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Symbolism in the picture of dorian gray
Essay symbolism in the picture of dorian gray
Literary tendencies of the Victorian age
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The literature that occurred during the Victorian era was another main factor during that time. In this period of time, Gothic literature had become very popular and the novel was seen to be a gothic novel (“The Picture of Dorian Gray; A mirror of the Victorian era, era of Hypocrisy” 1). Gothic literature is portrayed as showing the darkest features in human nature that reveals his or her dark passions, like many of the characters features in the novel (“The Picture of Dorian Gray; A mirror of the Victorian era, era of Hypocrisy” 1). Furthermore, many of the notable gentleman became obsessed with their reputation (“The Picture of Dorian Gray; A mirror of the Victorian era, era of Hypocrisy” 1). For example, they began to hide their
The three main literary devices that are used in this novel are symbolism, diction, and references. The diction that Wilde uses throughout the novel, allows the readers to have a more understanding of what the characters beliefs and traits are and allow them to enjoy the novel more. Symbolism gives the readers a visualization of what the self-portrait, yellow book, and the opium dens represent.
The way Wilde words the diction in the novel, allows the reader to have an opinion on what he or she thinks the writing style is. In the novel and other pieces of work, Wilde was known for intentionally confusing the diction and phrases(Reader 453). He felt as though he should not tell the reader what to think, but let the reader come up with his or her own ethical code (Ross 6). In one part of the novel, Wilde compares Lord Henry’s words to music, which relates to many of Walter Pater’s writings (Reader 457). Also, Lord Henry’s diction was what brought Dorian to make the wish that he did in the beginning. The diction used throughout the novel is what gives the readers a visualization of who the characters really
The id does not get affected by its surroundings, it functions within the part of the mind that is unconscious. It also functions on the pleasure principle, which is the idea that every desirous impulse must be satisfied, no matter the consequences. The ego is the representation of compromising to try to bypass the consequences (“Id, Ego and Superego” 1). The superego includes the values and morals from both of one’s parents and from other individuals(“Id, Ego and Superego” 2). The three main male characters are able to be incorporated into the three parts of the human
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
Within The Picture of Dorian Gray, Oscar Wilde depicts two characters that follow the philosophy of Walter Pater. These two characters are Dorian Gray and Henry Wotton. They both embody Pater’s ideal of placing as much enjoyment in one’s short life as possible. While Dorian learns of Pater’s philosophy from Henry he soon exceeds his teacher and becomes invested within the philosophy of living life to the fullest. Dorian exceeds Henry in Pater’s philosophy through his active experimentation and desire for beauty, but Dorian fails to live up to all of Pater’s expectations due to his inability to separate morality for art.
words, he models his life after a work of art. The fact that Dorian's one female
I think this because as I was reading the book I could see that Lord
Obsession in its nature is toxic; it turns people into gods, and leaves no room for their actual selves. Celebrities are the idols of the modern world, where ever they go, a fan follows them dying to get their attention. Dorian Gray, who was loved by nearly all of London for his charm and beauty, who’s biggest fan, Basil, worship of him lead to bitterness. The theme of obsession in The Picture of Dorian Gray is seen through both those who worship Dorian Gray, and the portrait, which is the object of Dorian's obsession. Although Wilde displays obsession through Basil's worship of Dorian, and even Dorian's obsession with himself and his youth, the modern day celebrity is a parallel to Dorian, who is worshipped by many at first for their beauty, wealth or fame, but the nature of the worship eventually leads to chaos.
Some of the main symbols of the novel are The Hanging Wall, the colours of the clothing of the different women and the Eyes. All these symbols add different features to the story which are important. Some add fear, suspense, and overall they all add an important understanding of the story line. Margaret Atwood, was able to successfully create symbols which added depth and helped with the understanding of the novel. With these symbols she used in the novel she proved the importance and the positive effects strong symbolism can have with plot and character
“Symbols are objects, characters, figures, or colors used by the author to represent abstract ideas or concepts.” Symbolism in literature is the depth and hidden meaning in any piece of work. The Scarlet Letter, by Nathaniel Hawthorne is a powerful and evocative novel laced with symbolism. The most obvious is the symbol of the scarlet letter itself, representing Hester’s sin of adultery. Hawthorne’s other symbols are less obvious and are very often obscured in the novel.
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
McLeod, Saul. "Id, Ego and Superego." Id Ego Superego. N.p., n.d. Web. 24 Nov. 2013. .
Throughout the novel “The Picture of Dorian Gray” the self titled main protagonist comes into contact with many unusual characters. All of these characters work together to shape the protagonist as well as the theme and plot of the story. “The Picture of Dorian Gray” tells many different secrets about mankind and how easily influenced humans are. Dorian was an extremely vain individual, who was mostly influenced by three people throughout the novel, who believed physical beauty was the key to life and happiness. Dorian was mostly influenced by two of his great comrades who in contrast influenced him from opposite viewpoints. The third influence was his immature lover. These three characters all worked together to change Dorians viewpoint on life as well as his viewpoint on each other. The actions and comments of these three characters shape the novel, theme that beauty is a combination of not only physical appearance but attitude and character.
If you can get past most of the superficial and unlikeable characters in The Picture of Dorian Gray, this story does indeed have its place in the horror genre. While I understand the setting and the characters were a reflection of the actual class distinctions during the Victorian time period, I found the shallowness and narcissism of Dorian Gray and his circle of acquaintances tedious. "Fops" came to mind more than once along with "don't these people have a purpose other than to dine out and indulge themselves?" Even the women were for the most part portrayed as imbeciles. It almost hurt to read the section in chapter four where Lord Henry's wife appears for the first and only time: "She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church" (Wilde 41). The only likeable main character is Basil Hallward who seems to have a conscience, and although it proves his undoing, he is the only one that tries to save Dorian.
Henry, being a part of the Victorian Society, values beauty too much. To him, beauty acts a sensory pleasure. Henry’s strong views and preference towards beauty greatly influence Dorian throughout the novel. About his friendships and enmities, Henry mentions that he “chooses [his] friends for their good looks, acquaintances for their good characters, and enemies for their good intellects” (Wilde ...
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
The Id “knows no judgments of value: no good and evil, no morality (Freud, The Dissection of the Psychical Personality, 2004, p. 84).” This means that the Id is the part of the personality that is unorganized in the processes and only contains the instincts for biological needs for the person to live. Since the Id has no sense of morals, does not know good or evil, its main goal is to get the person whatever it needs by any means possible to thrive. The way to remember that the Id has no judgments of value is to think of it as a child. A child wines and cries until they receives food, drink or human touch. The child is so unruly that it needs somebody to control it and this would be the Ego. The Ego’s functions on the reality principle that means it keeps the Id under control by organization of the processes in the personality. The Ego is the mediator between the Id and superego which will be discussed later. Since the ego is considered a mediator it could be remembered as the brains of the operation. It keeps the Id under control by educating it and showing that if a need must be met there is a specific way to obtain it. Next is the Superego, Freud considered “the origin on conscience,” meaning that the Superego specific function is to act as the person’s conscience between good and evil (Freud, The Dissection of the Psychical Personality, 2004, p. 74). The Super ego balances out the Id
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.