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For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny. In a verbal rant in response to the Chorus, Medea says, “we have to buy a husband… just to get a master for our body." In this time period the custom is that the family of the bride has to pay the groom a significant amount of money to marry their daughter. The choice of who the bride marries falls in the hands of the potential husband and her father instead of being able to choose a man …show more content…
To refuse him is just not possible." Ancient Greece citizens view women as precious and perfect virgins, patiently waiting for the day they can finally be married and be a gift of purity for their husbands. Like in Medea, many men take on multiple wives, expecting each one to be a virgin, while they themselves are not virgins and often have sex out of wedlock. The pressure lies unfairly on the woman to remain pure instead of being placed equally on the men as well. In this society, the man can also separate himself from a marriage if he is not happy with his wife’s performance, but a woman is forbidden from fleeing. Medea continues on to say that, “A man, when he gets fed up with the people at home, can go elsewhere to ease his heart." He is accepted by his friends and family if he returns home, whereas the woman is shunned by her family and community. Unfortunately, women are treated similarly in today’s culture when it comes to how they are perceived when having premarital sex. A woman is easily called a slut if she has sex with her boyfriend or with different men over time, but a man is often praised for the same behavior. The woman is shamed while the man is celebrated for his accomplishments. The degree of misogyny when it comes to divorce and separations has thankfully changed over the last few generations. With divorces more common, women are now able to choose to leave a marriage when unhappy in the same way men can make that choice. The power no longer remains solely in the hand of the man, but lies within either
In both works the protagonists act in opposition to the established cultural roles society has dealt them. In ancient Greek society, women were controlled by their father before they were married, and controlled by their spouse once they were married; Medea opposes this convention and ultimately succeeds in overthrowing it. In fact the theme of reversal of gender roles pervades the entire text. This is exemplified when at the end of the play Medea domineeringly states, “Now of...
In Classical Greece, roles played by males and females in society were well-defined as well as very distinct from each other. Expectations to uphold these societal norms were strong, as a breakdown within the system could destroy the success of the oikos (the household) and the male’s reputation—two of the most important facets of Athenian life. The key to a thriving oikos and an unblemished reputation was a good wife who would efficiently and profitably run the household. It was the male’s role, however, to ensure excellent household management by molding a young woman into a good wife. Women were expected to enter the marriage as a symbolically empty vessel; in other words, a naïve, uneducated virgin of about 15 years who could be easily shaped by a husband twice her age. Through the instruction of her husband, the empty vessel would be filled with the necessary information to become a good wife who would maintain an orderly household and her husband’s reputation, thereby fulfilling the Athenian female gender role for citizen women.
Initially, when a girl was married, her husband had complete control over her life. A man’s bride was usually a very young girl who was considered an empty vessel because she had no knowledge about how to behave or manage a household. During a conversation in Oeconomicus between Socrates and Kritoboulos, Socrates asked, "Did you marry her when she was a very young girl and had seen and heard as little as possible" (16)? Since girls did not come to a man’s household with any knowledge it was the husband’s job to only fill her vessel with the knowledge that he wanted her to know. In this way, men believed that they had control over their wives’ lives.
Through the readings of the Odyssey and “Medea,” I have recognized parallel patterns in both the marriages between Penelope and Odysseus and Medea and Jason. Odysseus left Penelope with a newborn child while he went off to war. During this time, many eligible suitors, ready to prove their standing and take Odysseus’ place as husband, congregated in the palace constantly. Medea was abandoned and left for another women of higher standing. The way Medea and Penelope carry out deception and trickery differ. Medea and Penelope, both wives whose husbands left them, turned into women consumed with deception, trickery, and cleverness, while differing in their way of implementing their desires, one through murder and the other through mind games.
Even in today’s society, gender roles play a part in how people view the world. Although more important than the gender roles are the emotions that antagonize the psyche of the human. Medea shows how jealousy can lead to revenge and influence bad decisions and ruin or even end lives. Ironically, the decisions she makes to kill her children, leaves Jason helpless much like a Greek wife during this time. She removes the opportunity for him to voice his opinions, needs, and desires. This flip of traditional gender roles shows how gender roles are not a reliable way to view a society.
Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
According to research, the role of women in classical Greece was extremely limited. Men and women were segregated all over in the Greek society, even in the home (Source 9). Women were secluded in their homes to the point of not being able to leave their own quarters except on special religious occasions or as necessity dictated (Source 10). All women were tightly controlled and confined to the home to insure that their husbands were provided legitimate male heirs. Beyond this, women had no true value (Source 6). Clearly, male domination in Greek society was like enslavement to women. A marriage contract dated 92 B.C. can be located in Women's Life in Greece & Rome by Mary R. Lefkowitz and Maureen B. Fant which defines unacceptable behavior within the union of marriage. The document requires that both husband and wife be chaste within the context of the household, but although nothing prevents ...
As mentioned above, the world of ancient Athens, men was the dominate gender. Women were not allowed marriage without consent of their father. They didn’t even have the right to choose their lover. In “A Midsummer Night’s Dream”, Egues presented engagement to Hermia and a man she didn’t love. "A respectable woman's main role in ancient Athens was to stay home, keep pretty, and bear children. Her life centered in the house and the children. Most citizen wives had slaves to do the cooking, cleaning, and grocery shopping. Once she gave birth, her father could not take her back (Women in Ancient Athens 1)." In ancient Athens society established that it was disrespectful for women to disobey the commands of their father or husband. If her husband thought it necessary, he would have the right to keep her locked in the house if she wasn't behaving as a proper Athenian woman should (Women in Ancient Athens 1). In this case, while Hermia consoled to Theseus, Theseus told Hermia to die or reject the society of men altogether if she shouldn't obey her father.
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
In Euripides' Medea, the main character of the same name is a controversial heroine. Medea takes whatever steps necessary to achieve what she believes is right and fair. She lived in a time when women were expected to sit in the shadows and take the hand that life dealt them without a blink of their eye. Medea took very radical steps to liberate herself and destroys the life of the man who ruined hers. She refused to accept the boundaries that a patriarchal society set upon her. Medea was a very wise and calculated woman who was brave enough to leave her homeland, along with everything she knew and loved, in order to follow her heart down the path of what she expected to be eternal happiness.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
In Medea, by Euripides, conflicts play a major role in the creation of the play. Some examples of these conflicts are with Medea and Jason, Medea and herself, and Medea and Creon. Medea is shown to be a strong, independent woman who does what she wants as well as doesn’t let anything stand in her way. She shares qualities of a traditional male at the time, and the qualities of a traditional female. Euripides makes this clear in the play by creating conflicts to prove women can be a powerful character and that the play in general challenges the idea of misogyny.
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.