The Glass Menagerie: Parallels to Williams' Life and Use of Symbolism
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura.
As women's studies programs have proliferated throughout American universities, feminist "re-readings" of certain classic authors have provided us with the most nonsensical interpretations of these authors' texts. A case in point is that of Kathleen Margaret Lant's interpretation of Tennessee Williams' A Streetcar Named Desire in her essay entitled "A Streetcar Named Misogyny." Throughout the essay, she continually misreads Williams' intention, which of course causes her to misunderstand the play itself. Claiming that the play "has proved vexing to audiences, directors, actors, readers, and critics" (Lant 227), she fails to see that it is she herself who finds the play vexing, because it does not fit nicely into the warped feminist structure she would try to impose upon it.
Stanton, Stephen. "Introduction." Tennessee Williams: A Collection of Critical Essays. Englewood Cliffs, New Jersey : Prentice-Hall, 1977. 1-16.
An inability to accept one’s reality and the idea of telling a story through the memory and emotions of someone involve come into play in Tennessee Williams’ The Glass Menagerie. The Glass Menagerie is narrated by Tom Wingfield and tells the story of how he came to leave his mother, Amanda, and his sister, Laura. Amanda is an overbearing Southern women, stuck in the ways of the past and obsessed with finding her daughter the perfect “gentleman caller.” However, Laura is entirely anti-social and unable to cope with societal pressures, making her a tough candidate for a husband. Amanda’s overbearing and controlling nature creates tension between herself and Tom, who seeks adventure and freedom, but most provide for his family. Eventually, when a man from Laura’s past, Jim O'Connor, shows up for dinner, he turns out to not be the “gentleman caller” they all expected and ends up acting as the tipping point for Tom, who leaves the family behind. The story deeply delves into the idea of who people really are, what their lives have become, and the complexity of human nature.
The Normality of ‘Normal’
Throughout various mediums, queer and gender portrayals are not shown in the best light. Majority of media show clear negative connotations of homosexuals and queens while constantly being a target of discrimination and ridicule. Though as time went on many writers decided to speak up and gain awareness for queer and gender biases by incorporating messages of societal discrimination in their plays. Much of their ideals were that of how sexual/gender identity portrayal, lifestyle stigma, and preconceived notions of the homosexual community.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The Glass Menagerie and the Life of Tennessee Williams
The Glass Menagerie closely parallels the life of the author. From the very job Tennessee held early in his life to the apartment he and his family lived in. Each of the characters presented, their actions taken and even the setting have been based on the past of Thomas Lanier Williams, better known as Tennessee Williams.
Donald Spoto described the new apartment building that Williams and his family relocated to in St. Louis, Missouri as having only two small windows, one window in the front of the apartment and another in the rear.
The Destruction of Blanche in A Streetcar Named Desire
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast.
Jeury Nunez Reyes
Prof. Jay Walitalo
ENG 101-FY01
30 Nov 2015
The Importance of Tennessee Williams
“I don 't want realism. I want magic! Yes, yes, magic!
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.