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When given the opportunity to gain dominance over humans, man thirsts for everlasting power. Argentine writer Julio Cortazar argues that “Human history is the sad result of each one looking out for himself” (Blair). Mere desire can easily be twisted into a dangerous obsession due to the egotistic human tendency to never be fully satisfied. For example, the slaughter of the Jews under Adolf Hitler, which is considered one of the most apocalyptic chapters of history, resulted out of Hitler’s necessity for sovereignty over others. Man obtains the inclination to use any possible means available in pursuit of personal gain, disregarding any negative consequences to others. The penalties of this are emphasized by Romantic author Nathaniel Hawthorne in his short stories “Rappaccini’s Daughter” and “The Birth-Mark”. The antagonists, Giovanni and Aylmer, demonstrate their manipulation of their authority over women in order to pursue their perpetual infatuation with scientific experimentation. The ability to exercise their self glorifying ambitions while simultaneously controlling human life threatens Romantic ideals of individualism, idealism, and love for nature in its purest form.
Exemplifying the thrill inherent in exerting dominance over another, both stories portray Aylmer and Rappaccini as God-like. The females, Beatrice and Georgiana, become the subjects of Rappaccini and Aylmer’s inquisitiveness, allowing them to be altered through the exploitation of science into subservient counterparts. In Hawthorne’s time, a patriarchal society was deeply valued. This allowed for the control of females economically, psychologically, and socially, which Beatrice is a replica of. Rappaccini tells her to perform an otherwise hazardous task to ...
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...a contributing individual of society. Similarly, the narrator of “The Birth-Mark” reveals that “we know not whether Aylmer possessed this degree of faith in man’s ultimate control over Nature” (“The Birthmark” 631). Though remaining omniscient throughout the story, the narrator admits that he has limited knowledge of Aylmer’s thoughts, which is an instance of Hawthorne hinting the boundaries of man’s power and intellect. While it is essential that man unearths the hidden perplexities of the world, there is a limit. Once humans surpass this limit, chaos occurs because of the corruption of earthly equilibrium. Hawthorne finds the relationship between pleasure and power is inherently evil because man cannot perceive themselves to be greater than one another or greater than nature; each man is equal and one with nature. Self-empowerment will only generate malevolence.
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
Deadly and helpful, science is a dual-edged sword. Nathaniel Hawthorne is one of the first to emphasize this through his literary works. “Rappaccini's Daughter” and “The Birthmark” are two of his works where he teaches this lesson through the trials of his characters. Focusing on the motif of the “mad scientist”, Hawthorne brings to light the points that people struggle with humanity, learning to love themselves and others, and that science can be more harmful then helpful.
...iteracy and the Death of the Narrative in Hawthorne's 'The Birthmark'." ATQ 9.4 (1995): 269-82.
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
Hawthorne, Nathaniel. "The Birthmark." The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 5th ed. Boston: Bedford/St. Martin's, 2000. 277-288.
Lang, H.J.. “How Ambiguous Is Hawthorne.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
In “The Birthmark,” Aylmer is the force of evil that wants to change Georgiana, who is an innocent character. She eventually comes to believe in his opinions and he corrupts her self-image. Aylmer thinks he can make Georgiana perfect and change what Georgiana got naturally. As previously mentioned, he eventually causes Georgiana’s death with this search for perfection. Hawthorne takes advantage of tying in his ideals with the story to illustrate, once again, that striving for physical perfection can be
The obsessed search for knowledge, fame and fortune can often undervalue one’s life and become the main focus of their existence. In Mary Shelley’s novel Frankenstein, she proves that obsession is a dangerous aspect of the human behavior, which always results in a negative outcome, this is mainly portrayed through the protagonist of the story Dr. Victor Frankenstein, because of Dr. Frankenstein’s obsessive personality he fails to recognize the affects of his scientific experiments which eventually lead to his and his family’s death.
69. What is the difference between a '' and a ''? What Causes ‘State of Mind’ that manifests in ‘HUMAN MATERIALISM’ aka EGOISM? Once more, the ‘ordinary science’ proves itself as the master of classification, inventing and defining the various categories of Egoism. Per example, psychological egoism, which defines the doctrine that an individual is always motivated by self-interest, then rational egoism, which unquestionably advocates acting in self-interest.
Stanley Kubrick's 2001: A Space Odyssey, and Herman Melville's Moby Dick, two separate and radically different compositions that both explore the self-destructive potential of humanity. Moby Dick, set in the New England region of North America during the mid to late 1800s, tells the story of Captain Ahab's quest on the whaling ship, The Pequod, to slay the white whale that crippled him on his last voyage. Throughout their trek the crew are faced with many warnings to turn back, ultimately Ahab must make the decision between saving multiple lives, and exacting his revenge. Ishamel, a well educated traveler and crew member of the Pequod, narrates the story several years after these events have transpired. 2001: A Space Odyssey, is the story of humanity's actions following first extraterrestrial contact. Dr. Dave Bowman sets out on a journey to Jupiter to discover the source of a signal emanating from an obelisk buried beneath the surface of the moon. By the end of his trip, Bowman is the sole survivor of his ship's crew, and must destroy the computer that guided them, HAL, in order to survive.
Hawthorne, Nathaniel. " Rappaccini's Daughter." Nathaniel Hawthorne's Tales. Ed. James McIntosh. New York: W. W. Norton and Company, 1987.
There are numerous instances of ambiguity in Nathaniel Hawthorne’s “The Birthmark”; this essay hopes to explore critics’ comments on that problem within the tale, as well as to analyze it from this reader’s standpoint.
Nathaniel Hawthorne’s 1843 short story entitled “The Birth-Mark” is, at face value, a traditionally formatted Hawthorne story; it is a textbook example of his recurrent theme of the unpardonable sin as committed by the primary character, Aylmer, the repercussions of which result in the untimely death of his wife, Georgiana. However, there seems to be an underlying theme to the story that adds a layer to Hawthorne’s common theme of the unpardonable sin; when Aylmer attempts to reconcile his intellectual prowess with his love for his wife, his efforts turn into an obsession with perfecting his wife’s single physical flaw and her consequent death. This tragedy occurs within the confines of traditional gender
In “Rappaccini’s Daughter” the dual aspects of good and evil in humans are exemplified through the use of figurative language. In the story, Beatrice is described as a beautiful young lady. Hawthorne introduces Beatrice’s beauty to the audience through, “a sculptured portal the figure of a young girl, arrayed with as much richness of taste as the splendid of the flowers, beautiful as the day (3).” These positive traits of Beatrice are presented in order to express her goodness she is compared to flowers and day. In contrast to Beatrice being beautiful Beatrice is also poisonous. Author Roy R Male Jr. suggests that Beatrice is harmful, “The poison in her system-the token of her corruption brings death into the garden” (101). Beatrice is compared to death because creatures- lizard and b...
Ethical egoism can be a well-debated topic about the true intention of an individual when he or she makes an ethical decision. Max Stirner brings up a very intriguing perspective in writing, The Ego and its Own, regarding ethical egoism. After reading his writing some questions are posed. For example, are human beings at the bottom? Following Wiggins and Putnam, can we rise above our egoism and truly be altruistic? And finally, if we are something, do we have the capacity to rise to a level that we can criticize and transcend our nature? These questions try to establish whether or not we are simple humans, bound to our intrinsic nature, or far more intellectually advanced than we allow ourselves to be.