The issue of racial stereotyping in cinema has largely been discussed by critics over the course of cinematic history. The negative portrayal of the Native American, for example, is rampant in the early Western film genre. Native Americans are, more often than not, portrayed as vicious savages, hell-bent on senselessly scalping and murdering as many ‘innocent’ (white?) American settlers as possible. Individuals of a darker skin colour, such as the African American, are also victims of negative stereotyping in early cinema. They are usually portrayed as stupid, aggressive and primitive, as lesser than the ‘white man.’ Some directors have attempted to revise these inaccurate portrayals of minority groups. For example, Arthur Penn’s cinematic masterpiece entitled Little Big Man (1970) provides the audience with a more accurate depiction of the Native American from the mid-19th century, both visually and historically. Similarly, an effective film which does not patronize individuals of a darker skin color is Mike Leigh’s Secrets & Lies (1996). Hortense, a woman of Anglo-Jamaican descent, is portrayed as more successful, wealthy and intelligent than the Caucasians in the film. Other directors have also attempted to portray these minority groups more accurately, yet seem to fall short of the achievements of the two movies previously mentioned. For example, John Ford’s The Searchers is Ford’s attempt at rectifying the negative portrayal of the Native American, a portrayal which he is partly responsible for introducing to mainstream cinema during the mid-20th century (Nolley, 73). Despite his efforts, there is still an excessive amount of racial prejudice towards the Native Americans within the film. Lee Daniels’ Precious is also an attem...
Response to Movie "Ethnic Notions"
The movie 'Ethnic Notions' describes different ways in which African-Americans were presented during the 19th and 20th centuries. It traces and presents the evolution of the rooted stereotypes which have created prejudice towards African-Americans. This documentary movie is narrated to take the spectator back to the antebellum roots of African-American stereotypical names such as boy, girl, auntie, uncle, Sprinkling Sambo, Mammy Yams, the Salt and Pepper Shakers, etc. It does so by presenting us with multiple dehumanized characters and cartons portraying African-Americans as carefree Sambos, faithful Mammies, savage Brutes, and wide-eyed Pickaninnies.
The White Savior Complex is a damaging subconscious underlay of the Hollywood system, and more broadly all of western society. It is used to further separate the notions of “us” and “other” by creating a firm separation fueled by self-righteousness, and a sense of entitlement. Hollywood attempts to address race relations, but fails because of this trope. Kingsle, from the article “Does My Hero Look White In This?” described that both racism and colonialism are acknowledged, but not without reassuring that not only were white people against the system of racist power dynamics, but also were actively fighting against it in leadership roles (2013). In the remainder of my essay I will be commenting on many modern films and their use on this trope, and why subscribing to this filmmaking strategy is problematic.
The Portrayal of Young Black Men in Hollywood Films
Black Knight is a film starring Martin Lawrence which is a DreamWorks
production released in July 2002 by AOL Time Warner. DreamWorks and
AOL Time Warner are large companies that have achieved high levels of
recognition and status within the film industry. The fact it was
produced by two large companies connotes that it is a film with a
large budget so any special effects are likely to be impressive, and
have the ability to employ high budget actors/actresses which will
bring in bigger crowds.
The fact it is produced by a reputable company also means that the
film should not be discriminatory or prejudiced.
Black Knight is a text of the comedy genre but provides a mixed
representation of young black males, as it opposes the dominant
ideology yet also, eventually conforms to it.
12 Years a Slave, is a movie based on the story of Soloman Northup, a free African-American man who was sold into slavery. 12 Years a Slave shows the hardships that Northup had to face as well as Northup eventually being set free again. Henry Stewart writes an article titled “Why 12 Years a Slave is a Bad Movie”, in his article Stewart tries to tear down 12 Years a Slave but fails to because of his weak assumptions, lack of evidence to support his claim, and the overall feeling that Stewart did not fully grasp the basic concept of the movie that he is claiming is a bad movie.
For the millions of people around the world, the television and film industry is more than just a form of entertainment, but also a way of understanding and getting a glimpse into the culture it is created from. Unfortunately, many of these representations continue to perpetuate disturbing racial stereotypes and further promote racial discrimination. Many individuals think that racism no longer exists, but a quick survey of the films and television shows currently out would suggest otherwise. Blatant racism can be seen in Hollywood blockbuster movies like Transformers where two “jive-talking” robot characters present racial caricatures, they speak in “street slang”, can't read, and wear gold tooth pieces. More subtle racism can be noted in the fact that of the top ten movies in the box office, not one features a minority in the lead character. The fact that there are so few images of minorities in films and on television is even more damaging than the stereotypes. When minorities are seen, they are usually in the background, playing sidekicks or present just to further the storyline of the white male lead.
Racism according to the Oxford Dictionary is defined to be, “the belief that all members of each race possess characteristics, abilities, or qualities specific to that race, especially so as to distinguish it as inferior or superior to another race or races.” Racism has always been a part of American history, and has influenced many of today’s films. Most Disney animated films have portrayed stereotype gender roles and racial bias. Disney has always portrayed black people through a certain lens, especially in many of its early cartoons. The first time, black characters or voices appeared in Disney cartoons, there was always something negative about that specific character. This idea that may have been rooted in the past, but it still continues
Over 400 hundred years there has been slavery, racism, and discrimination in America with blacks, and other minorities. A famous man once said “I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality... I believe that unarmed truth and unconditional love will have the final word” – Martin Luther King Jr (brain quote). The movies ‘Miracle at St. Anna’ directed by Spike Lee, and ’12 Years a Slave’ directed by Steve McQueen both show the struggle African Americans went through during a tough racial period in American history. Even today in Modern society African Americans still deal with racism. Spike Lee and Steve McQueen movies both give the viewer a real life look of how blacks were treated in a tough racial climate, while fighting for respect in America.
12 Years a Slave shows the brutality that the slaves went through and how much determination they really had. Throughout
Saying 12 Years a Slave is a realistic film is an understatement. According to the British film director Steve McQueen, some people did not want the film made. He stated, “Some people want to close their eyes on some subjects. They don’t want to look behind them.” (Aspden 5). Others feel there have been too many films been made about slavery already, such as Roots, Django Unchained, and Amistad. 12 Years a Slave is a true story that needs to be told. In this writer’s opinion, it depicts the abuse of slavery in the United States with more intensity than any other film previously made.