The grace of evil in A Clockwork Orange is a recurring paradox throughout the novel and also implies a deep religious connotation. The main foci are the several aspects of evil, violence, and sexual acts committed by Alex and his gang members. However, Anthony Burgess has cleverly incorporated similar paradoxes to that of grace and evil, along with a different dialect to aid in masking the true harshness that lies underneath the violence. The other paradoxes include the extremes of night and day, good and bad, and black and white.
The depiction of evil as being graceful is relevant to the actual title, but also reflects the actions, dialect, and events in the main character Alex's life. Appearance can be deceiving because Alex seems quite graceful, intelligent and well spoken. However, evil thoughts lurk within, which drive him, as a leader of his gang, to commit murders and rapes. As he and his fellow "droogs" speak in a sophisticated Shakespearean-type of language, they describe their evil acts with elegance. As violent and aggressive Alex is perceived to be, he enjoys listening to classical music, especially Beethoven's Ninth Symphony. However, while engulfed in eloquent, graceful, and peaceful music, his mind ponders evil, violent, and sexual fantasies. By the end of the novel, Alex is no longer able to listen to the Ninth Symphony due to the conditioning that was performed on him. He no longer has the freedom to choose and act of his own will. This theme also relates to the grace of evil because even though conditioning someone to be a moral person may seem like a good deed, it is in reality immoral. It is in essence taking away a person's freedom of choice. Religiously, Grace is a gift from God. Even those th...
... middle of paper ...
...g seems freedom of choice is more important. God's Grace prevails over evil and is accepting and forgiving of Alex's sinful actions. Without freedom of choice, one becomes a "clockwork orange," an unnatural and inhuman being.
Works Cited
Burgess, Anthony. A Clockwork Orange. New York: W. W. Norton & Company, 1986.
Coale, Samuel, Anthony Burgess. New York: Twayne Publishers, 1981.
Connelly, Wayne. Critical Essays on Anthony Burgess. New York: Holt, Rinehart and Winston. 1980.
Edelheit, Geoffrey, Ed. Critical Essays on Anthony Burgess. Boston: G.K. Hall and Co. 1986.
Rabinovitz, Rubin: Ethical Values in Anthony Burgess' A Clockwork Orange, in: Studies in the Novel, 11 (1979)
Stinson, John J. Anthony Burgess Revisited. Boston: Twayne Publishers, 1991.
Stinson, John J. Anthony Burgess: Novelist on the Margin. Riley 4: 82-83.
In conclusion it is seen that Alex has effectively changed into a man and has become a morally sensitive individual. He, for himself has chosen good
to read. A Clockwork Orange is an interesting book, to say the least, about a young teenager, named Alex, who has lost his way, so to speak, and commits several serious crimes. These crimes that Alex and his “droogs” commit include: murdering, raping, beat downs, robbery, etc.
1. As I was reading the book Clockwork Orange, I felt like it deserved a 8 out of 10. I enjoyed the book because while I was reading it, I did not have such a clear image of all the rape, sex, and violence. Talking from personal experiences, I did not want to picture those images in my head. Finding out there was a movie of Clockwork Orange kind of scared me but also gave me excitement because I wanted to see how different the the book was from the movie. After viewing Clockwork Orange, I would rate it a 7 out of 10. I rated it a 7 out of 10 because the rape and violence was overused. In the beginning of the movie, there were non-stop sex and rape scenes. For example, when Alex and his goons fake their way into an emergency just so they could attack a older man and rape his wife, who later dies because of this accident. Toward the end of the movie, there was a lot of
Alex seemed to find the love he didn’t get from his parents in his friends. Alex and his friends did a lot of damage to others, but of course they did it as a group. They beat up an old man who asked for change, they fought another group of people, they broke into a house and beat up the old man who lived there, then beat up his wife, killing her, but only after they raped her.
The two works suggest that freedom of choice needs to be taken away for the greater good of society. In A Clockwork Orange, social safety and security are the driving forces behind removing freedom from the people, especially Alex, the main character. The start of the movie depicts the struggle of a violent youth that exercises free will in an oppressive but safe and stable society. Alex and his gang, termed droogs, symbolize free will as they attempt to liberate themselves from all government limitations. They indulge in vices shunned by the society such as rape and murder, and bring out the dark side of free will by expressing themselves against a society that encourages safety. Alex’s violent nature makes him a threat and in an attempt to impose order, the government forces Alex to be “transformed out of all recognition” (A Clockwork Orange, Kubrick). T...
