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essay on symbolism in literature
Importance of Symbolism in literature
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The Power of Myth
"Why is Eurydice such a bitch?" was the comment asked of me during a lesson on the poem "Eurydice" by H.D. "Doesn't she realize that Orpheus loves her and is only trying to rescue her? Why is she so harsh to him?" It was during a unit on mythology that the students were reading H.D's poetryówe had recently completed the small "Orpheus and Eurydice" blurb in Edith Hamilton's Mythology when I came across H.D's effort and decided to introduce it to my students. We had previously explored the roles of women in several contextsóhistorically and religiously. Now we encountered the first female speaker who activated the Greek myth with her strong, powerful language.
Initially, I wanted the students to engage in a comparison of Hamilton's and H.D's female figures. The myth of Orpheus and Eurydice is one I have instructed in the past, and is relatively brief. Orpheus had a gift of music with which he used to enrapture his young bride, Eurydice. Upon their wedding day, Eurydice suffered a deadly bite from a serpent and subsequently died, thus leaving Orpheus in despair. He descended into the Underworld in order to "rescue" his wife and return her to the upper world. He seduced Hades (the god of the Underworld) and Hades' wife Persephone with the music and was therefore allowed to bring Eurydice back from the deadóon one condition, that Orpheus never turns around to see if she is following. Orpheus, holding his wife's hand, braves the unfriendly terrain of the Underworld to escape with Eurydice and at the entrance, he makes the mistake of turning back. Eurydice's mythical character was only allotted one word ("Farewell") in Hamilton's text. Conversely, poet H.D's lengthy work allowed Eurydice to voice her frust...
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...ction of Classic Texts." Special Issue: Feminist Philosophy of Religion. Hypatia. 9/22/94. Retrieved from Electronic Library April 16 2001. http://www.elibrary.com
Additional Resources
Bolen, Jean Shinoda. Goddesses in Everywoman: A New Psychology of Women. Designed by Gloria Steinem. Harper Collins Publishers, 1985.
Estes, Clarissa Pinkola. Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. New York: Ballantine Books, 1996.
Knapp, Bettina. Women in Myth. New York: State University of New York Press, 1997.
Larrington, Carolyne. Ed. The Feminist Companion to Mythology. New York: Pandora/ Harper Collins. 1992. Now reprinted as The Woman's Companion to Mythology. (1997).
Woolger, Jennifer Barker with Roger. J. Woogler. The Goddess within: A Guide to the Eternal Myths That Shape Women's Lives. Fawcett Book Group, 1989.
McCann, C., & Kim, S. (2013). Feminist theory reader, (3d ed.). Hoboken: Taylor and Francis.
Walker, S. Jay. Hurston's Version of Feminism. Zora Neale Hurston's Their Eyes Were Watching God. New York: Chelsea House, 1987. 35. Print.
Holt, Jennifer. "The Ideal Woman." California State University Stanislaus. California State University, n.d. Web. 28 Nov. 2013.
The power and influence of women is symbolized in Odysseus’ encounter with the dead in Hades. In the Underworld, Odysseus meets more women than men. He meets his mother and then a “grand array of women” (334). They all were “wives and daughters once of princes” (334). All of them are the legendary women who were the mothers of the greatest Greek lineages. This symbolizes how Greek civilization was founded by women; they were the ones who gave birth to the heroes. Similarly, The Odyssey is a story created by women. The plot revolves around the actions of women. Athena orchestrates all the events. The seductresses, such as Circe, the sirens, and Calypso, attempt to stop Odysseus from reaching home. The helpmeets, such as Nausicaa, Arete, and Athena, aid Odysseus in his homecoming. The wise and virtuous Penelope is the object of Odysseus’ quest. Unlike Helen who forsakes her husband, Penelope remains faithful. Unlike Clytemnestra who assassinates her husband, Penelope patiently waits for Odysseus. She becomes a model of female patience and of female intelligence. Her craftiness is the only one which can match up to Odysseus’. The Odyssey presents a wide array of women and demonstrates the influence that women have in the life of a
Sarah Pomeroy. Goddess, Whores, Wives and Slaves. (New York: Pantheon. 1975, 1976. Print. P. 80
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.
In learning about the feminist movement, we studied the three articles and discussed and reviewed the different authors perspectives on the topic and learned how important the role of woman in Greek Mythology. In presenting the feminist theory to the class we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept.
Pessoni, Michele. “‘She was laughing at their God.’: Discovering the Goddess Within Sula.” African American Review 29 (1995): 439-451.
of the female and how she utilizes the tall tale and myth as an establishment to investigate
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
Saiving, Valerie. "The Human Situation: A Feminine View" in Womanspirit Rising, Carol P. Christ and Judith Plaskow, eds. Harper & Row, 1979, pp. 25-42.
Nussbaum, Felicity. “Risky Business: Feminism Now and Then.” Tulsa Studies in Women’s Literature 26.1 (Spring 2007): 81-86. JSTOR. Web. 11 Mar. 2014.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.