“Abandon All Hope Ye Who Enter Here.”(Alighieri 18) this statement is viewed while entering through The Gates of Hell. The Inferno by Dante Alighieri is one perspective of Hell that has been written. According to the Cambridge University Library, Hell is set up like a funnel that extends from the surface of the Earth located near Jerusalem; it expands down to the center of the Earth (Cambridge 2006). In this cone-like structure, there are circles that divide sins by the severity of the sin committed. Each circle is on a different ledge or level that separates them from each other (Alighieri 25). Dante and his guide Virgil travel through all the circles of Hell during the Lent season. Through their travels they inspect and comment on the variations …show more content…
This part of Hell is set up inside of concrete walls. This is also the part of Hell where punishments get more severe. This part of Hell is also guarded with demons at the entrance. In each circle there is are different geographical parts, but in this section it gets more complicated. Circle seven is broken apart into 3 sub-circles, this is because they sins are related to each other but are punished differently. For example, circle seven the major sin is violence. This major sin is broken up into violence against neighbors, self, God, and nature. Since there are sub-circles this means that there are different punishments and physical structure in each part. One section in circle seven is a river of boiling blood, and in another section there is a forest with trees. Even though the different geological forms are in the same circle, they divide the different sins apart. Circle seven and eight differ in not only sins, but also in physical structure too. Circle eight is divided into ten ditches that lead further into the center of the world (Alighieri 143). The Lower part of Hell was surrounded by iron blocks, but the eighth circle alone “...is a great circle of stone that slopes like an amphitheater.” (Alighieri 143). This shows that the the physical appearance and land is getting more serious because of the sin and it is getting closer to the center of
God states that we treat each other with the love he gives to us as individuals; while us stating violent acts against love, fraud constituting a corruption and, greed becoming normal thing amongst people defines everything god had envisioned for mankind. Yet, while Inferno implies these moral arguments, it generally states very little about them. Dante discusses with each of the souls in the different circles of hell although it is not truly stated as to why they are specifically in that circle. Only because God justifies there sin belonged there. In the end, it declares that evil is evil, simply because it contradicts God’s will and justification, and since God is God, he thus does not need to be questioned about his morals. Dante’s journey of evil progressed as he winded down the depths of hell pitiless and was driven to make it to purgatory. Inferno is not the normal text that most people would read, then think about how it relates to todays morals; its intention is not to think about the evil discussed but, rather to emphasize the Christian beliefs that Dante followed through his journey.
This canto does two interesting things. It lays out the physical description of what lies ahead and provides the philosophical outline of the why the divisions in hell exist. The seventh circle, of which Dante and Virgil were about to descend into, deals with violence. The damned souls in this circle are divided up into three smaller circles: Those who inflict sins of violence on themselves, their neighbors, and against God (28 & 31). To elaborate further, the infliction of pain on oneself shows that the person disdains himself or herself while this same person should be doing the opposite. The second one applies to those possess malicious intent when inflicting harm on their victims and these include the murderers, plunderers, and robbers (37). How can one commit acts of violence against God? Although not physical, the violent act committed is by being blasphemous and exhibiting scorn when speaking of God. These are sufficient enough to commit acts of violence against God.
On the other hand, the punishments that are borrowed from medieval torture techniques and imprisonment inflicts a physical and bodily pain upon the sufferer that is supposed to be taken literally. In the Medieval Era, their prisons were more like dungeons in the way that they were usually dark rooms with naked and ragged men that were chained to the stone floors. These prisoners were not allowed to move so they had to live in their own excrements, blood, and vomit which ended up filling the room with an odor that was so pungent it could have been a form of torture within itself. Dante used this idea of darkness and awful smells throughout the Inferno as the overall atmosphere of Hell. Also, the idea of the fiery and icy environments that Dante incorporates comes from the medieval prisons where the room would get so hot the prisoners would feel like they were on fire, and during the winter it would be extremely frigid. These ideas of extreme temperatures and darkness are only a few of the torture devices that Dante uses throughout his novel.
