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robert frost analysis of the road not taken
robert frost analysis of the road not taken
robert frost analysis of the road not taken
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Introduction
The rhyme scheme of Frost’s ‘The Road Not Taken’ negates the idea of the ‘choice’ of the author in the poem, insofar as each quintain is dominated by three lines of an initial rhyme in iambic tetrameter and only two of the second, the effect of this is to show the imbalance of the choice that the author is making and so helps to tell the story. However, it could be argued that the ending rhyme being the second rhyme suggests that the narrator is unwilling to fully let go of the less dominant choice, it is this human reluctance that Frost manages to capture within his poem, ‘And sorry I could not Travel Both’ (2), showing that the narrator had hesitations about the future and the certain fear of the unknown, a relatable fear to
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In three of the four quatrains, Frost rhymes the first two and the ending line, the effect of this is to set a rhythm for the reader. The exception to the rhyme in the penultimate line of each stanza comes naturally and serves to highlight the final rhyme, not itself; ‘the darkest evening of the year’ (8), conveying the a tone of calm and somehow transitory isolation in the superlative ‘darkest’ and ‘the year’ suggesting that this moment of reflection is distinct to the narrative voice. Is this voice that makes Frost’s poem a narrative tale, bringing us along a very simple journey on a moment of melancholic reflection. This is true of all but the final stanza, in which the rhyme scheme changes to the final two lines of the poem repeating the same phrase. The use of a singular line being repeated, ‘And miles to go before I sleep’ (15), which enhances the poems already lulling rhythm to that comparable to the moment when one first falls asleep. The hypnotic edge of this line are similar to that of a child’s story and is reflected in the simple language of the poem, however, it is obvious that Frost’s message to the reader, insofar as becoming a ‘moral’, is about contemplation and taking a moment of pause in …show more content…
The vague characterisation in ‘Stopping by the Woods on a Snowy Evening’ is used to encourage a moment of still reflection to the world. It is, arguably, a simple message and the narrative ‘plot’ no more than a man taking a minute to look in some woods. However, the importance of the message comes from this simplicity and how universal it is. The overpowering pull of obligations and ‘[having] promises to keep’ (14) resonates a feeling of necessary separation from society once in a while, but also the brevity of which that separation can take place. Because of the simplistic nature of the poem it is possible to connect with the narrative voice on a personal level, transferring your own parallel emotions to the poem to give it greater meaning and so finishing the depth of the poem that comes from relating with
Robert Frost is an iconic poet. One of his most well-known poem is titled “The Road Not Taken”. This poem is about the narrator monologue about his travels and choices he faced. It opens up with the view with a fork in the road where two roads take different routes. The narrator must choose which road he will take. The narrator describes his setting vividly of the woods that he is traveling in and the choices he must make, such as “Yet knowing how way leads on to way, / I doubted if I should ever come back.” (14-15). The roads are not only literal choices, but also figurative choices. As they represent all life choices one must make in their lifetime. Frost uses multiple elements within his poem to bring the meaning of it to the reader’s attention. This poem is a metaphor for the choices people must make in their lives and how those choices impact their lives forever.
The narrator looks down one road until he cannot see beyond the bend in the road as it goes into the woods.
In this poem, Frost illustrates that every person has his own opinion. He states “Then took the other, just as fair, and having perhaps the better claim” (line 6-7). What make it better was “it was grassy and wanted wear” (line 8). It was something that was obviously not for everyone because it seems that the other people take the more popular one. “And both that morning equally lay/ In leaves no step had trodden black” (line 11). No one had yet to pass by on this road since the leaves have fallen. “I kept the first for another day” (line 13). The desire to travel down both paths is expressed and is not unusual, but “knowing how way leads onto way” (line 14). The speaker of this poem realizes that the decision is not just a temporary one, and he “doubted if I should ever come back”
In his poem "The Road Not Taken" Frost's theme is about how the choices one makes affect life. When we come to a fork in the road, a decision needs to be made. Both paths are different and choosing the right one – if there is a right one – will depend on where we have been. Each choice that we make plays out differently in our lives. We can look back and wonder what would have happened if we choose differently. But that is outweighed in what we would have missed. Each choice affects who we are, where we are going, and moreover our lives.
