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literary devices of revenge in shakespeare
william shakespear Hamlet the theme of revenge
william shakespear Hamlet the theme of revenge
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Hamlet by William Shakespeare is a play filled with revenge. A revenge play was a common genre of play in Shakespeare 's day, and Shakespeare showed superb mastery in his style of writing one. The play centers on the fact that revenge leads to tragedy. When Hamlet tries to kill his uncle, he ends up killing Polonius and getting himself killed. Laertes wants to kill Hamlet because of his father 's death and ends up dead himself. A stark contrast to the two, Fortinbras listens to the good advice not to turn to revenge due to the death of his father but is patient and eventually ends up earning the crown of Denmark. As the play begins, Hamlet is still mourning over the death of his father. What makes it worse is that only a few weeks after the …show more content…
He had left Denmark to go to school in France, but comes swiftly back to Denmark to deal with the issue at hand. He goes right to King Claudius, whom convinces Laertes that Hamlet is fully to blame, and persuades him to think in the same way as him. Laertes, flattered by Claudius’s constant praise of him, is deceived by him and Claudius gives the impression that he is just as angry and revengeful, determined to take revenge on Polonius’s and Ophelia’s death due to his concern for Laertes. Claudius takes full advantage of Laertes, and with his mastery of manipulation and cunningness, he builds on Laertes ' resentment and rage to get Hamlet killed, accomplishing his goal. How came he dead? I 'll not be juggled with. Laertes rages, "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, That both the worlds I give to negligence, Let come what comes, only I 'll be revenged Most thoroughly for my father. (4.5.148-154)Laertes and Claudius together concoct a plan to exact revenge on Hamlet. They are planning to have Hamlet and Laertes duel. Laertes sword is dipped in poison, so that Hamlet will die if he is sliced with the sword. However, just to make sure that Hamlet ends up dead, King Claudius fills a cup of wine with poison for Hamlet. There is a huge touch of irony that Shakespeare paints in the motives and actions of Hamlet and Laertes. Hamlet wants to avenge his father 's death, but in the heat of the moment, his rash actions lead to Polonius 's death. Laertes now switches places with Hamlet, desperately desiring to exact revenge on Hamlet. This reversal in their roles greatly adds to the themes of revenge and murder in the book. Another contrast between Hamlet and Laertes can be made in that Hamlet seems to have a good conscience, reminding him that murder is wrong. He is guided by his inner feelings,
Hamlet and the Issue of Revenge in William Shakespeare's Play The question of why Hamlet does not immediately avenge his father's death is perhaps one of the most perplexing problems faced by an audience. Each generation of viewers has come up with it's own explanation, and it has now become the most widely known critical problem in Shakespearean studies. A rather simplistic, yet valid standpoint to take on this problem is that it was essential to the tragedy's narrative progression. As Hanmer said "had he gone naturally to work, there would have been an end to our play!".
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
Both Hamlet and Laertes die because they want to prove they are honorable and their want for revenge. Hamlet killed Polonius, Laertes father. Laertes swore to revenge him and he does by killing Hamlet. To kill off Hamlet, Laertes and Claudius set up a sword fight. Before the sword fight both Hamlet apologizes Laertes for killing his father but they still fight for honor. But Laertes really wants Hamlet dead as does the King. Laertes uses a poisoned sword and slashes Hamlet. Then swords get switched and Laertes is slashed and killed by his own sword. “I am justly kill’d with my own treachery” (Act V Scene ii)
When Laertes first finds out about his father's death he automatically assumes that claudius killed his father but throughout the play Claudius persuades Laertes that Hamlet killed his father. Laertes is very upset and states "To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Act 4 Scene 5 lines 128134. What Laertes means when he says this is questioning how he ended up dead and saying do not mess with him. He says he does not care what happens to him in this life or his next life but he will get revenge for his father's murder. In other circumstances Hamlet does not make as big of a deal over revenge until he talks to his father’s ghost and knows the
The king forbade Fortinbras to wage an attack against Denmark, and instead suggested he attack the Poles to vent his anger. Fortinbras agreed to the plan, but had no intentions of following it. Polonius was King Hamlet’s advisor and the father of Ophelia and Laertes, both of whom respected and loved him, despite his arrogant demeanour. Young Hamlet murdered Polonius accidentally, thinking him to be the king eves dropping on a conversation between Hamlet and his mother. "How now! A rat? Dead, for a ducat, dead!" Laertes returned home immediately after hearing of his father's death and confronted the King, accusing him of the murder of his father. Once Claudius told Laertes that Hamlet was responsible for his father's death, he and Claudius concoct a scheme to kill Hamlet using a poison tipped sword. "…Hamlet, thou art slain…The treacherous instrument is in thy, unbated and envenom'd…" Hamlet does indeed die as a result of wounds inflicted by Laertes, but it is the poisoned tipped sword that causes the demise of Laertes as well.
