Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
how is identity shaped by culture
how is identity shaped by culture
cultural and ethnic identity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: how is identity shaped by culture
Kazuo Ishiguro in his literary work, “The Remains Of The Day”, implements a complex interplay between author and narrator. The interplay allows readers to gain perspective as to the true nature of, Mr. Stevens, the narrators identity. Mr. Stevens in various moments of the novel unconsciously disengages from his usual use of deception and tricky verbiage to reveal his identity as a sympathetic, tragic character that falls victim to his circumstances, which lost any personal identification because of a codependent relationship to his profession and more specifically to Lord Darlington.
Mr. Stevens is a victim of his circumstances. He develops a normal emotional detachment, which is a product of his culture. Much like his father, Stevens is master of disengaging from personal identification in exchange for an attachment to a master they deem wise and honorable. It is within man’s professionalism where man’s identity is rooted for Stevens. Steven’s father is the personification of the Hayes Society belief, “‘dignity in keeping with his position’…I believe one may begin to distinguish what it is that separates a ‘great’ butler from a merely complaisant one”(Ishiguro, 42). Stevens is a product of a generation that believed the great butlers were created in England for they identify themselves by their ability to emotionally detach from self-identity for the job.
Later, he mentions that for his generation and that of his father any decent gentleman will wear their professionalism as they wear a suit. His metaphor dictates that any man who doesn’t root himself in his duty is performing the equivalent of tearing of his suit and running around screaming. So rather, men of past generations realized,
Each of us harbored the desire to make ...
... middle of paper ...
...n he is in this fading, insular postwar England. Stevens trusted and gave all he could to Lord Darlington while at his service at Darlington Hall. In the end the reader is sympathetic to this English butler and his faulty illusions of the makings of identity. As Stevens concludes; it’s better to practice with a ‘renewed effort’ ceasing from looking back, because to stay in the past is to prevent adopting a more positive outlook.
The author utilizes the narrator to show a fleeting way of thought in personal identification. Identity rooted intuitively by the depth of mans professionalism was all Stevens knew. By being attached to a great household he was achieving a prerequisite to attaining greatness, in a generation of perfect English butlers.
Works Cited
Ishiguro, Kazuo. The Remains of the day. New York: Vintage Books, a division of Random House, 1993. Print.
Richard’s own identity as well as his personal identification of others is formed through language. For example, in Richard’s encounter with the Yankee, Richard used language to fill up the “yawning, shameful gap.” He uses personification to emphasize the awkwardness of their conversation. This awkwardness was a result of the Yankee’s probing questions. Richard described it as an “unreal-natured” conversation, but, paradoxically, he also admits, “of course the conversation was real; it dealt with my welfare.” The Yankee man then tried to offer Richard a dollar, and spoke of the blatant hunger in Richard’s eyes. This made Richard feel degraded and ashamed. Wright uses syntax to appropriately place the conversation before making his point in his personal conclusions. In the analogy, “A man will seek to express his relation to the stars…that loaf of bread is as important as the stars” (loaf of bread being the metonymy for food), Wright concludes “ it is the little things of life “ that shape a Negro’s destiny. An interesting detail is how Richard refuses the Yankee’s pity; he whispers it. From then on, Richard identified him as an enemy. Thus, through that short, succinct exchange of words, two identities were molded.
The setting is London in 1854, which is very different to anything we know today. Johnson’s description of this time and place makes it seem like a whole other world from the here and now....
Sending Andrew and William to work for James Selby, owner of a local tailor shop, turned out to benefit Andrew quite well. While working as an apprentice Andrew would listen to the local patrons discussing politics, this peaked his curiosity, and sent him on a quest for self-improvement. After about five years working as an apprentice Andrew and his brother William, ran away from Selby’s shop.(3)
Conclusion: In all, racial oppression and identification is a concurrent theme in Butler’s works that have been discussed. Butler’s examinations involving the sense of pride and passion towards uniqueness and individualism are evident in many different perspectives. In Butler’s works, the passion the main characters have towards themselves in an alien world teach the reader important values and lessons against negativity and racial discrimination.
“It can be interpreted to mean that he was ready, perhaps, to shed a little armor he wore around his heart, that upon returning to civilization, he intended to abandon the life of a solitary vagabond, stop running so hard from intimacy, and become a member of the human community.”
Waxler, Robert P. The Mixed Heritage of the Chief: Revisiting the Problem of Manhood in One Flew Over the Cuckoo’s Nest. N.p.: Wiley-Blackwell, n.d. Literary Reference Center. Web. 8 Apr. 2014.
