She is a lonely woman who yearns to escape the walls around her and be free. As the story begins, the woman in the story is suffering from temporary nervous depression and has just been released from a sanitarium. Because she is ill, her husband John has been given instructions from her doctor on how to help her recuperate. “He is very careful and loving, and hardly let’s [his wife] stir without special direction” (Gilman, 451). This treatment confines her to her room upstairs.
One of the most famous female authors during the nineteenth century was Charlotte Gilman. Her most famous and controversial short story was “The Yellow Wall-paper”. Charlotte Gilman wrote this short story to change the view on the roles of women in the nineteenth century by using the wallpaper as the oppression of society and the narrator as women mentally breaking away from their roles during this time period. The narrator, throughout the story, progressively breaks away from the role of women during the nineteenth century by doing things that women were not supposed to do. Women were considered as the ones who must stay home and take care of the children.
At first the dirty old yellow wallpaper makes the narrator feel uneasy. For example, she writes in her journal that “the color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight” (3). However, as time passes and she has very minimal physical stimulation, it is clear that the endless solitary confinement drives her mind towards insanity. Subsequently, she later realizes that there is a sub-pattern in the wallpaper of a trapped woman who is trying to escape. Undoubtedly, this wallpaper is a direct representation of the domestic culture and tradition of docile women in 19th century society – the time in which this literary piece was published.
The Yellow Wallpaper, written by Charlotte Gilman, is fictional story based off of her own experiences as a woman in the Victorian era. Gilman depicts a woman, the Narrator of the story, who is in a fairly constant process of mental degradation throughout. The narrator is in a position where she lacks control of her own life, because of the social standing that women held at the time, below men. Her husband, a Physician, has brought her to a country house to provide her with country air and seclusion from people, which he believes will relieve her of nervous depression, though she doesn’t believe it is the treatment that she needs. Author Charlotte Gilman also talks about her own ordeal with a similar treatment to the narrator in Why I Wrote The Yellow Wallpaper, while writer Barbara Hochman discusses the underlying symbol that is the wallpaper in The Reading Habit and “The Yellow Wallpaper”.
I think it is due to this nervous condition”. It shows how Gilman felt about her husband, Charles Stetson, when he didn’t understand what she was going through. Like John in the short story, Stetson numerously told his wife to take things easy and not work so hard, “Her husband and mother were convinced that Gilman needed rest and willpower to overcome her depression”. They could not understand how depression affected her or what made her feel better or worse. The major problem she encountered over and over was getting anyone to understand her.
Born in Hartford, Connecticut in 1860, she was raised by a single mother and grew up to be an artist and art teacher. She married in 1884 and had a daughter the following year. However, after her pregnancy she sank into a deep postpartum depression and was sent to a sanitarium for women. There, the prescribed treatment of rest and isolation nearly drove her insane and ... ... middle of paper ... ...ciety, marriage, and self-image from the midst of it looking out. Because of the realness of Gilman’s narrative and the pain from which she draws it out, The Yellow Wallpaper shows the devastation of sexism in a moving and potent way.
The Yellow Wallpaper is narrated by the main character in the story. From the way the story is told and written, we all know that the narrator is a female. She also states that her husband is named John. The jist of the story is that John and her brother are physicians who diagnosed her with temporary nervous depression. Of course she disagrees and thinks she is just sick.
In the late 1800s, women were considered to be brought up under male superiority. Women were not required to have a decent education or seek a professional career, their expectation was strictly revolved in the interest of their home and family. In addition after marriage, women had embodied a purpose as a wife to have little to any rights: women could not keep their own wages, own property titled under their name, or sign a legal document. As of this, women developed an alternative method of expression which was writing. “The Yellow Wallpaper” by Charlotte Perkins Gilman, “The Story of an Hour” by Kate Chopin, and “Roman Fever” by Edith Wharton are core examples of this attempt, and assisted the audience to interpret the voice and position of women by exhibiting their perspective of women by pointing out the prolonging cruel and unjust treatment men applied over them and the social complexity that pressure women to make misleading choices.
Through the story "The Yellow Wallpaper," written by Charlotte Perkins Gilman, the main character is driven into a state of madness as a result of isolation. The narrator explains that she is suffering from a slight nervous depression, leaving her husband to treat her with rest. She and her husband moved to a house in the country house expecting improvement. During this time, she is placed in a solitary room with walls covered in yellow wallpaper against her will. The excessive abundance of social isolation that this character experiences brings her to an inevitable mental breakdown.
Although it was dilapidated, the house was like fortress to reject all contact from outside. Similarly, in Gilman’s The Yellow Wallpaper, the narrator, Jane, was protected by her husband. Since she had temporary nervous depression, her husband insists she need to rest in the house. This house is a colonial mansion, as Jane describes in the story, “The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village... for there are hedges and walls and gates that lock, and lots if separate little house for the gardeners and people” (152).