In the play several characters are compelled to restore family honor by exacting vengeance. Fortinbras tries to reclaim his father’s honor by reclaiming territory, Hamlet must get back at Claudius for killing his father, and Laertes must get back at Hamlet to avenge his father and sister. Each character is driven in the play to get revenge at someone. Hamlet is
Vengeance. A vicious, violent way to make oneself feel better about an offense against them. Throughout the tragedy of Hamlet revenge is a recurring theme, amongst all of the characters. Whether this revenge is in physical form, or mental form, it is equally hurtful. Mahatma Ghandi said, “An eye for an eye leaves the whole world blind.” Ghandi is literally saying that if one person commits a revengeful act, it will create a continuing reaction of bitterness and violence throughout everyone. This quote is highly significant throughout the duration of Hamlet, as it portrays almost precisely, both the plotline of the story, as well as the conclusion. From the murder of King Hamlet to the murder of Prince Hamlet the tragedy is filled with violent acts of revenge.
It is the idea of revenge that sends a cool shiver down the spines of justly men when they begin to question as to why someone would stoop to such a level. But yet it is still more than an idea for revenge has been carried out in various forms along all the eras of history side-by-side of that of novels and tragedies. Even so, revenge is still a dark scheme; an evil plague of the mind per se. It is such a plague that will turn even the greatest persons of the brightest, optimistically capable of minds into lowly, as well as lonely, individuals. Thus, revenge will, and can, only end in despair and agony of the mind. Therefore, provided that all that has been said is true, revenge would appear quite unseemly to the observant onlooker. However, taking an in-depth insight into revenge you can uncover quite a compelling feature, which is best summed up into one word. Pride. Pride is the one clear motivational proprietor needed to push a protagonist into the downward spiral of personal vendetta. Without pride, revenge is no more than a mindless massacre of flesh and bone ending in the obliteration of any hope for reconciliation.
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
Shakespeare wrote hundreds of pieces, from sonnets to plays. Hamlet is one of his most
“Those who plot the destruction of others often fall themselves” (Phaedrus). This quote was said by a Roman fabulist and it depicts the entire concept of revenge in Hamlet. The nature of revenge causes someone to act upon anger rather than reason. Hamlet takes place in Denmark and is about Hamlet’s uncle who kills his dad to gain power of Denmark. After the killing, Hamlet seeks revenge on his uncle. In the play, there are several characters wanting vengeance like that of Hamlet. Throughout the play, Hamlet, Laertes, and Fortinbras all had a tragic death of a family member which caused their decision for revenge. Consequentially, these revenges caused the demise of two characters and the rise of power of another. The retaliation shown by the Prince of Denmark, as well as Laertes led to the downfall of their government.
Throughout Shakespeare’s play, revenge intertwines to bring about the deaths of most of the main characters. Hamlet’s course of revenge initiates the first fatality when Polonius gets caught spying on him and Gertrude (III. iv. 24-25). By pursuing revenge, Hamlet killing Polonius paves the way for more lives to be lost. Claudius sees the murder as an opportunity to eliminate Hamlet, because Laertes’s obsession with revenge leaves him vulnerable. Laertes’s and Hamlet’s revenge lead to the deaths of Gertrude, Laertes, Claudius, and finally Hamlet (V. ii. 287-357). The revenge of each character ironically ended their own life. By acting upon revenge and having inimical intentions, the individuals brought fatalities that were unnecessary.
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
Hamlet as a Revenge Tragedy Revenge tragedy was a brief sub genre of tragedy at the end of the sixteenth century, despite some clashes with the teachings of the church. In a revenge tragedy a crime, normally murder, has gone unpunished, because the criminal has too much power and cannot be reached by the law. This fact is revealed by a ghost to someone closely connected with the victim, laying on him the responsibility to revenge the crime. The revenger is usually an outsider who lacks access to the criminal, who is at the centre of a completely corrupt court. Poison plays a large part and methods of killing are intricate, insidious and imaginative.