In a tradition of classic poetry, the opening of “The Rape of the Lock” institutes the most epic tone. The author begins by calling upon a muse; he keeps the muse anonymous, rather than appeal to one of the mythic Greek muses. In the first paragraph the author launch pope’s epic theme: a war arising the action of the poem starts with the sun rising, arousing the residents. Though everyone, including the lapdogs, has risen, Belinda remains asleep. She dreams of a handsome youth who informs her that she is protected by a “thousand bright inhabitants of air:” spirits that were once human women who now protect virgins. The dream is sent to Belinda by Ariel, “her guardian Sylph” (20). The Sylphs are Belinda’s guardians because they understand her vanity and pride, having been coquettes when they were humans. They are devoted to any woman who “rejects mankind” (68). Their role is to guide young women through the “mystic mazes” of social interaction (92). At the end of the dream, Ariel warns Belinda of an impending “dread event,” urging her to “Beware of all, but most beware of Man” (109, 114). Belinda is then awoken by her lapdog, Shock. Upon rising, she sees that a love-letter has arrived for her, causing her to forget the details of the dream. At this point in the poem, however, Pope describes Belinda as a influential figure, somewhat like the heroes of epic poetry. Belinda sets out by a boat to Hampton Court Palace. She is accompanied by a party of ladies and gentlemen, but is the most striking member of the group. Her two ringlets are described as love’s labyrinths, designed to entangle a man’s heart. The Baron decides to steal these locks. He builds an altar to pray for success. In this true mock-heroic poem, the gods lis...
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...rovide new and unexpected revelations.
I found this poem very well written and enjoyable. Pope’s careful diction and use of the heroic couplet not only enhances the satire of the poem, but paints a striking picture of how Pope views the society that he lives in. Throughout the poem, it seems that he is half-admonishing, half-poking fun at Belinda and the Baron. In a good-natured way, he is trying to point out flaws. Pope uses messages throughout the poem to exaggerate the ordinary and the commonplace, making them extraordinary and spectacular. In so doing, he makes them seem as they really are, small and petty. Such an example is: “Sol through white Curtains shot a tim’rous Ray, And ope’d those Eyes that must eclipse the Day.” This literary device is also used, such as personification in the phrase “Love in these Labyrinths his Slaves detains.”
...e family’s life style; that they live in poverty and go to church on Sundays. The poem is centered on one question: “what did I know of love's austere and lonely offices?” The majority of the poem is examples of “love’s austere and lonely offices”. One such example would be when the boy polishes his shoes, probably getting ready to go to church. The father, although poor, still passes on good values to his son by going to church on Sundays. Another example would be the father waking up earlier than the rest of the house to get it warmed up. He deeply cares and loves his family and doesn’t want them to suffer in the cold and darkness as long as possible (only suffer at night). Another example of the father’s love is when he wakes up earlier and gets the wood from the cold outside weather to keep the family and house warm instead of enlisting for help from his family.
Critics of the period were hesitant to praise ‘Choise’. However, contemporary critic, J.B Steane, claimed the poem ‘seems worth reprinting both as a curiosity, and for what one can see as a certain charm and freshness. In its (not unimportant) way, it even does Nashe’s century some credit.’ The idea of ‘freshness’ in regards to the text is evident in the use emotive language to depict Tomalin’s amazement towards Francis, in the description ‘sweeping she coms, as she would brush the ground, / Hir ratling silke 's my sences doe confound.’ (Nashe, 65) The language here is more akin with love poetry than other sections of the text, and it is in part the fluctuation in language which situates ‘Choise’ as something oppositional to the expected. As Brown explains, Nashes ‘was the epitome of verbal facility and quick wit, who came to be identified with a particular kind of literary value.’ (Brown, 59) The originality of Nashe’s poetry, coupled with his lustful subject matter is reflected throughout the poem, such as: ‘first bare hir leggs, then creepe up to hir kneese. / From thence ascend unto hir mannely thigh.’ (Nashe, 65) ‘Choise’ therefore belongs to a segment of literature which presents lust ‘in a salacious,
When the poem is read aloud, the explicit rhyme and rhythm of the lines becomes extremely obvious. In fact, the bouncy rhythm is so uplifting, it occasionally makes the audiences feel like it is too predictable and straight-forward. An example would be “bright with chrysolite”, the word “chrysolite” feels like it is forcefully implemented for the sake of the rhyme. This is somewhat similar to a children’s tale. Most children’s tale as we know it, conveys messages straightforwardly and are easily understood by children, it also has an amiable tone and a merry mood that engages the children 's attention. Similarly, the rhyme and rhythm of this poem is very obvious and explicit, creating a delightful, casual mood that appeals to a young audience. Even though the legend dealt with deep insights about parenting that are intricate and puzzling, the father delivered it in such a gratifying, simple manner that made even the most dark and dreadful matters: like the description of precarious beasts and vicious monsters to sound like a blissful adventure of friendly animals. The sole purpose of this contradiction between the tone and message is to make this seemingly strong and serious topic more tolerable and captivating to the son of the father. Unsensible, impulsive youth is very similar to restless children, a long insipid lecture about deep insights is very difficult for them to buy into. In the same time, a harsh, threatening warning will only make them obey unwillingly, and creating a doubtful relationship will make them uncomfortable to communicate or appeal to their parents. Clearly, the percipient father recognized the ineffectiveness of these unsuitable parenting methods. Instead, he conveyed the message in a uncomplicated, friendly way that made his son to accept his teachings more comfortably. A
Let’s imagine you wake up one morning and have been kidnapped by the Society of Music Lovers and they have attached you to a famous unconscious violinist, who has a fatal kidney sickness. Since you are the only one with a similar blood type, the Society of Music Lovers has plugged the violinist’s circulatory system into your own; your kidneys are cleaning the deadly poison from the famous violinist’s blood. It will take him nine months to recover from this illness, but you must remained plugged into him. However, if you desire, you may safely detach yourself from him, but he will die from his illness. Is it morally permissible to unplug yourself from the violinist?
