The Ranch - With his good looks, wild success, and baffling lack of acting or comedic talent, Ashton Kutcher is pretty much the quintessential D-bag. It only makes sense then, that his Netflix original series The Ranch is the quintessential D-bag show. The Ranch stars Ashton Kutcher as a Colt Bennett, a pretty-boy college football star who is forced to work on his family's Colorado ranch despite his total lack of ranching skills. Hilarity, apparently, ensues. Like much of Kutcher’s work, The Ranch has been slammed by critics for its predictable plot, cheesy jokes, and weak writing. However, Kutcher’s devoted fanboys have managed to turn a blind eye to such issues, which has led to Netflix renewing the series for a second season of 20 (yes, 20) episodes. Bojack Horseman - Right from the start, you know Bojack Horseman is going to be a painful watching experience. The show’s tongue in cheek title is nowhere near as clever as its creators think it is, nor is its writing or voice acting. In many ways, Bojack Horseman feels like a cheap imitation of Bob’s Burgers or post-2000 Simpsons (which nobody should even want to imitate). Despite its many glaring faults, Bojack Horseman has developed a staggeringly large audience of regular viewers, mostly composed of frat bros …show more content…
Owing to my long-standing love of The Science Guy - as his followers affectionately dubbed him - I was ecstatic when I heard Netflix and Nye had agreed to work together on a new show. Unfortunately, it became clear in the first five minutes of the first episode of Bill Nye Saves the World that the Bill Nye being exhibited was not the Bill Nye of old. Much of Bill Nye Saves the World is Nye simply agreeing with popular opinions, oftentimes contradicting points he presented as fact in past projects. The show is not so much science for DIY scholars as it is science for D-bags who hate
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
Hitch is about Alex “Hitch” Hitchens, the date doctor, who helps men get together with women who are out of their league or otherwise wouldn’t think about dating them. One of those men happens to be Alex Brennaman who is in love with Allegra Cole who happens to be his boss. Hitch is able to build up Alex’s courage and help him get the attention Allegra. At the same time Hitch is falling for Sara, who is a gossip columnist wondering who the new guy being seen with Allegra is. The movie is about falling love with the right person. With that right person often not noticing them. The key is communication between the two people, so then the person can get the attention needed.
Freaks and Geeks gives a new and realistic portrayal of adolescence in a nice small package of a television show. It strays from the media stereotype of adolescent by showing adolescent life in a new light. It reveals the lesson that many adolescents have to learn to become a mature adult, the choices they have to make that will affect their life in a major or minor way, and the struggles many endured that makes them take rash decision or lost in what they do. Freaks and Geeks is a show that I recommend to many who are sick of stereotypical shows that media broadcast on television.
The average America watches more than 150 hours of television every month, or about five hours each day (“Americans,” 2009). Of the 25 top-rated shows for the week of February 8-14, 2010, six were sitcoms, averaging 5.84 million live viewers each (Seidman, 2010), to say nothing for the millions more who watched later on the Internet or their Digital Video Recorders. The modern sitcom is an undeniable force in America, and its influence extends beyond giving viewers new jokes to repeat at the water cooler the next day: whether Americans realize it or not, the media continues to socialize them, even as adults. It may appear at first glance that sitcoms are a relatively benign force in entertainment. However, the modern sitcom is more than just a compilation of one-liners and running gags. It is an agent of gender socialization, reinforcing age-old stereotypes and sending concrete messages about how, and who, to be. While in reality, people of both sexes have myriad personality traits that do not fall neatly along gender lines, the sitcom spurns this diversity in favor of representing the same characters again and again: sex-crazed, domestically incompetent single men enjoying their lives as wild bachelors, and neurotic, lonely, and insecure single women pining desperately to settle down with Prince Charming and have babies. Sitcoms reinforce our ideas about what it is “normal” to be, and perhaps more importantly feed us inaccurate ideas about the opposite sex: that women are marriage-crazed, high-maintenance, and obsessed with the ticking of their biological clocks, while men are hapless sex addicts whose motives can’t be trusted. The way that singles are portrayed in sitcoms is harmful to viewers’ understanding of themselves...
...eir behavior or attitudes should in no way be emulated. While the characters’ ultimate fate could be seen as a reinforcement of social expectations, the lifestyle the characters live is portrayed in a positive context (after all, the callousness isn’t a function of their singleness), and that is what is important in a society where alternative lifestyles aren’t (or at least were not at the time) given equal time in entertainment and the media. The downside of Seinfeld is that its legacy has created an opposite, though equally negative situation in entertainment to that which it alleviated a decade ago: now the airwaves are dominated by shows about single people. Family sitcoms have fallen by the wayside. Perhaps one day there will be show that is equally appealing to all demographics. In the meantime, I suppose I can survive with reruns of a show about nothing.
