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Gangs of new york movie analysis essay
Essay on gangs of new york
Analysis of the gangs of new york
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In gangster movies, the tragic hero falls from his position because of a flaw in his character. This tragic flaw was called "hamartia" by Aristotle. In the movie Gangs of New York, Bill Cutting “The Butcher” have a lot of flaws on the surface, namely his poor temperament towards people around him, hubris, ego, jealousy and fault sense of
Have you ever heard of a hoodlum preforming a Good Samaritan act? Well the common stereotype is that hoodlums don’t do anything but hurt the community but two boys broke that stereotype. The Greasers proved to be the heroes in the story, not like the beloved Socs. The three greasers who showed the most heroism are Johnny, Darry, and Dally. This is because they sacrificed themselves to a bigger cause or to save the lives of others.
As Beowulf possessed incredible the strength of 30 men, Luke Skywalker the force, and Harry Potter magic, epic heroes continue in every form of today’s entertainment and storytelling. Every culture from the beginning has had their own tales of heroes accomplishing great feats that no one else could. An epic hero is an icon for everyone to relate to, they symbolize different lessons to learn. The epic hero archetype exists as a source of entertainment but also as a demonstrative tool. Their morals and actions are there to help shape our own actions in life. The archetype of an epic hero is unchanging; it stands against the test of time to give us reassurance in the good moral values of human life.
The Public Enemy (1931) directed by William A. Wellman is a pre-code crime film about how an Irish American mobster Tom Powers (James Cagney) rose in the underworld in the prohibition era as an anti-hero who despites authority and finds respectability suffocating. Although being a womanizer and a gangster, Tom is loyal to his mother and his male associates. Despite the disclaimer in he beginning of the film that claims it to “honestly depict an environment that exist today in a certain strata of American life, rather than glorify the hoodlum or the criminal”, The Public Enemy seems to glorify Tom’s criminal behaviors and high life style by depicting Tom in a sympathetic and yet realistic manner, which violates the Motion Picture Production Code of 1930. All the murder scenes, however, strictly abide by the code and happen off-screen.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
The psychological state and moral ground of the anti-hero is always questioned in Noir films. When approaching the climax of the story, Marlowe decides to buy a counterfeit pearl necklace to give to Laura in place of the original counterfeit from the man she loved. Many argue Marlowe did so in an attempt to protect Laura and keep her belief in true love alive. However, he did so to honor the man who was able to conquer Laura, but died in an unexpected turn of events. This is narrated by Marlowe himself at the end of the story when about to throw the pearls in the ocean, he relates "to the memory of Mr. Stan Phillips," I said aloud. Just another four-flusher. I flipped her pearls out into the water one by one at the floating seagulls. They made
scenes which gives you the need to be one of the characters from the flick.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
The Fall is a criminal, psychological suspense thriller that focuses on Det. Superintendent Stella Gibson (Gillian Anderson) and serial killer Paul Spector (Jamie Dornan). The series takes place in Belfast and focuses on how Stella and Paul operate in their own professional and personal lives. Stella Gibson is brought in from London to Belfast to do a review (reviewing all information by the police on a specific murder case, Alice Monroe) to find if the police department made any error in investigating the Alice Monroe case. Paul Spector work as a grief counselor in Belfast, living with his wife and two children. In his off time, Paul is a serial killer. Paul’s first victim, Sarah Kay, is a single solicitor (Lawyer) in her early thirties with
In in the plays Oedipus Rex and Death of a Salesman, the concept of hamartia is evident within each protagonist. The tragic characters Oedipus and Willy Loman inherent flaws that ultimately lead to their downfalls. Aristotle describes tragic heroes and hamartia:
The Hero and Villain Paradigm in The Shining Kubrick’s film The Shining is a loose adaptation of King’s novel with different implications and themes. When comparing Kubrick’s variations on themes and plot with King’s, the conclusions drawn from both the novel and the film are more meaningful. One of the most important differences is how the hero and villain paradigm is presented and how it influences the source of anxiety in both versions.
I believe the reason that, 'The Godfather', is such a great film is because it lets audiences decide whether they like the characters or not. Too many movies made about organized crime begin with some seemingly random act of violence. 'The Godfather', however, lets it be known from the start to judge the characters in the film based on what type of person they are instead of the criminal activities they may engage in.
The Gangster Genre as a Creation of the Necessity to Promote Civic Responsibility and Social Contentment With Ones Society
The genre of tragedy has captivated audiences for centuries. Despite rather macabre subject matter, tragedies are amongst the most revered and elevated pieces of art. Greek philosopher Aristotle proposed the idea of hamartia, a phrase that captures the ideal element of a tragedy. Aristotle believed that a flaw or error could be found in the hero’s actions that set into place the tragic events to befall the hero. Aristotle’s concept is useful in trying to understand Hamlet and Othello, two Shakespearean tragedies. While the heroes of the plays face great conflict from their enemies, it is ultimately their own selves that causes them to take drastic actions that creates the course
According to Aristotle, “A man doesn’t become a hero until he can see the root of his downfall. ” What is the root of the hero’s downfall? This is what Aristotle calls hamartia or flaw (“Tragic”). Willy Loman lives