The Picture of Dorian Gray by Oscar Wilde follows Dorian Gray 's cursed life after he is poisoned with an obsession with youth and beauty. Dorian pledges his soul in order to trade his inevitable aging with the aging of his portrait, and this leads to the death of his humanity and eventually his own bodily death. I believe that Dorian is poisoned by Lord Henry 's idea 's of hedonism and cherishing youth above all, and this acts as the agent that slowly but surely kills Gray. When Lord Henry first meets Gray, he instills an obsession with youth in him, and leads him to believe that it is the most important part of Gray. Gray is so heavily affected by Lord Henry 's ramblings that he begins to believe that he is, in fact hedonistic, but represses
The poison of Lord Henry 's words has not yet affected Gray 's good nature but it begins to inspire an insatiable hunger, which is obviously fatal, men are often warned against unnecessary investigation or experimentation. Exploring London, Gray "look[s] at every one who pass[es] [him], and wonder[s] with a mad curiosity what sort of lives they led. Some of them fascinated [him]. Others filled [him]] with terror. There was an exquisite poison in the air. [He] had a passion for sensations," (56). Here we can see the juxtaposition of the words poison and passion. "Exquisite poison" itself can be seen as an oxymoron, but as Gray himself is figuratively poisoned and not yet felt the negative effects, it makes sense. Passion and poison both sound similar and the tone/alliteration surrounding these words reveal that they are one and the same in the case of Gray. His newfound passion for beauty is the same poison that will end up rotting him from the inside
Gray is "poisoned by [the] book. There [are] moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful," (189). Gray 's quest for beauty leads him down a path of no morality, but because he believes the search for beauty is the highest form of virtue, he consistently chooses any indulgence over doing the right thing, until it becomes his temperament rather than a series of choices. The seed that turns into this way of thinking is planted the yellow book which solidifies Gray 's fear of losing his beauty. Instead of seeing the evil in the portrait, Gray grows happy thinking that he 's successfully separated his own soul and
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
David A. Upchurch emphasizes the impact that the novel had on Victorian society in his article, “The Picture of Dorian Gray: Overview”. Upchurch declares:
He wishes to remain beautifully immortal through the use of his painting. The effects of watching his own sins corrupt the painting causes Gray to perish by his own hand. Richard Ellmann called Gray’s predicament “the ‘tragedy of aestheticism’” (Ruddick 1). Throughout the novel, Gray pursues what Lord Henry calls, the “divine right of sovereignty” (Wilde 26), or rather beauty. What Lord Henry believes and later Gray believes is that there is nothing on this Earth worth living for if it is devoid of beauty. This idolization of mundane ideas and the belief that Gray can overcome his humanity through the use of the painting causes Gray to perish as a result of his own monstrosity. The turn in Wilde’s novel is when Gray realizes he can remain beautiful regardless of the immoral actions he indulges in. He considers himself exempt from the moral constraints ordinary men face. Gray’s monstrousness stems from his own desire to remain immortally beautiful contradictory to God’s desires and plans. This overstepping of his humanity is where Gray goes wrong. Again, monstrosity can be defined as one who tries to gain divinity through
Dorian Gray has a theme of eternal youth, bought at the price of one's soul, and continued through the destruction of others, in common with vampires as well. And, of course, Dorian Gray has to be run in the mind's eye against the backdrop of Oscar Wilde's life, particularly his affair with the young aristocrat, Lord Alfred Douglas, which eventually landed Wilde in jail for sodomy, and pretty much ended his career.
Hedonism means to live only for pleasure. It means not thinking about the consequences of your actions as long as make you happy. It’s a total abandon of all responsibilities. This type of lifestyle often has negative results. I mean, look at the hippies, and how their hedonistic society turned out. They are all either in rehab centers or have kids running around with names like “Moonbeam” and “Starchild”. But enough hippie bashing - let’s look at how the Hedonistic way of life is integrated into The Great Gatsby. Let’s take the parties for example. Gatsby has a party just about every week, no matter what. He has tons of people come over, and they party all night. Gatsby has tons of booze at his parties, and no one thinks of consuming anything but alcohol.
...years. Lord Henry enjoyed influencing Dorian: "He was conscious--and the thought brought a gleam of pleasure into his brown agate eyes--that it was through certain words of his, musical words said with musical utterance, that Dorian Gray's soul had turned to this white girl and bowed in worship before her. To a large extent the lad was his own creation" (Wilde 51). What makes Lord Henry's influence worse is his utter lack of understanding how harmful it was, and, how little he really knew Dorian, evidenced towards the end when Dorian practically tells him he murdered Basil.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
In Oscar Wilde’s The Picture of Dorian Gray, Dorian Gray reads a yellow book given to him by mentor-friend, Sir Henry Wotton. In the years after reading the book, Dorian Gray transforms from the pure and innocent young man he was into a two-faced immoral man. The reason behind the Dorian's degradation is never explicitly mentioned in Wilde's novel, which begs the question of whether literature has the ability to degrade a person. The influence of literature has the potential to corrupt one’s mind, but whether it does is dependant on the state of the reader.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
To avoid getting hurt, he pretended to be Lord Henry: decadent, cynical, eloquent, rebellious, and a bit evil in the eyes of bluenoses. Dorian Gray is what he would like to be: be loved, taste all the beauties and exquisite in life and die for what he wants to defend. In this novel, Wilde portrays his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.