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Aphra Behn’s “England’s first professional female author “ has been a very controversial figure in terms of literary criticisms throughout the centuries . The plays she wrote during the restoration period were hugely popular on the stage , and her fiction and poetry also enjoyed success , though on a much smaller scale . However , under rigid Victorian standards , her work essentially disappeared from literary discussion and did not re-emerge until the mid – 1900’s : in the 40’s Behn’s work was “little known , since she had lived under a cloud of Victorian disapproval for her erotic writing and her allegedly licentious way of life . However , by the end of world war II , “the kind of feminine interest that now gives importance to Aphra Behn as a pioneer in women’s professionalism was beginning to emerge “. Behn used her work as societal commentary , addressing politics , sex , money , relationships , power , virtue and ideals but it seems to me that the major focus of her writing is on gender roles .
The representation of the scenes in which the women are being raped suggest that the women’s being subject to men convey the male sexual aggression during that period . In “ The Rover “ , Behn does this by examining the overt commodification of women by not only men , but as a society as a whole ; in Behn’s eyes women were often just as guilty by their complicity . Through the characters of Hellena , Florinda , Angellica and the roving cavaliers , Behn examines ‘commodification ‘ by illuminating just how differently men treated their women according to class and how women were objectified by prostitution , forcible rape and arranged or forced marriages .
It is Florinda’s rebellion against the commodification of forced marriage th...
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...th of the commodity of virginity was held in such high regard that talk of sex was relegated to that which took place for a price by a whore .
So both in marriage and in prostitution – two institutions not usually thought as comparable women are used as objects of exchange . While the institutions themselves may appear vastly different , the level of objectification is equivalent . And they are altogether different from enslavement , or even rape ; there is in all an inherent element of force perpetrated by the male : the virgin is forced into marriage ; the prostitute , not being a virgin , is forced into her profession because she will never be deemed marriable and rape , ofcourse , by definition , is all about power and force . Though Angellica lived in the society , however she was not considered the part of society . Both are the victims of male authority .
being seduced to. It has been said by many at the time that sex was
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Staves, Susan. “Behn, Women, and Society.” The Cambridge Companion to Aphra Behn. Ed. Derek Hughes and Janet Todd. Cambridge: Cambridge University Press, 2004. 12-28. Print.
When the play was set in 1912, women had lacked empowerment and rights, while men had a higher status in society, despite women had no important role in society. By using Priestley’s Inspector Calls we can identify how women were portrayed in the early 20th century. Priestley has explored this in a variety of ways, by customizing the different types of female character to show an insight on how they have viewed upon the world and importantly on how they were treated differently based on several factors like class, money, and age. For an instance, Priestley uses traditional women and transitional women to contrast their lifestyle when it was set in the Edwardian Era.
`Plays and Poetry by early modern women are primarily concerned with negotiating a position from which women could speak. A concern for ideas of gender, language and silence is, therefore, central, though its expression is sometimes open, sometimes covert.' Discuss with reference to Aemilia Lanyer and / or Elizabeth Cary.
During this time in society the industry of prostitution was an economic gold mine. The women operate the brothel while very distinguished men in the community own and take care of the up keep. The brothel keepers are seen as nothing more than common home wrecking whores. However, the owners of the brothels are viewed as successful business men.
Published in 1696, the authorship of An Essay in Defence of the Female sex has been a subject of debate for a long time. Initially the work had been attributed to the contemporary author of Judith Drake, Mary Astell. However this controversy has been cleared with Judith Drake as the decided author of this work. The controversy perhaps emanated from the fact that no author had been indicated on the letter. It was only stated, ‘Written by a lady’. This has been interpreted by some literary analysts as a having been done deliberately by the author to emphasize her message of feminism, the key theme in the work. (Hannah, 2006).
Believed to have written many of her novels in a single sitting, Aphra Behn has made history in the english language for being the first female english writer. Aphra Behn was a spy for Charles II in the Second Dutch War followed by a life in a debtor’s prison when she returned to England, due to Charles failing to pay her properly. In prison is where she wrote books that sold well. Although this story, Oroonoko: Or, The Royal Slave, was not entirely successful in her lifetime, she was able to support herself when Charles II did not pay her for her time serving him. Oroonoko is a story about a hero, an african man, who enslaved in Surinam. The story is supposedly written about her own experiences in the newly found colony in South America.