There are many different kinds of sins being punished in Dante’s version of Hell. In the seventh level, three different kinds of sins are being punished each in their own separate ring. The usurers, the sodomites, and the focus of Canto XIV, the blasphemers. These sinners committed the act of blasphemy, also known as violence against God. Actions that qualify as blasphemy include burning religious texts, vandalizing churches, worshipping Satan, and other similar transgressions. Sinners who have carried out blasphemous acts were trapped on an unbearably hot, sandy beach. The souls were not only being burned from the bottom where they laid on the beach, but also being burned from “distended flakes of fire [drifting] aloft” in the air, so from
Dante 's Inferno discusses the nine circles of hell, each circle corresponding with a different sin. The nine circles follow respectively: Limbo, Lust, Gluttony, Greed, Anger, Heresy, Violence, Fraud, and Treachery. The first circle is called Limbo, where "virtuous non-Christians and unbaptized pagans" live (History lists). Here, those reside in a castle with seven gates symbolizing the seven virtues. The second circle inhabits those who were overcome by the sin of lust. This people are tortured by being violently blow back and forth by severe winds. The third circle, which represents those who became involved in gluttony, continuously are punished by being forced to lie in a "vile slush" and being overlooked by a worm-monster named "Cerebus". The fourth circle is the home, so-to-say, to those who were overcome by greed. These people have to continue to push heavy objects with their chests symbolizing their selfish drive. The fifth circle represents anger,
Dante introduces Satan in the “Inferno” as the worst sinner of all times, and he relates his complexity with the sins that he committed and his punishment. Satan is described as the angel who rebelled against God, and hence he has wings. The wings of Lucifer are not the wings that an angel would have; instead he has bat-like wings, which demonstrates that now he has the wings the dark creatures as bats have. He is firstly in the story presented as an impure monster that is trapped in ice and unable to escape. “No feathers had they, but as of a bat their fashion was, and he was waving them, so that three winds proceeded forth therefrom” (Canto 34, 50).Dante’s depiction of Satan is different from the common known version of Satan, which is
For centuries humans have been drawing parallels to help explain or understand different concepts. These parallels, or allegories, tell a simple story and their purpose is to use another point of view to help guide individuals into the correct line of thought. “The only stable element in a literary work is its words, which if one knows the language in which it is written, have a meaning. The significance of that meaning is what may be called allegory.”(Bloomfield) As Bloomfield stated, it is only how we interpret the words in an allegory that matters, each person can interpreted it in a slightly different way and allegories are most often personalized by a reader. Dante’s Inferno allegory is present throughout the entire poem. From the dark wood to the depths of Dante’s hell he presents the different crimes committed in life as they could be punished in death.
In The Inferno of Dante, Dante creates a striking correspondence between a soul’s sin on Earth and the punishment it receives in hell for that sin. This simple idea serves to illuminate one of Dante’s recurring themes: the perfection of god’s justice. Bearing the inscription the gates of hell explicitly state that god was moved to create hell by justice. Wisdom was employed to know what punishments would be just, power to create the forms of justice, and love to show that the punishments are conditioned with compassion, however difficult it may be to recognize (and the topic of a totally separate paper). Certainly then, if the motive of hell’s creation was justice, then its purpose was (and still is) to provide justice. But what exactly is this justice that Dante refers to? According to the Oxford English Dictionary, it is the So hell exists to punish those who sin against god, and the suitability of Hell’s specific punishments testify to the divine perfection that all sin violates.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
The Divine Comedy by Dante Alighieri shows an interesting idea of basically going through what would happen if we were to die. Dante along with a guide through Hell, Purgatory, and Paradise brings along new perspective that we would never have thought of. I always thought of Hell being the place where Satan stays and it was basically full of flames and suffering. While the suffering is true Hell has nine circles each with their own special quality and full of a variety of characters
It is with the second circle that the real tortures of Hell begin. There lie the most heavy-hearted criminals in all of Hell, those who died for true love. Here, those who could not control their sexual passion, are buffeted and whirled endlessly through the murky air by a great windstorm. This symbolizes their confusing of their reason by passion and lust. According to Dante, ?SEMIRAMIS is there, and DIDO, CLEOPATRA, HELLEN, ACHILLES, PARIS, and TRISTAN? (Alighieri 57).
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path to reach the hill and volunteers to be Dante’s guide, leading Dante to the journey towards Hell but also the journey seeking for light and virtue.