The life expectancy of a man is 7 years less than one of a woman’s. This is a product of society’s image of a perfect man to be strong and reckless, as well as the constant peer pressure to follow this image. In order for a man to prove their strength, they would attempt irrational feats, such as drunk driving, to prove they are a man, commonly resulting in many male causalities and death. This behavior is also prevalent throughout William Shakespeare’s Macbeth. In Macbeth, Macbeth, a Scottish general, kills Duncan, his king, to fuel his ambition of gaining more power. His men turn against him and he is defeated by Malcolm, the prince, and the English army. Through Macbeth, Shakespeare opposed what society dictates of what a man should be …show more content…
The begin with, the Captain praises Macbeth for “carv[ing] out his passage” with “his brandish’d steel, / which smoked with bloody execution” (1.2.ll.9,17-18). Duncan calls Macbeth a “valiant cousin” and a “worthy gentleman” for “fac[ing] the slave” and “unseam[ing] him from the nave to th’chaps” (1.2.ll.24,20,22). These specific praises and references to violence demonstrate how men were supposed to be warlike. Macbeth had followed these expectations, and society accepted him. Secondly, Lady Macbeth is able to break Macbeth’s rational mind and make him kill Duncan by taunting his masculinity. She challenges him by stating that “when [he] durst” kill Duncan, “then [he] [is] a man” (1.7.ll.49). Macbeth wishes to remain praised, so he agrees to kill king Duncan. Lady Macbeth is able to emphasize how weak Macbeth is through violence and by claiming she would “dash the brains out” of the “babe that milks [her]”, showing that she is a stronger man than …show more content…
To begin with, Macbeth immediately begins to suffer after killing Duncan. Macbeth had dropped to a level so low, he “could not say ‘Amen’” and ask for blessings from God (2.2.ll.31). His peace is also forever gone since he “shall sleep no more” for “murder[ing] sleep” (2.2.ll.46,38). Later on, the world becomes so chaotic, and old man who has seen “hours dreadful and things strange” believes that the current behavior “[h]ath trifled former knowings” (2.4.ll.3,4). During the feast, Macbeth is faced with the ghost of Banquo, who torments Macbeth after he killed him with little to no thought. At the end of the play, the once highly praised Macbeth has now become so disgraced, “[t]he devil himself could not pronounce a title / more hateful” (5.7.ll.9-10). At the end, he is slain for all his crimes. Lady Macbeth also experiences suffering after acting so reckless. Since Macbeth acted so cowardly and “[wore] a hear so white”, Lady Macbeth had to take over as the man in power (2.2.ll.68). She tries to be manly be removing her womanly parts when she asks the spirits to “take [her] milk for gall” and “unsex me here” (1.5.47,40). She then acts very imprudent and wishes to kill Duncan as soon as possible. Later own these actions cause her to be crushed by the guilt of regicide. She sleepwalks and hallucinates about “the
After the slaughter of his former comrade, Macbeth explains to his wife, “Strange things I have in head that will to hand/Which must be acted ere they may be scanned” (3.4.137-140). This assertion from Macbeth paves the path for his future misdeeds. Lady Macbeth is concerned by her husband’s announcement and responds with, “You lack the season of all natures, sleep” (3.4.141). Lady Macbeth believes that her husband has lost his sanity. She no longer supports Macbeth’s murderous plans, and resents his new impulsivity. Following this conversation, Macbeth continues to kill harmless people, such as Macduff’s wife and children. He implies that he will no longer think about his actions before completing them, which is a deranged approach to life. The change in Macbeth’s behavior reshapes Lady Macbeth’s personality. She realizes that “what’s done cannot be undone” (5.1.57). Lady Macbeth now recognizes the lasting impact of the murders on herself and her husband. Initially Lady Macbeth approves Duncan’s murder, as it leads to her queenship. Her sadism and zeal for power declines after Macbeth’s killing spree. Lady Macbeth’s newfound heart is the outcome of her husband’s wicked
It was once considered that the more bloodthirsty and violent you were, the more manly you would be considered. Patriotism was regarded as a very masculine pathway and to die in battle for your cause, or better, for your country was in some ways a great act of heroism and a honourable way to die‚. This is one of the main themes of masculinity explored in Macbeth and can be illustrated by the simple quote of the man who will soon cold-bloodedly kill Banquo. The question put forth by Macbeth is whether the murderer will try and be a good Christian. He believes that to kill another man will make him more of a man and replies,
From the first brief encounter of the witches, to the last nightmarish visions that Macbeth has, many close friends and relatives have died because of his visions with the supernatural. The death of his wife in Act V, Scene IV is the death that sends him over the abyss and into mental instability. Lady Macbeth is like a joined appendage to Macbeth. They work as one, communicate as one, and when that appendage is lost, so is MACBETH's grip with reality. Lady Macbeth was the only person he could truly confide in. The supernatural also had another key factor to her death. In the first act of the play, she calls on the powers of the supernatural to make her strong. The following quote, "Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe, top-full of direst cruelty! make thick my blood, stop up the access and passage to remorse… Come to my woman's breasts, and take my milk for gall…", is possibly the most important passage that leads to Lady Macbeth's death. She calls on the evil spirits to "unsex" her, and to replace her "milk" with "gall". It seems that she wants to be the most cruelest being in the world. The theme of the life cycle is amplified in this situation because of her request to the spirits. This event is the beginning of the end for Lady Macbeth's life. She is the one who insists Macbeth should kill the king and reign as the king of Scotland. It is her ideas and plans that lead herself and Macbeth into the pits of hell. She is not solely to blame for this catastrophe though.
