Toe dancing was developed in the early nineteenth century, it did not become widely used until the 1830’s. When Swedish-Italian ballerina; Marie Taglioni, demonstrated its potential for poetic effect. Also known as pointe work, almost exclusively used by women, although male dancers may use it as well. The term line in ballet refers to the configuration of the dancer's body. whether it is in motion or at rest. good line is partly a matter of physique a dancer is born with a certain physical stature can also be developed in and hands by training in ballet their arms, legs, head and torso expected to work together in harmony. Large movements allow whole limbs are preferred over small isolated movements of individual body parts. ballet is
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
http://www.dancemagazine.com/. Jensen, Jill. A. & Nunes, Jill. " Transcending Gender in Ballet’s Lines. " When Men Dance: Choreographing Masculinities Across Borders (2009): 118. Keen, Laurel. E-mail Interview.
Ballet is an athletic art form that utilizes muscle control, flexibility, and physical strength. It requires extreme discipline from the dancers and takes an extreme amount of mental concentration. This discipline causes dancers to have success throughout life and specifically in academic studies. There are many ways that dance can affect the success of a person’s life; however, there are two in specific that make dancers generally more successful. To begin, ballet causes dancers to be self-motivated workers; dancers cannot rely on others to push them to be better, but must have the drive within themselves.
The level of athleticism and skill required for a successful vault is overwhelming. Pole-vaulting, a Track and Field event, was introduced to the Olympics in 1896 (The Physics of Pole Vaulting, 2009). The goal of this event is to get over a bar that is set at a certain height using a vaulting pole for a boost. The athlete has three attempts to get over each height; once they have failed the three attempts, they are out of the competition. Athletes that are able to get over the height within the three attempts move on to the next height, which usually increase by 3 to 6 inch increments. Although the vaulting pole is crucial in pole-vaulting, there is more to it then that, all of which play a huge role in how high you get.
A club known as the Whitey’s Lindy Hoppers possibly began this trend in 1935 when they formed their group of 12 dancers (Swingin’). This group of dancers began, and performed the majority of their lifetime as a group in the Savoy Ballroom. They created the Lindy Hop quite simply, using movements from the Charleston as well as basic tap movements. And because of their dance, they had the opportunity to perform both on Broadway, and even in some movies. First, two partners would dance around together in various ways. Then, the man would complete a series of lifts with the girl, usually ending with them apart. Finally, a section of solo footwork would occur to bring the couple back
Irish Step Dancing started around 1750, when the appearance of dance masters came about. Dance Masters would travel from town to town teaching their dances to people that were interested and that could pay for it. They would teach in barns, kitchens, crossroads, and hedge schools. These teachings went on in secret due to Penal Laws that were enacted in the late 17th century. The English were determined to suppress Irish culture and abolish Christianity so these laws banned the education of catholic children, which was why the Irish created hedge schools. The Dance Masters would start with dances like the Reel and the Jig. Each dance master had his own collection of dance steps and would also create their own over time, which lead to Step Dancing. 8 measures or bars or music is one step, thus the name “Step Dancing”. Often competitions were held where Dance masters would show off there steps and perform on small areas like a table top, top of a barrel, or a small stage. Dancing in these small areas showed great talent. The greater number of steps that were preformed or known the more respect a dance master received. Some Dance Masters would even compete at Feisianna, which was a combination of a trade fair, political gath...