workers and the position of supervisor is instantly given an incredible amount more power taking
Sexual assault and rape on college campuses is a serious public issue. Before applying to these accredited institutions most students do not look up the school 's past records of sexual assault and rape on their campus.College campuses have failed to keep students safe the system they use has failed to protect and obtain justice for those that have been victims of sexual assault. Society plays a huge part in how young adults view sexual assault. From young age girls are told “if he’s bothering you it 's because he likes you”, and boys aren 't held accountable for their actions because “boys will be boys”. At what time does it stop being a game. At what age is it not acceptable for boys to mistreat girls, when is the line drawn and, what is the punishment for when this line is crossed.
Despoil in the military occurs more often than many civilians believe. It is very important
Mary Wroth alludes to mythology in her sonnet “In This Strange Labyrinth” to describe a woman’s confused struggle with love. The speaker of the poem is a woman stuck in a labyrinth, alluding to the original myth of Theseus and the Minotaur. The suggestion that love is not perfect and in fact painful was a revolutionary thing for a woman to write about in the Renaissance. Wroth uses the poem’s title and its relation to the myth, symbolism and poem structure to communicate her message about the tortures of love.
The submission of women is demonstrated in the text through the symbolic colors of the couple’s bedroom. Indeed, as the young woman’s husband is asleep, the wife remains wide-awake, trying her best to provide the man with comfort, while enjoying her newlywed life. As she opens her eyes to contemplate “the blue of the brand-new curtains, instead of the apricot-pink through which the first light of day [filters] into the room where she [has]
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
Marital rape is a term that is seldom used in legal system and even less often in our society in general. In fact, I would guess that most people did not even realize such an act was real or that this crime truly existed, let alone understand to severity of this act. Unfortunately, I have quickly learned that this violent crime is commonly committed, but infrequently reported and is a large issue that negatively affects and hurts women today.
Is anyone truly a stranger to nightmares? Has anyone not woken up in a feverish sweat with a racing pulse or pounding heart? Whose eyes have never wildly searched their room for the phantoms of a dream? Now, what if the familiar consolation of learning it was all in your head never came? How do you wake up from a nightmare that is, in fact, a reality? I think I’m getting ahead of myself. What I mean to say is, I was raped, and rape is a nightmare.
Marriage is a union between two individuals that love, trust and respect one another. It is sharing your dreams and planning for a future. Unfortunately, marriage is not always what is portrayed in the movies. The 19th century brought awareness and change to laws pertaining to domestic violence. Today, domestic violence awareness continues to grow and laws pertaining to physical family violence are being amended. On the other hand, marital rape is a less noted topic that does not receive as much attention as domestic violence. There are several types of marital rape, all which are underreported. Martial rape remains an underreported crime that leaves the victim suffering from long-term emotional and psychological effects.
First of all, the poems main focus is Belinda. She is presented as an upper class aristocratic woman with no real duties or concerns. She is constantly surrounded by Sylphs who's only purpose is to protect and pamper her. This is one example of her importance, the fact that she requires such protection suggests a certain level of importance to begin with. As she goes about her day, she sleeps in quite late, takes her time getting ready and being pampered, then she sets out to enjoy her afternoon with friends. Not once does she have to ask permission from anyone or answer to any man. For a woman in this time, this is a big deal, women were usually seen as dependent upon their husbands, but here Belinda can do as she pleases. She also gets into a heated argument with the Baron, "See, fierce Belinda on the Baron flies, With more than usual Lightning in her Eyes;" (Canto V, 75-76). Although Belinda may not be triumphant in the end, her power of free will is in stark contrast to most representations of 18th century women.
The topic of marital rape, is an arduous topic due to the fact that it is a detestable act of ascendancy committed by a companion. Rape, in itself, is defined as the unlawful compelling of a person through physical force or duress to have sexual intercourse; it is deemed to be an act of possession and control versus an act of fulfilment from the individual consenting the action. So many times we hear of rape cases committed by complete strangers, or even by a trusted individual. Many people tend to think that rape happens to everyone, but according to studies women suffer more as victims that men do. In this paper, we will discuss how rape is not a crime of sex, but a crime of sexism, and how our patriarchal culture system leads to the acceptance of rape in marriage.