Family Guy, an animated sitcom about a New England family and their everyday dilemmas, is a way for viewers to see the comedic side of a dysfunctional family. The Griffins consist of Peter and Lois, the patriarch and matriarch, and Meg, Chris, and Stewie are the children(Family Guy). Every character is different from the next character. They are also weird in their own way. The television show itself displays feminism, structuralism, and gay and lesbian criticism. Each character in the show also displays those criticisms in a certain fashion. Family Guy can be offensive to viewers with its satire, and the way the show delivers its message can make the family and the other characters in the show seem dysfunctional.
"Veronica's Closet! Veronica's Closet! I would rather be crushed in the gears of a combine than spend thirty minutes of my life viewing that sorry sitcom." I huffed. "There will never be another show like Seinfeld." I stomped off to wallow in my own self pity like a pig in warm mud.
The movie Anchorman: The Legend of Ron Burgundy is based in the 1970s. It depicts the highly male dominated broadcast team and shows the shake up when a woman is hired as a reporter and has aspirations of becoming an anchor the television station. The particular scene shows Ron Burgundy is flustered because Veronica Coringstone is impeding on his masculinity. Burgundy exemplifies hegemonic masculinity by explaining he is a man and a professional, when Coringstone says he his acting like a baby he takes offense and explains he is a man and he his ultimately better than a women because indeed he is a man. Burgundy states, “'I’m a man who discovered the wheel, and built the Eiffel Tower out of metal and brawn. That's what kind of man I am. You're just a woman with a small brain. With a brain a 1/3 the size of us...It's science (Robertson, McKay, 2004). The clip also depicts Burgundy’s desire for Coringstone to be the typical submissive female he is used to. The articles will identify the gender stereotypes and access if they are true or false based on the research.
NBC’s Hannibal’s first episode, Aperitif aired on April 4th, 2013 to 4.36 million viewers. The show is based on the acclaimed crime, horror, and drama books by Thomas Harris. The NBC series stands as a reboot for the cinematic Hannibal franchise, which became popular after the success of the 1991 cinematic adaption of Silence of the Lambs in which Anthony Hopkins famously portrayed the character of Hannibal Lecter, although the first Hannibal film was actually the 1986 film Manhunter, an adaption of Harris' Red Dragon. While the first three episodes enjoyed rating of around 4 to 3 million, the rest of the season’s rating hung around the low 2 million mark. Ratings this low combined with the show’s unusual subject matter and brutality almost guaranteed the show would be not be renewed for a second season. However, the show was renewed due to a strong fan reaction on the Internet, specifically from fans on the blog site Tumblr. While the show may not be attracting a large audience, it has an incredibly loyal and outspoken fan base. This is partially why I chose to do this show for this essay. I’ve been watching the show since day one, and there is something about it, the atmosphere, the cinematography, the dialogue, but most importantly the chemistry between Hugh Dancy’s Will Graham and Mads Mikkelsen’s Hannibal Lecter. Everything comes together so perfectly it was apparent from the first episode that Hannibal is show that will develop a loyal following of fans who will fight for its survival. What makes Hannibal unique is that it is a show that should exist on a premium cable network such as HBO or Showtime, however it exists and survives on NBC. Secondly, the show has gathered a large following on Tumblr, a site that is ...
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Ranching goes beyond chasing cows and riding horses. Ranchers are businessmen. They carefully manage their operation's expenses, income, and taxes like other typical businessmen. Income only comes once a year when they sell their calves in the fall. Therefore, each dollar is spent wisely on equipment, feed, and advertising.
Lost by his parents at a young age, Pecos Bill was raised by a pack of coyotes who treated him like one of their own. When Bill reached adulthood, he left his coyote family and took up ranching and cattle herding as a profession. Most of Bill’s adventures him protecting his herd of prized cows out in the sandy desert. He rode a snarling mountain lion and a swirling cyclone to make sure they did not take his cows. Bill even used a lasso of rattle snakes to rope his whole herd at
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
For openers: it’s brilliantly written, performed and film. Each episode has the polish of an excellent feature film – with tighter yet more complex... The show is also relentlessly entertaining. The characters are engrossing. The plot twists astonishing but coherent, and the dialogue mined with ironies and poetic resonance quite beyond what we are used to hearing on the boob tube or even on the commercial cinema screen these days. (Yacower, p. 12)
The film The Internship is the story of Billy McMahon (played by Vince Vaughn) and Nick Campbell (played by Owen Wilson) who lose their jobs as salesman when the company they work for closes down. They then manage to get internships at Google in an attempt to reinvent themselves and to eventually get jobs at Google. The only problem is that Billy and Nick are going to Google which is a technology giant but they themselves do not have any tech skills which makes them unsuitable for the internship. One of the people working at Google who are helping to select candidates for the internship then convinces the company to give these two men a chance. When Nick and Billy arrive at Google for their summer internship they find themselves in