No greater degradation took place in the Victorian woman’s life than in the bedroom. The Victorian woman had no right to her own body, as she was not permitted to refuse conjugal duties. She was believed to be asexual: “The majority of women, happily for them, are not much troubled with sexual feeling of any kind” (Woloch 128). The inference is, if the husband did not demand the f...
In her play Widow Ranter, Aphra Behn takes quite a solid approach in disrupting the social order by empowering women. She presents the women with characteristics of authoritative figures. Set in 17th century Virginia, Behn use Bacon's Rebellion and the stereotypes of a developing colonial society as a foundation for developing gender politics at the time. Her play also attempts to justify the Emipre’s imposition of their social hierarchy within the Virginian society criticizing the wrongful seizure of power by those without the authority or nobility to do so.
In The Rover by Aphra Behn the reader is shown how all a woman could do during the 1600’s in Europe was sell herself through marriage or prostitution through the characters Hellena and Angellica. Both women have different views on love, sex, and marriage. Hellena is a woman who does not want to be controlled by men. It has been determined by her father and brother that she will join a nunnery, which she rejects. Hellena doesn’t want her desires to be controlled and feels she has the right to love if she chooses and who she can love. Hellena can be seen as a modern day free spirit, and Behn uses this as a way to resist the double standard applied to woman and the idealization of what a “proper” woman is. Hellena falls for a man, Willmore, while attending Carnival and it is her wit in the dialogue with Willmore that the reader sees that Hellena is not foolish in knowing how men view and treat their women. Hellena knows that Willmore will not be faithful and uses her virginity as a way for him to marry her because that is her only way of not going into nunnery as she says, “What shall I get? A cradle full of noise and mischief, with a pack of repentance at my back” (pg 590). Hellena takes control of her situation that marriage is a necessity for women and she will not act as a “prostitute” where she will sleep with a man without a marital commitment. Angellica is a foil character to Hellena. While Hellena wants marriage, Angellica vows "nothing but gold shall charm my heart” (pg 564) meaning she has chosen a life of prostitution. It is not until she too falls in love with Willmore that she tries to believe that her lower status won’t matter and his love for her can be above that. However, because she lives a life of prostitution an...
Wojczak, Helena. “English Women’s History.” English women’s history. Hasting Press. n.d. Web 24 Nov 2013
Lakhoua, Khaoula Chahed. "Power Of The Powerless In Aphra Behn's The Rover." Aphra Behn (1640-1689): Identity, Alterity, Ambiguity. Ed. O'Donnell, Mary Ann., B. Dhuicq, and Guyonne Leduc. Paris: Harmattan, 2000. 177-182. Print.
In Aphra Behn’s “The Rover”, between the categories of virgin and whore lies a void rather than a spectrum. The three leading ladies of the play Hellena, Florinda and Angellica most certainly fall into these categories; Hellena and Florinda being virginal ladies of quality and Angellica being a famous courtesan. These three women attempt to challenge these roles throughout the play. Aphra Behn uses the domination of the men over the women, the objectification of the women and the double standards that exist between men and women to illustrate the impossibility of taking one’s sexuality into one’s own hands, and challenging the assigned roles of the patriarchal society for the female characters in the play.
Since prostitution has been around there have been labels and stigmas behind the workers, their morals and the job itself. Leaving these men and women to be rejected rights, health care, insurance, etc. Weitzer observes, “[i]nstead of viewing themselves as ‘prostituted,’ they may embrace more neutral work identities, such as ‘working women’ or ‘sex workers’ […] These workers are invisible in the discourse of the anti-prostitution crusade precisely because their accounts clash with abolitionist goals.” Weitzer is hinting at the fact that these women and men see themselves as workers too, deserving of workers rights and protection, just as you and I would expect. But they are declined help and benefits because of the stigma following their line of work, based on societal values.