The theme of personal identity is prevalent in almost every part of Robertson’s, The Greatest Thing Since Sliced Bread. Whether it is from Morris Birds little stories and sense of right and wrong throughout the book or how he tries to atone for his mistakes in order to earn self-respect for himself or through the journey he makes to see his dearest friend, Stanley. For example, when Morris Bird starts talking about the salami sandwich incident with Logan McMurray when Morris tried to give his sandwich to another kid named Alex Coffee but when Coffee does not want the sandwich, Morris Bird decides to throw the salami sandwich. When the sandwich was found it had landed against the side of Mrs. Ochs’ car “smearing it with mayonnaise and making it absolutely reek of salami…” (Robertson, 14). This shows the theme of personal identity because of the f...
...ir wayward and flickering existence. His own identity was fading out into a grey impalpable world: the solid world itself which these dead had one time reared and lived in, was dissolving and dwindling. (156)
Stevens possesses “the emotional restraint which only the English race are capable of” (43). When his father takes ill during a major dinner party, Stevens remains calm and goes on with his duties. After Stevens’ father passes away he says to Miss Kenton, “please don’t think me unduly improper in not ascending to see my father in his deceased condition just at this moment. You see, I know my father would have wished me to carry on just now” (106). Stevens is capable of going about his work after his father has died, which takes much emotional restraint. Although the reader may see this action as heartless, it is clear that Stevens respected and looked up to his father, therefore was upset by his death. Stevens believes his “father was indeed the embodiment of dignity” (34), which is what Stevens is trying to become.
In response to this summarization of Butler’s “Beside Oneself”, I have generated reasoning towards my answers to Butler’s questions within her writing. Though her summary makes many valid identifications, there are still many questions to be rejoined in a more in-depth manner.
Breaking free from the shackles that limit a young person’s freedom of choice often involves the guidance and wisdom provided by adults and peers. Wednesday Wars takes place during a turbulent time in the United States, the time of the Vietnam War. This book, authored by Gary Schmidt, is about the character Holling Hoodhood, a seventh struggling to find his true identity. The biggest obstacle for Holling’s development is his domineering father, Mr. Hoodhood. Through his interactions with his sister, Holling’s overcomes the obstacles that limit his independence and maturation. At the start of the story, Holling is convinced that his teacher, Mrs. Baker, ‘hates his guts’ because of his religious beliefs. He identifies himself as an outsider within his peer group at school since he does
The character of Stevens is unique amongst the others in the novel, as it is written from a first-person perspective and he is the narrator. Ishiguro uses a wide variety of techniques to develop Stevens' character during the first eight pages.
Stevens used his skill of language to hone in on his disbelief of a life after this one and to total denouncement the presents of god in each and every one of us in his work of art “Sunday morning” .Or did he? Art was Stevens’ religion. Stevens used three things to express his premise feeling about the fairy tale about god and anything that had surrounded the notation of his existence. Those three things were Symbolism, Imagery and Wordplay. The combination of these literary devices allowed Stevens to intimately connect with each of his readers allowing them a glimpse into his mind without giving too much. .Using lots a word play allowed Stevens to get away with murder in his poem “Sunday morning” there was nothing that Christ himself could do about the rather touchy debt of the father god. Webs of religious questioning were weaved within the poem so graceful and effortlessly. Stevens used beautiful imagery too rival the questioning attitude he’s invoked inside his readers. Steven’s rather attractive symbolism allowed the reader to become invested in what they believe they had read meant.
The narrator thinks the many identities he possesses does not reflect himself, but he fails to recognize that identity is simply a mirror that reflects the surrounding and the person who looks into it. It is only in this reflection of the immediate surrounding can the viewers relate the narrator's identity to. The viewers see only the part of the narrator that is apparently connected to the viewer's own world. The part obscured is unknown and therefore insignificant. Lucius Brockway, an old operator of the paint factory, saw the narrator only as an existence threatening his job, despite that the narrator is sent there to merely assist him. Brockway repeatedly question the narrator of his purpose there and his mechanical credentials but never even bother to inquire his name. Because to the old fellow, who the narrator is as a person is uninterested. What he is as an object, and what that object's relationship is to Lucius Brockway's engine room is important. The narrator's identity is derived from this relationship, and this relationship suggests to Brockway that his identity is a "threat". However the viewer decides to see someone is the identity they assign to that person. The Closing of The American Mind, by Allan Bloom, explains this identity phenomenon by comparing two "ships of states" (Bloom 113). If one ship "is to be forever at sea, [and] ¡K another is to reach port and the passengers go their separate ways, they think about one another and their relationships on the ship very differently in the two cases" (Bloom 113).