All Alex knew was to be violent due to the failure and lack of family structure, the school system and the law. The lack of these assertive institutions Alex couldn’t properly generate proper moral values and social norms. According to Mead he analyzed that a child gets some sort of understanding of how to act properly by how others act toward the child. Later on in the child’s development he/she learns and understands “the generalized other”, values and cultural rules (textbook). Alex was never pressured into going to school, there is one scene where his mother wakes him and tells him to get ready for school and Alex tells her “he doesn’t feel like going today” and that was the end of it. With Alex missing out on school he never really self-aware and knowledgeable. His family is absent also. Again with Alex telling his mother he doesn’t feel like going to school and his mother just lets it go shows the carelessness of his parents. Alex can pretty much do whatever he wants when he wants. With their lack of parenting he never truly gained proper values and morals and instead he created his own by the morals and values his “droogs” know. He had many run in’s with the police even before he was
Simions, Minodora O. "FREEDOM OF CHOICE AND MORAL CONSEQUENCES IN ANTHONY BURGESS’ A CLOCKWORK ORANGE." (2013): 65-68. Web. 21 May 2013.
In the first introduction of music, Alex describes how his parents have learned to “not knock on the wall with complaints… I had taught them. Now they would take sleep-pills” (33) when he plays music loudly, showing the control Alex has manifested over his own parents with music. Alex also plays the Ninth by Ludwin van while raping two girls, as they were forced to “submit to the strange and weird desires of Alexander the Large with, what with the Ninth, were… very demanding” (46). By inevitably connecting classical music to violence, Burgess shows that there is little distinction in importance between the two for Alex, and the two become physically linked after the government’s brainwashing. This suggests that you cannot take Alex’s flaws without simultaneously taking those same elements that make him human. The focus on classical music as a pivot of Alex’s humanity accentuates the sympathy felt for Alex as he is being brainwashed, as the previous poetic love for classical music is replaced with “pain and sickness” as Alex had “forgotten what he shouldn’t have forgotten” (139). Without attempting to condone Alex’s actions, Burgess stresses the notion that humanity is not meant to be erased or forcibly removed, even if it means having to come to terms with the flaws that every person
"John (Anthony) Burgess Wilson." DISCovering Authors. Detroit: Gale, 2003. Student Resources in Context. Web. 11 Mar. 2012.
Amidst a population composed of perfectly conditioned automatons, is a picture of a society that is slowly rotting from within. Alex, the Faustian protagonist of A Clockwork Orange, and a sadistic and depraved gang leader, preys on the weak and the innocent. Although perhaps misguided, his conscientiousness of his evil nature indicates his capacity to understand morality and deny its practice. When society attempts to force goodness upon Alex, he becomes the victim. Through his innovative style, manifested by both the use of original language and satirical structure, British author Anthony Burgess presents in his novella A Clockwork Orange, the moral triumph of free will within the controlling hands of a totalitarian society.
Freedom and liberalism are catchwords that appear frequently in both philosophical and political rhetoric. A free man is able to choose his actions and his value system, to express his views and to develop his most authentic character. What this kind of idealistic liberalism seems to forget, however, is that liberty does not mean a better society, better life or humanistic values such as equality and justice. In his novel A Clockwork Orange (1962), Anthony Burgess portrays an ultimately free individual and shows how a society cannot cope with the freedom which it in rhetoric so eagerly seeks to promote.
Evil is something of which imagery is constantly found throughout the novel. The first being the whale: whose color is white. Once again, this is a concealed theme. At first thought the persecuted white whale would make people think that it is an image of innocenc...
Free-will is a major part in the actions of this book. “The free will compels him to murder and rape, but also foster his esteem.” (LifeCharts). The opportunity to do as Alex wishes is what makes him to the crimes. It fuels him and in a way allows him to find himself. Alex is all about choices and he chooses to do the crime but also chooses to turn his life around. “Alex realizes that he benefits from living a normal life staying under the radar and it out-weighs the consequences of being a
His clothing, his words, his overall attitude. The distinction between the two is triggered by the gentle sounds of Ludwig Van. Beethoven. The.. & nbsp; The psychology of Alex would be that of a serial killer. He is a classic.
In this novel Alex shows his freedom of choice between good and evil, which is that, his superiority over the innocent and the weak. In the beginning of the novel he chooses to be evil, he shows us that by committing violence act like stealing, raping, and also murdering an innocent person which he got arrested for and put into prison for about 12 years. The amount violence he commits shows his abuse of power and his decisions toward evil. The violent acts that are described in this novel are very graphical and are intended to shock the reader but they also show that the suppression of others is wrong, because it is destructive to the natural rights of humans. Alex consistently chooses evil and violence to show his freedom of choice, ?Now I was ready for a bit of twenty-to-one . . . then I cracked this veck" pg 7. Alex beats, rapes, and robs the weak and ...