“Two roads diverged in a yellow wood and sorry I could not travel both and be one traveler” (Page 756 Stanza 1). This is the beginning of an iambic tetrameter by Robert Frost in which he expresses the thoughts of the speaker as they come to a fork in the road. The speaker faces a dilemma of deciding which path to take. Frost uses a closed form with a rhyme scheme of “ABAAB.” The speaker reaching the fork in the road is symbolism for a particular decision that he must make in life. The first stanza is setting up the situation in which the speaker must observe both choices and make a decision and stick with it. This poem allows the reader to use their imagination and is also relatable in everyone’s everyday lives. In “The Road Not Taken,” Robert Frost uses a good rhyme scheme, description, and symbolism to describe an important life decision as well as show the thoughts of the speaker as he makes this decision.
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
One aspect Frost explores through his use of extended conceptual metaphor is the representation of life as a journey. The traveller, tempted by death, ultimately concludes that he has “miles to go”, where the repetition of the final line develops a sense of monotony, expressing the growing sense of enervation. Interpreted in a purely literal way the traveller is confronted by a simple conundrum: whether to stop or go. However, once read in context, Frost exposes the confrontation between “obligation and temptation” that encompasses both the poem and our lives. The traveller’s isolation from humanity and his exclusion from the woods whose owner “is in the village” perhaps mirrors Frost’s own sense of isolation. The change in rhyme scheme contributes uncertainty that, befitting of such a poe...
...us hate through the symbols of fire and ice. The narrator chooses fire over ice because it’s the most relatable for them and is, in his or her mind, preferable to the hate and coldness of ice. The narrator in “The Road Not Taken” also makes a decision based on how the choices presented relate to them. They chose to be an individual and not to shape their life around someone else’s decision. “Fire and Ice” is, at a deeper level, also very different from “The Road Not Taken” because it presents two specific choices that both lead to the same end while “The Road Not Taken” opens up the possibility for endless paths and decisions with an unknown result. Regardless of where the poems guide the narrator, Frost makes it clear that our decisions affect who we are, but also opens up speculation about what it would be like had we taken different turns. It’s impossible to know.
"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
Robert Frost's “Birches” is written in blank verse and in mostly consistent iambic pentameter. The dependable rhythm of this poem can be likened to the reliability and purity of a child. This poem is not broken into stanzas, rather it is compact with his message and vivid images. This may be due to the fact that—in addition to Frost's desire for this poem to be read conversationally—the compact nature of this poem is attempting to explain the speaker's thoughts and observations in as little space as possible. “The Road Not Taken” is a poetic quintain consisting of four stanzas with five lines in each stanza. Each quintain's rhyme is a dependable ABAAB scheme. The rhyme scheme is comparable to the petrarchan sonnet and the rhyming couplets appear to provoke a sense of focused reflection. The rhythm of this poem is slightly more challenging. It is written in an iambic tetrame...
In Robert Frost’s poem, “The Road Not Taken” there are many complexities that ultimately lead to the poem’s unity. At first glance this poem seems to be a very typical coming of age poem where the speaker has come to a major fork in the road and he must decide which path to take. At first glance this would be a very good statement to make; however, as the reader digs deeper and searches for the complexity and the nuances of the poem the original assessment seems to be shallow and underdeveloped. In order to truly appreciate this poem as a work of art, the reader must search for the unity and complexity within it, otherwise this poetic work of art will go by unnoticed and cast off as a coming of age poem and nothing else.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” show the readers similar struggles of life. “The Road Not Taken” is about taking control of one’s life and living it aside from how others live theirs. While “Stopping by Woods on Snowy Evening” shows the desire for rest. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road that they
The two roads in the poem relate to various paths one might be faced with in life. One path “bent in the undergrowth” (5) which means it had taken many times. However, the other path “was grassy and wanted wear” (8). This is the path in one’s life, which seems “unpopular” at the time. Not many people choose the path that is not typically chosen by others. This is what Frost is doing in his poem as he uses these solid metaphors: challenging his readers to “go against the flow” as the man did.
David Wyatt writes, "Nowhere in Frost is the tension between surprise and anticipation, wayward experience and the form into which it is cast or forecast, more acute than in 'The Road Not Taken'" (129). As the poem is read, one cannot help but be pulled into the questions of which road will be chosen, how they differ, and what will become of the traveler. Perhaps some hope to find guidance for their own journeys by seeking answers in Frost's work. According to Michael Meyer, "The speaker's reflections about his choice are as central to an understanding of the poem as the choice itself." (97) Frost himself admits, "it's a tricky poem, very tricky." (Pack 10)
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...