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romantic period influence
Romanticism and nature
Romanticism and nature
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Man's journey through life is poignantly influenced by the perspective he embraces. A perspective acts as a lens to view the world, swaying one's way of thinking and decision making. This perspective is constantly tested by the prolonged process of maturation that continues with age. The Romantic period ceded a break from intellectual conformity towards emancipation; it marked a radical shift in popular thinking, resulting in the growth in the value of literature, art and nature. Young Wordsworth's life during this inquisitive time establishes a unique context in which to describe the relation between one's experiences and one's developing views. Wordsworth's life work, The Prelude, articulates his perspective on life as he engages in the culture of his era.
Undoubtedly, the underlying theme of the Romantic Movement – consisting of artists such as Wordsworth – resonates in their emphasis on nature. The first book of The Prelude immediately introduces the value Wordsworth himself places on nature. Conveying his opinion from a mature point of view, he expresses a sense of relief and peace in returning to the nature of the Lake District. Sentiments of freedom and relaxation surround Wordsworth as he enjoys the quiet of nature, free from the tumult of civilization. Similar to other Romantics, Wordsworth discovers great understanding from his experiences in nature, which ultimately shape his maturation. Wordsworth's connection to nature births the optimism and creativity attributed to his character, which remain throughout the epic. For example, he characterizes the breeze by articulating his observations in saying,
Oh there is blessing in this gentle breeze,
A visitant that while it fans my cheek
Doth seem half-consci...
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...tion. Wordsworth’s thinking in regard to the Revolution influences his views on political philosophy as he battles to discover a balance between the radicalism of the revolutionaries in France, and the slow humanitarian reform in England.
Wordsworth’s primordial experiences as a child in nature instill tenets of Romanticism into his view of the world. As Wordsworth ages and matures, his experiences in London and France contribute to the evolution of his perspective on nature and humanity. From his retrospective analysis of nature and humanity in the peaceful garden, to his emotional experiences in the violence of the Revolution, Wordsworth clings to Romantic thought. Despite his experiences with the disarray of urban London and the terror of violence in France, Wordsworth retains the optimism and love of humanity that is central to the Romantic perspective.
Wordsworth, William. Excerpt from The Thirteen-Book Prelude, Book VI. 1806. Romanticism: An Anthology. 2nd ed. Ed. Duncan Wu. Oxford: Blackwell, 1998. 389-392.
One of our greatest fears is the fear of death. Immortality is something any of us would take in a heartbeat, so we do not have to face death. But this is something that we cannot run away from. Mortality is an unpleasant thought that sits in the back of our minds form our day to day lives. Yet, this fear is something that is developed more over time as we grow older. Children believe that the world is such a wonderful place, they fell invincible. They also have wonderful creative skills and imaginations which is often revealed to us when they can play one game for hours at one time. Yet, as a child ages, this imagination and creativity can disappear. This is what William Wordsworth is terrified of. Wordsworth is an English poet as well as his colleague Samuel Taylor Coleridge published the first edition of Lyrical Ballads and it changed everything as mentioned Evelyn Toynton, “In early 1798, Coleridge and a little-known poet named William Wordsworth decided to publish a joint volume of their poems.” (Toynton, Evelyn). William expressed this fear of premature mortality of the imagination in each of his works, Lines Composed a Few Miles above Tintern Abbey, The Prelude, The World is Too Much with Us, and London, 1802.
Stephen Crane and William Wordsworth are two authors who base many works of theirs on the idea of Naturalism. Naturalism is a literary movement in the nineteenth century that suggests the environment shapes human character. Wordsworth’s and Crane’s literary works contrast to prove that an individual’s viewpoint on the natural world depends on their own experiences with naturalism. Wordsworth sustains an optimistic tone within the compilation of his poems he has written. Two primary examples of his poetry would be: “I wandered lonely as a cloud” and “The world is too much with us.” In these, he briefly discusses how comforting parts of nature are, and how he feels less alone when in the midst of the natural world. He also states that nature
As a result of Wordsworth's many memories of Tintern Abbey, his life appears to be happy. The recollection of Tintern Abbey influences Wordsworth to acts of kindness and love. Likewise, Wordsworth is influenced from the natural surroundings of Tintern Abbey. Bloom said, "The poet loves nature for its own sake alone, and the presence of nature gives beauty to the poets mind…" (Bloom Poetry 409). Nature inspires Wordsworth poetically. Nature gives a landscape of seclusion that implies a deepening of the mood of seclusion in Wordsworth's mind. This helps Wordsworth become inspired in his writings while at the same time he is inspired in his heart (B...
