vicious dog. Milton's relatable, human-like Satan is on the other end of the spectrum. He is depicted as the underdog, one who must overcome tremendous obstacles, causing the reader to see him as a tragic hero and to feel sympathy for the fallen angel. Satan soon begins a transformation of both his mind and physical appearance, not only making his true nature apparent to the reader, but also causing the reader to realize that he or she may have more in common with Satan than previously thought.
Paradise Lost opens in media res: Satan is in a dire situation. He has been, by the command of God, driven out of Heaven with his legion of Angels into the great Deep of Hell, a place “in utter darkness. . . As far removed from God and light of Heaven as from the centre thrice to the utmost pole.” (I.70-75). Satan's desire to rebel against his creator stems from his unwillingness to be suppressed by God and his Son, claiming that angels are "self-begot, self-raised" (5.860) and thereby denying God's authority over them as their creator (Singh). In Book I, Milton portrays Satan as a strong, imposing figure with great abilities as a leader and public statesmen. These persuasive powers are evident throughout the book. Not only is Satan cunning and deceptive, but he is also able to rally the angels to continue in the rebellion after ...
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In John Milton’s, The Paradise Lost, Milton’s representation of Satan makes us uncomfortable due to the recognition of his humanizing and relatable reaction to what happened to him. The reader expects Satan to be an evil, and malevolent figure who does evil acts because he loves it and there is no defense for it. While these aspects are prevalent in his character in the poem, Satan does not come across as a completely wicked person but instead, a victim. The representation of Satan has a personifying quality that any of us may have and do not want to admit. In book one, Milton’s portrayal of Satan makes us uneasy because we relate to his actions, which are ordinary human responses to similar situations. It is troubling to say that in this particular poem, Satan resembles humans. However, our human nature is to have an instant reflex to justify our actions without taking any responsibility, which resembles the way Satan justifies his mischievous acts in this poem. Most of the time, we would never think of Satan as a victim; yet, we find ourselves discovering our human nature in Satan’s rationalizations. So, what humanizes this monstrous figure? After thoroughly reading book one, there are many instances when Satan justifies what he has done to make sense of it. Satan believes that God deceived him because he did not know how much power he possessed. According to Satan, God did unjust things that justified his actions. Satan has a whole rationale that God had arbitrary power that caused Satan to become the way he is in the poem. This perception serves as Satan’s foundation on behalf of his justification, which we all can relate to because he does not take responsibility but pr...
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
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Seeing paradise only reminds Satan of what he lost as a result of his fall from Heaven. Satan comes to the conclusion that he is the very embodiment of hell, bringing it everywhere he goes : “The Hell within him, for within him Hell /He brings, and round about him, nor from Hell/One step no more then from himself can fly (20-22).” Compared to the Bible, we actually get to see the torment Satan suffers as he lives his life as God’s adversary. Satan actually takes responsibility for his fall , pointing out the flaws that led to it: “Till Pride and worse Ambition threw me down” ( 40 ) . Unlike the Satan in Genesis and Job, Milton’s Satan clearly understands why he has fallen. As Satan continues to ponder his situation , he realizes that even if there was a chance for his redemption, he would never be comfortable being God’s servant. Sooner or later, the same feelings of inferiority and the desire to overthrow God would rise. Satan becomes bitterer as his soliloquy goes on and resolves that his fate is sealed : “So farwel Hope, and with Hope farwel Fear,/ Farwel Remorse: all Good to me is lost;/Evil be thou my Good;”( 108-110). He then goes on to continue his revenge plot on God. Angry with God for putting him in the position to fall , Satan sees the same potential for failure in Adam and Eve. He then explains that it is in fact God’s fault that he must corrupt them and tells them to “ Thank him
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
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Milton's introduction of Satan shows the reader how significant Satan is to Paradise Lost. He uses Satan's heroic qualities to his followers, and his ability to corrupt to show the thin line between good and evil. Satan was one of the highest angels in Heaven and was know as Lucifer, meaning, light bearer. This shows he was once a good angel. Milton makes the reader see him as a leader and a strong influence to all in his presence. He best describes Satan's ways when stating, "His pride/ had cast him out from Heaven, with all his host. / Of rebel angels, by whose aspiring/ To set himself in glory above his peers" (Milton Book I). Satan's pride was the main reason that God banned him from heaven. Satan always tried to be number one and a leader, instead of following in God's shadow. He would of lived a life in Paradise forever, but he had to follow his feelings as he states, "Better to reign in Hell than serve in Heaven" (Milton 31). This shows how strongly he felt about not being above everybody else.
In conclusion, Paradise Lost can be seen through a historically contextual lens that allows us to see the parallels between Milton’s life and experiences during the reign of Charles I, and the predominant themes in his epic poem. Many of the themes in Paradise Lost, from the broader situational occurrences to the behavior of individual character’s and their attitudes toward the situations in which they find themselves can be seen as directly influenced by Milton’s time as a Parliamentarian in 17th century England.
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Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.