Footbinding was most popular during the Ming Dynasty, if parents cared for their sons they would not go easy on their studies and if they cared for their daughters they would not go easy on their footbinding (Levy, 47-49). One recent study estimated that there are still one million women in China with bound feet. The last Chinese women, still living with bound feet in Hawaii, was in 1994 (Kam, D-6).There are many legends of how footbinding began, one such legend is Lady Yao, a dancer and concubine for Prince Li Yu, danced with such grace that the prince required her to bind her feet to resemble new moons all the time. Another, is that it began out of the sympathy for Empress Taki who had club feet (Aero, 112-113). Although it has not been proven how footbinding started, one of the biggest reasons the practice continued for over 1000 years was it's sexual appeal (Kam, D-1).Humans have shown they will do just about anything- good, evil, or in-between for sex. Footbinding is a very bold issue that many Chinese do not like to talk about.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Salsa has become an ever more popular dance in the United States, especially with the emergence of Latin artists including Marc Anthony, Ricky Martin, Jennifer Lopez, and Shakira. Go to any club or ballroom dance and you will hear a pulsating beat moving you out of your chair and onto the floor. Even Broadway has been affected by Latin music. For instance, Cell Block Tango in the smash hit Chicago has a driving Latin beat. It doesn't matter if you are partying in Miami or sipping martinis in Massachusetts, Salsa has invaded America and taken a grip on the culture. Some even consider Salsa an addiction. "Perhaps it's because of the addictive quality inherent in this rhythm which fuels the desire to become part of it and express it physically..." (Tripp).
The Classical Period which happened in the late 1700’s became one the most evolutionary times in ballets history. The Classical Period is where performance and expression became extremely important. With ballet this period is where the use of storytelling became one of the main focuses for the dancer’s performances. The use of their emotions and the character they portrayed were more important than the use of the costumes. The “father of classical ballet” was known as Marius Petipa. Petipa was born in French but he came to Russia to create in the ballet. In the early 1800’s came the Pre-Romantic Period which was short but needed because of Marie Taglioni. Marie Taglioni was the first ballerina to ever dance en pointe. This time was the time pointe surfaced, em pointe which means “on
Gymnasts use physics everyday. As a gymnast I never realized how much physics went into every motion, every back handspring, every mistake on the bars. If gymnasts were physicists (or at least knew more about physics) they would be better equipped to handle the difficult aspects of gymnastics. As a gymnast I learned the motions that were necessary to complete the tricks that I was working on, and as a coach I taught others the same. I never truly understood why a particular angle gave me a better back handspring or why the angle that I hit a springboard at really mattered when completing a vault. We are going to explore some of the different apparatuses in gymnastics and a few of the physics laws that are involved in them. We will not even barely scratch the surface of the different ways that physics can explain gymnastics.
The Folklorico group presentation I was honored to observed was the “Grupo Folklorico Juventud” from North Salinas High School. I decided to attend to this presentation because I use to be part of this Folklorico group. I also enjoy watching the dances for the reason that I believe they are beyond beautiful. It is amazing how a simple dance could transmit so much information while representing a region from Mexico. From my observation experienced, I noticed every region has different movements and customs for a reason. While observing the presentation I noticed most women used long skirts to create different shapes. They usually create the eight shape, half a circle or an entire circle which is created when the dancer does an entire spin while holding and moving their skirt. The skirt is also moved in different levels, such as high, medium, and low. The two levels that are used in most of the dances is the high and the medium level. While dancing the men and women usually do the same steps and movements. All the dances include “zapateados” which are known as foot dances or stomps. The “zapateados” are usually done with different parts of the feet such as the toe, heel and the sole of the feet. The dances include “zapateados” with different sections of the feet because every part creates a different sound. Most of the dances also include jumps and turns. It is extremely important for the
The first social dance explored was ballroom dancing. Ballrooms were a place of courtship; therefore, these dances were always performed by a male, female couple. Traditional gender roles began the dance as the men always asked the women to dance. As the dance began, the bodies were transformed into vehicles to connect these opposite sex partners. However, societal rules applied to this dance because partners must be from within the appropriate class, the intentions proper, and the movements executed in a specific manner. The woman’s role was essentially to avoid a misstep of tripping on the man’s feet, since the male always led the dance.
The Belly dance also known as the Middle Eastern dance coined by westerners (Byrski 12). It is essentially an oriental dance that originates from Arabic speaking countries in North Africa such as Egypt and the Middle East. Belly dance takes a number of forms that are defined and dependent on the different countries and regions both in relation to the style of dancing, as well as the costumes worn during the dance (Cooper 42). With Globalization, new styles have evolved in western and other nations of the world.
Ballet is one of the most popular types of dance. It is known for its grace and elegance. Ballet is a very disciplined style of dance and may take many years to develop the proper technique. Ballet is the foundation for many other types of dance.