Wordsworth and Hopkins both present the reader with a poem conveying the theme of nature. Nature in its variety be it from something as simple as streaked or multicolored skies, long fields and valleys, to things more complex like animals, are all gifts we take for granted. Some never realize the truth of what they are missing by keeping themselves indoors fixating on the loneliness and vacancy of their lives and not on what beauty currently surrounds them. Others tend to relate themselves more to the fact that these lovely gifts are from God and should be praised because of the way his gifts have uplifted our human spirit. Each writer gives us their own ideals as how to find and appreciate nature’s true gifts.
Wordsworth truly emphasized the influence nature had on human morals and emotion. He spiritualised nature and regarded the environment as a philosophical moral teacher, as a mother and even guardian, as the one true elevating influence that was greater than any other. He believed that between man and Nature there is mutual consciousness and understanding, as well as a spiritual connection. According to him, human beings who grow up in the lap of Nature like he did were the ideal humans, the perfect kind. Above all, Wordsworth emphasized the moral influence of Nature as this pastoral influence. “They are second only to nature, which is "the breath of God." (Wordsworth 221). It was his special characteristic to concern himself, not with the strange and remote aspects of the earth, and sky, but nature in ordinary, familiar, everyday moods.Wordsworth stressed upon the moral influence of Nature and the need of man’s spiritual discourse with it “Great and benign, indeed, must be the power/ Of living nature,” (Wordsworth 167). He did not recognize the scary, hideous side of nature, only its
Cosgrove, Brian. “Review: Wordsworth, Reality, and the ‘Absolute Self’.” “Reviewed works: The Prose Works of William Wordsworth”. An Irish Quarterly Review, 64 (1975) 49-58. JSTOR. Web. 21 Mar. 2010
William Wordsworth is a British poet who is associated with the Romantic movement of the early 19th century. Wordsworth was born on April 7, 1770, in Cockermouth, Cumberland, England. Wordsworth’s mother died when he was seven years old, and he was an orphan at 13. This experience shapes much of his later work. Despite Wordsworth’s losses, he did well at Hawkshead Grammar School, where he firmly established his love of poetry. After Hawkshead, Wordsworth studied at St. John’s College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry.
When a man becomes old and has nothing to look forward to he will always look back, back to what are called the good old days. These days were full of young innocence, and no worries. Wordsworth describes these childhood days by saying that "A single Field which I have looked upon, / Both of them speak of something that is gone: The Pansy at my feet Doth the same tale repeat: Whither is fled the visionary gleam? Where is it now, the glory and the dream?"(190) Another example of how Wordsworth uses nature as a way of dwelling on his past childhood experiences is when he writes "O joy! That in our embers / Is something that doth live, / That nature yet remembers / What was so fugitive!" (192) Here an ember represents our fading years through life and nature is remembering the childhood that has escaped over the years. As far as Wordsworth and his moods go I think he is very touched by nature. I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." (193) Not only is this showi...
In his poem, 'Lines Written in the Early Spring,' William Wordsworth gives us insight into his views of the destruction of nature. Using personification, he makes nature seem to be full of life and happy to be living. Yet, man still is destroying what he sees as 'Nature's holy plan'; (8).
Written in 1798, “Above Tintern Abbey” is an account of Wordsworth’s travels “to the southern Welsh county of Monmouthshire” ("Lines written a few miles," n.d, para. 1). Five years prior, Wordsworth departed from Calais, France. The remnants of his passion and fervor were abandoned within the small town, in the form of Annette and Caroline Vallon. His return to England left “the fever of the word, hung upon the beatings of (his) heart” (Wordsworth, 1798, lines 53-54). A stodgy England conceived France as a “landscape to a blind man’s eye” (Wordsworth, 1798, line 51), and five years later on the banks of the Wye, Wordsworth chronicles th...
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
Wordsworth is deeply involved with the complexities of nature and human reaction to it. To Wordsworth nature is the revelation of god through viewing everything that is harmonious or beautiful in nature. Man’s true character is then formed and developed through participation in this balance. Wordsworth had the view that people are at their best when they are closest to nature. Being close creates harmony and order. He thought that the people of his time were getting away from that.
"The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010.