The Reputation of Othello

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The Reputation of Othello Where in the rankings does this Shakespearean tragedy stand? This essay will explore the answer to this question by considering professional literary commentary. Francis Ferguson in “Two Worldviews Echo Each Other” ranks the play Othello quite high among the Bard’s tragedies: Othello, written in 1604, is one of the masterpieces of Shakespeare’s “tragic period.” In splendor of language, and in the sheer power of the story, it belongs with the greatest. But some of its admirers find it too savage [. . .]. (131) Louis B. Wright and Virginia A. LaMar in “The Engaging Qualities of Othello” maintain that the popularity of this play has been consistent for about 400 years because it treats emotions that are universal and persistent in human nature. Its characters do not exist on a plane far removed from ordinary life; we are not asked to witness the conflict of kings and conspirators beyond the experience of everyday people; we are not involved in the consequences of disasters on a cosmic scale; what we witness is a struggle between good and evil, the demonstration of love, tenderness, jealousy, and hate in terms that are humanly plausible. (126) The realistic aspect of the play presents a full range of characters, a full range of emotions, a full range of motivations, a full range of actions – just as are present in real society. The down-to-earth, realistic consideration is very important to Othello’s enduring popularity. The play is so quotable; consider Desdemona’s opening lines before the Council of Venice: “My noble father, / I do perceive here a divided duty,” or Othello’s last words: “Killing myself, to die upon a kiss.” Could the... ... middle of paper ... ...d Nothing.” Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ: Princeton University Press, 1965. Heilman, Robert B. “The Role We Give Shakespeare.” Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ: Princeton University Press, 1965. Levin, Harry. General Introduction. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Co., 1974. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos. Wright, Louis B. and Virginia A. LaMar. “The Engaging Qualities of Othello.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Rpt. from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p.: Simon and Schuster, Inc., 1957.
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