War holds the approximate greatness of a black hole, and is alike one in many ways. From times immemorial writers have used imagery, language appealing to one or more of the 5 senses, irony, things that go against what is expected, and structure, the way the story is written, to protest war. This form of protest has most likely existed since any point in which the existence of both war and written language intersected, and were a part of human life. Through the use of imagery, irony and structure, writers protest war. Vivid imagery is one way with which writers protest war. Crane uses imagery to glorify, and shortly thereafter demean and undercut war, through the use of imagery, by placing positive and negative images of war close to eachother. “Blazing flag of the regiment,” and “the great battle God,” are placed before “A field where a thousand corpses lie.” (A) These lines’ purposes are to put images into the reader’s head, of how great war may appear, and then displaying that there are too many casualties involved with it. In Dulce Et Decorum Est, a man is described dyin...
In the short story “Chickamauga,” by Ambrose Bierce, there are several examples of imagery throughout the passages that help to describe the horrors of war. Bierce sets the story with a young boy playing war in a forest, who is then approached by a “formidable enemy,” a rabbit. The sudden appearance startles the boy into fleeing, calling for his mother in “inarticulate cries,” and his skin getting “cruelly torn by brambles.” The selection of these details leaves a lucid image in the mind of the reader, allowing them to see a sobbing boy running through the forest, covered in cuts and scratches. It represents the innocence and fear of a child, lost and alone in an unknown place. The birds above his head “sang merrily” as the boy was “overcome
The imagery and figurative language in “Dulce et Decorum Est” highlights the suffering of the soldiers, contradicting any notion of romanticized war. Owen uses the simile “like old beggars” (1) to describe the soldiers, which is ironic in that most of the soldiers in World War I were young men. This irony emphasizes how war has changed the soldiers for the worse; they seem “old” and bedraggled, unrecognizable in comparison to their old selves. In addition, the soldiers are “deaf even to the...Five-Nines that dropped behind” (7-8). Owen conveys the soldiers’ exhaustion to be extreme enough that they take no notice of the bombs falling around them, as if they are a
Many war pieces express a distinct sense of truth, hatred, and anger that can be found in the style, tone, and imagery they possess. Incredible images are created in ones mind as war writings are read and heard. Works written by such writers as Siegfried Sassoon, Wilfred Owen, and Tim OBrien really reach out to the audience by way of the authors choice of words and images that they use in their writing. These talented writers create very touching and heart-felt images as they write about the true occurrences, problems, feelings and emotions that soldiers encountered throughout times of war. It is by way of these writers words that the bloody truth of war is heard, rather than the glorified victories heard which overlook the pain that soldiers went through.
US Clergyman Henry Emerson once said, “The tragedy of war is that it uses man's best to do man's worst." And I agree with him. What is it about the human race and war anyway? Well, Carl von Clausewitz also said that, "To secure peace is to prepare for war." I also agree with that. War is an ironic subject at times. And war can also be a way of life for some people. Walt Whitman and Stephen Crane’s poems have no similarities and they both have different ways in writing about war.
Notably, imagery in “Buttons” and “Dulce et Decorum Est” illustrate to the reader the authentic side of battle that soldiers experience first hand. The majority of “Buttons” is spent showing the reader the light and airy version of war that those not in battle practice. The Narrator uses words such as “ laughing” and “sunny” (Sandburg 5) to describe the atmosphere of the newspaper office. However, the narrator then goes on to state the horrific truth of war with phrases such as “twist on their bodies…gasping of wounds…death in their throats” (Sandburg 10-13). The depiction of a massacre like scene is used to reveal to reader the authentic side of war, parallel to the use of imagery in “Dulce et Decorum Est”. The narrator of “Dulce et Decorum Est” expresses the horrendous and disturbing version of war with phrases such as “Froth corrupted lungs…obscene as cancer…white eyes writhing in his face” (Owen 19-23) to portray the real side of war. The narrator shows how awful and unsettling combat actual is through vivid illustrations to convey to the reader that war is not honorable, nor revering. Both “Buttons” and “Dulce et Decorum Est” ...