This shows that with the power of Cawdor and Glamis and soon to be king, Lady Macbeth is desperate to speed up the process of him becoming king so they can live as royalty. To speed everything up Lady Macbeth questioned Macbeth of his masculinity. Therefore Lady Macbeth questioned Macbeth’s manliness to influence him into murdering Duncan for her own personal
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
William Shakespeare’s Macbeth tells the story of a general who commits regicide in order to become king. Early in the play, Macbeth is conflicted as to weather or not he wants to kill his kinsman the king. In the first two acts Macbeth is not portrayed as a ruthless killer; he is a sympathetic character who succumbs to the provocation of his wife and a prophecy foretold by three mysterious witches. In contrast, Lady Macbeth is a manipulative, immoral woman. Her ambition is so strong that she is willing to do anything to see her husband succeed. However, in the third act things begin to change. The death of the king and lord and lady Macbeth’s rise to power catalyze profound transformation in their personalities.
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
Lady Macbeth could have chosen to question the prophecies; however, she accepted them without hesitation and encouraged her husband to do the same. A motif, which encompasses the stereotypes of gender roles, winds its way through the play, following Macbeth like a shadow. The daunting thought that others will not consider him a man, an idea initially presented by his wife, spurs a seemingly endless killing spree. This cause and effect scenario suggests that one of the reasons Macbeth moved forward with the plan to kill Duncan, was likely to show his wife and others that he was manly.
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
Macbeth tells himself to act like a man in the following lines: “Prithee, peace! / I dare do all that may become a man; / Who dares do more is none” (I, vii, 45-47). This quote by Macbeth shows how he wants to be a man by killing King Duncan, but he does not think this would be an act of righteousness. Macbeth is in a controversy with himself in this situation. If he does not kill the king then his wife, Lady Macbeth, will not think he is a man, but if he does kill the king then he will betray his leader’s trust in him. Betrayal would not be seen as an act of manliness. Jarold Ramsey explains the situation in the following sentence: “And, striking more ruthlessly at him, she scornfully implies that his very sexuality will be called into question in her eyes if he refuses the regicide” (288). This quote by Jarold Ramsey explains how Macbeth’s manliness will be determined in the eyes of Lady Macbeth when he makes his decision on whether or not he will kill the king. Lady Macbeth shows her desire of being queen in the following lines: “What beast was’t then / That made you break this enterprise to me? /When you durst do it, then you were a man” (I, vii, 47-49). This quote shows how she wants Macbeth to kill the king. In this situation Macbeth tells himself to be a man and kill the king to please Lady Macbeth. Maria Howell exp...
Lady Macbeth is a vicious and overly ambitious woman, her desire of having something over rules all the moral behaviors that one should follow. On the beginning of the novel, Macbeth receives the news that if Duncan, the current king, passed away he would be the next one to the throne. So, Lady Macbeth induces Macbeth into killing Duncan by filling his mind with ambition and planting cruel seeds into his head. After accomplishing his deed of killing the king, he brings out the daggers that were used during the murder, and says, “I’ll go no more. I am afraid to think what I have done; look on’t again I dare not.” This is his first crime and Macbeth is already filled with guilt and regret. He shows the reader to be the weak one of the duo. Lady Macbeth as the cruel partner still has some sentiment and somewhat a weakness in her heart and mind. When talking about Duncan she says, “Had he not resembled my father as he slept, I had done’t.” Weakness is still present and will always be there throughout the novel but this one change the fact that Lady Macbeth is still the stronger and cruel one.
Lady Macbeth represents all the stereotypical qualities of manhood, such as unrelenting determination, cruelty, and lack of emotions. Her interpretation of masculinity is made clear from the very first scene she appears in. When Lady Macbeth realizes that she must kill Duncan in her own home, she states, "Come, you spirits/ That tend on mortal thoughts, unsex me here" (I. iv. 43-44). Her request shows that she believes a woman is not capable of such cruel and evil acts, and that only a man is. Furthermore, she wants to be filled up from the "crown to the toe, top-full/ Of direst cruelty!" with the "access and passage to remorse", completely blocked off, implying that a man is without remorse and feelings, and full of cruelty (I. iv. 45-47). Lady Macbeth then imposes her idea of Manhood on Macbeth. When Macbeth decides not to kill Duncan, Lady Macbeth quickly challenges his manliness by c...
Shakespeare is known for strong male heroes, but they are not laying around in this play, not that Macbeth is full of strong female heroines, either. The women in the play, Lady Macbeth and the witches have very uncommon gender belief, and act as inhumane as the men. While the men engage in direct violence, the women use manipulation to achieve their desires. As Lady Macbeth impels Macbeth to kill King Duncan, she indicated that she must take on some sort of masculine characteristic in order to process the murder. “Come, you spirits/ that tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full/ of direst cruelty.” (i v 31-34) This speech is made after she reads Macbeth’s letter. Macbeth, she has shown her desire to lose her feminine qualities and gain masculine ones. Lady Macbeth's seizure of the dominant role in the Macbeth's marriage, on many occasions, she rules her husband and dictates his actions. Her speeches in the first part of the book give the readers a clear impression. “You shall put this night’s great business into my dispatch, which shall […] gi...