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Themes of Eliots poetry
Contribution of t.s eliot
Themes of Eliots poetry
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Journey to the Waste Land
Who is the magnificent Thomas Stearns Eliot or T.S Eliot for short? Besides the fact that he was long distant family to former presidents John Adams and John Quincy Adams, he was an incredible poet. Eliot had come out the womb writing in September 23, 1888 in the small city of St. Louis, Missouri (Murphy 3). You can call him “the man who virtually invented the idea of separating the poet from the poem and the life and times from work has been subjected to more analysis and interpretation” (Murphy 3). His mother Charlotte influenced him due to the fact that,” she was a school teacher” and always was teaching students (Murphy 3). T.S Eliot grew up in a well-active community along the Mississippi River which “shaped Eliot’s poetry and acute sense of place” (Murphy 3). Thomas being so active and known widely throughout is community gave him a push towards writing poetry. He studied at Harvard University and majored in Sanskrit. The Letters of T.S Eliot was amongst the greatest literary successes he had. He had done numerous of poems, plays and wrote skits. Like they say good things must come to an end, T.S Eliot was pronounced dead on January 4, 1955 due to Emphysema.
Thomas Stearns Eliot was a strong voice within the modernist movement, “the birth of modernism within poetry is usually defined by the publication date…The movement began within the end of 19th century after World War I and was continued into the mid 1900’s.” Authors like Modernist authors such as Joyce, Pound and Eliot had a different approach than others, “they were obsessed with the idea that literary artist could create any text in any medium, be in the novel, poetry or even a theatrical piece, that would freely and enthusiastical...
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...oth of T.S Eliot poems were influenced by Modernism times, through Disillusionment which is overcame by Restoration.
Works Cited
Work Citation
"A Glossary of Rhetorical Terms with Examples." Division of Classics. 22 Dec 2004.University of Kentucky.
11 Apr 2007 .
"Journey to the Magi” Poetry for Students. Ed. Marie Rose Napierkowski and Mary Ruby.
Vol. 1. Detroit: Gale, 1998. 108-125. Gale Virtual Reference Library. Web. 27 Feb. 2014.
"The Love Song of J. Alfred Prufrock." Poetry for Students. Ed. Marie Rose Napierkowski and Mary Ruby.
Vol. 1. Detroit: Gale, 1998. 96-114. Gale Virtual Reference Library. Web. 27 Feb. 2014.
Murphy, Russell Elliott. T.S. Eliot: A Literary Reference to His Life and Work. New York:
Facts on File, 2007. Print.
Riquelme, John Paul. T.S. Eliot. Pasadena, CA: Salem P, 2010.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
Modernist Poetry involves a movement away from the self and the emotions of the individual. Typically, the focus of Modernist poetry revolves around the rational notions of the self, unlike the Romantic period, which focused on the poet. Modernist poets ex...
Sharma, Jitendra Kumar. Time & T.S. Eliot: His Poetry, Plays, and Philosophy. New York: Apt Books, INC. 1985.
Eliot, T. S. "The Love Song of J. Alfred Prufrock" in An Introduction to Literature. Ed Sylvan Barnet et al. 13 ed. New York: Longman. 2004. 937-940.
In order to accomplish this goal Eliot incorporated allusions into his work. These references added historical context and depth to his poetry. On the other hand Wallace Stevens opposed Eliot’s large reliance on allusion, calling it overly intellectual and a hindrance to the sound and rhythm of the poem. While Stevens’s portrayal of the desolate present was similar to Eliot’s imaginings, Stevens chose to focus on an American future rather than a European past.
Love of Life and Fear of Death in the Works of T.S. Eliot and Yulisa Amadu Maddy
"T.S. Eliot: Childhood & Young Scholar." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 30 Jan. 2014.
In her poem, Poetry, Marianne Moore writes, poets create “imaginary gardens with real toads in them.”(439). The quotation in the poem suggests that the poet’s works reflect her personality, experiences, and creativeness. In other words, a poet cannot be completely separate from her own works because her experiences come alive through her works. Unlike Marianne Moore, T.S. Eliot takes a different approach to his work and his experiences. He claims that a good poet is supposed to be able to separate himself from his works so that it does not reflect his personality. In addition, he believes that poet’s mind is a mere facilitator that incorporates his experiences and various ideas. Besides their approaches to their own works, the two poets
...ritical Companion to T.S. Eliot: A Literary Reference to His Life and Work; Critical Companion Series, Infobase Publishing (2007), p.407.
Patrick. Lyricism in the Poetry of T. S. Eliot. London: Kennikat Press, 1978. Drew, Elizabeth. A. A. T. S. Eliot: The Design of His Poetry.
T.S. Eliot’s poems are mainly what got him famous. When “Murder In The Cathedral” was out there was a reviewer That actually said, “it may well mark a turning point in English drama.” When his poem, “The Waste Land”, got published he won a two thousand dial award. In 1954 he got the Hanseatic Goethe prize; Confidential Clerk. Two years later he got to lecture an audience of fourteen thousand people at the University of Minnesota.
Southam, B.C. A guide to the Selected Poems of T. S. Eliot. New York: Harcourt, Brace & Co., 1994.
William Faulkner, T.S. Eliot and Robert Frost all had an amazing ability to write and were at the forefront as literary authors of modernism which was not a period, but a faction, an attitude that focused on individualism, randomness of life, etc. Their writings were based on a worldly position that included most poets. They contributed intellectually to literature as well as made aesthetic innovations in a modernist context. Their uniqueness as authors set them apart from the average author of their day. Their literary modernism themes were of dishonesty and decay, failure and despair, race affairs, and inescapable revolutionize. These elements were mainly founded on the world transformation as to the reaction of war and depression. Not only were they in a place of melancholy but also the economy was at risk. Therefore, taking a deeper look at the role of aesthetic innovation in a modernist context of the works of William Faulkner, T.S. Eliot and Robert Frost reveals their originality as modern literary authors.
Yeats and Eliot are two chief modernist poet of the English Language. Both were Nobel Laureates. Both were critics of Literature and Culture expressing similar disquietude with Western civilization. Both, prompted by the Russian revolution perhaps, or the violence and horror of the First World War, pictured a Europe that was ailing, that was literally falling apart, devoid of the ontological sense of rational purpose that fuelled post-Enlightenment Europe and America(1). All these similar experience makes their poetry more valuable to compare and to contrast since their thoughts were similar yet one called himself Classicist(Eliot) who wrote objectively and the other considered himself "the last Romantic" because of his subjective writing and his interest in mysticism and the spiritual. For better understanding of these two poets it is necessary to mention some facts and backgrounds on them which influenced them to incorporate similar (to some extent) historical motif in their poetry.
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.