Both Stephen Crane's "Do Not Weep, Maiden, For War Is Kind" and Wilfred Owen's "Dulce et Decorum Est" use vivid images, diction rich with connotation, similes, and metaphors to portray the irony between the idealized glory of war and the lurid reality of war. However, by looking at the different ways these elements are used in each poem, it is clear that the speakers in the two poems are soldiers who come from opposite ends of the spectrum of military ranks. One speaker is an officer and the other is a foot soldier. Each of the speakers/soldiers is dealing with the repercussions from his own realities of the horror of war based on his duty during the battle.
The archetypical symbol of war is used symbolically as a sense of conflict or tension. It may express disbelief, or trouble. In a sense it is used to draw the reader in close. War is never looked at as a positive thing. When we think of war, we think of violence, death, destruction, heartache, cold and bitterness. This is usually what is intended by the author. Usually peace is follows. Like any work there is a rise a climax and a fall in the plot. War or conflict is usually the strongest in the climax and then the peace comes during the falling point.
Kenneth Burke’s War, Response, and Contradiction focusses on the link between art, contradictions, and society. In this article, the different interpretations of stimuli from the members of the same society reveals the contradictory nature of humans. Two main examples are the anticipated reactions to the ways war is represented and the comparison of a lamp and literature. Individuals within society will interpret war differently when exposed to human and inhuman images of war, revealing the contradictory nature of humans. Comparing a lamp to literature assists in showing contradictory nature of humans as the audience realizes that individuals within the same society have different interpretations of the same stimulus.
Wilfred Owen’s “Dulce et Decorum Est” and E. E Cummings’, “next to of course god america i” are poems that critique patriotic propaganda. Both poems use words and images to effectively depict the influence that patriotic propaganda has on war. “Dulce et Decorum Est” uses descriptive words to create realistic images of the horrors soldiers are faced with during combat, whereas “next to of course god america i” uses sarcasm to inform readers that the abuse of propaganda can be used to manipulate others. The attitudes they convey are quite similar; both suggest that propaganda is a lie; it is not sweet and fitting to die for one’s country.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
encapsulates the futility and horror of war through the use of vivid war images like
...n the face of war. Similarly to “Dulce et Decorum Est,” “The Sentry” has a highly descriptive tone. The images of “deluging muck” (Sentry 15) and “wretches… [bleeding] and spew[ing]” (Sentry 28) are so graphic that the audience feels as if they are on the battlefield with the soldier. This, along with the abundant literary devices and poem structure, decisively reaffirm the concept, also in All Quiet On the Western Front and “Dulce et decorum est,” that war, despite its regal façade, is dehumanizing.
To summarize, Owen uses numerous literary techniques to illustrate his firsthand experience of World War One, and communicates his opinions with a distinguished use of metaphors, similes, personifications, themes, imagery and irony. Owen recognized that the high casualties and unnecessary deaths in World War One were all in fact a metaphor for all death in modern warfare; the well known ‘glory’ of dying for one’s country was simply a lie. Thanks to this, he was successful in making people realize that “The old lie: Dulce Et Decorum Est, Pro Patria Mori”, ‘It is sweet and right to die for one’s country’ is a terrible misunderstanding, and the poem it depicts an irony of death on the modern battlefield. No matter how noble the reasons may be, nothing but misery, heartbreak and agony can come from war.
	The pounding of shells, the mines, the death traps, the massive, blind destruction, the acrid stench of rotting flesh, the communal graves, the charred bodies, and the fear. These are the images of war. War has changed over the centuries from battles of legions of ironclad soldiers enveloped in glimmering armor fighting for what they believe to senseless acts of guerrilla warfare against those too coward to be draft-dodgers. Those who were there, who experienced the terror first hand were deeply effected and changed forever. In their retinas, images of blood and gore are burned for the rest of their life.
Owen’s poem uses symbolism to bring home the harsh reality of war the speaker has experienced and forces the reader to think about the reality presented in romanticized poetry that treats war gently. He utilizes language that imparts the speakers experiences, as well as what he, his companions, and the dying man feels. People really die and suffer and live through nightmares during a war; Owen forcefully demonstrates this in “Dulce et Decorum Est”. He examines the horrific quality of World War I and transports the reader into the intense imagery of the emotion and experience of the speaker.