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English culture has often been guilty of exclusionary attitudes toward those of inferior social rank. Class divisions and their respective roles were established by the Middle Ages, and chronicled in literature. A man’s place in society determined his reputation. Several centuries later, the eighteenth-century magistrate and writer Henry Fielding noted in his novel, Joseph Andrews, that the class-conscious population continued to feel that even “the least familiarity [with those below in social rank was] a degradation” (137). One of Regency England’s most beloved writers, Jane Austen, continued the tradition of casting literature as a reflection of contemporary society’s biases.
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End to Torment: A Memoir of Ezra Pound. New York: New Directions , 1979. Print. DuPlessis, Rachel Blau. “Romantic Thralldom in H.D.”Contemporary Literature.20.2 (1979) 178-203.
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"The Errand of Form: An Essay of Jane Austen's Art." New York: Fordham UP, 1967. Wright, Andrew H. "Jane Austen's Novels: A Study in Structure." 2nd ed. London: Chatto, 1964.
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