The Other Nature
Early in her exploration of man's soul, Joyce Carol Oates discovers a fundamental truth while writing about the character of Stavrogin in Dostoyevsky's The Possessed-that as part of his inevitable fall, man violates "nature" in so complete a way as to separate himself from the only forces that can save him. This theme dealing with the Fall of man is a constant thread that weaves itself through most of Oates' essays, the corruption by various internal and external forces and the tragedy that results from man's blindness to his own nature and to what would provide him salvation.
Oates' power lies in her ability to delve deep within the personalities of the writers, the characters they create, and the powerful themes buried deep in the work's soul. She applies psychological concepts and archetypes in order to explore the implications brought about by the similarities and differences in the characters' thoughts and actions. She reaches her most thought-provoking insights by connecting parallel motifs across a wide spectrum of literature and constantly leaps from one generalization to the next causing the reader to wonder how she has come to the fascinating and brilliant conclusions presented in Contraries. By examining the Fall of man, she discovers how self-awareness and material preoccupations lead to a corruption of the "natural" self. Later, the discussion of tragedy and transcendence in essays about King Lear and Nostromo reveals the fundamental importance of women-as saviors of the natural world and representatives of salvation for men. Women are the underlying focus of her essays; the archetypes and roles they adhere to and defy as literary characters shape the way she perceives the female. Ultimat...
... middle of paper ...
... subjection is presented as grisly and mean. Perhaps this shift of focus from the sublime to the obscene is necessary to bring more clearly into focus the longstanding female archetype and provide us with the strength to intervene in such deep-running cultural patterns. Oates certainly does not preach at us, and she never tells us exactly what to do. But reading Connie's story, and reading over Oates's shoulder as she sees the archetype that created it, we are pushed, at least, to read the stories we encounter to find and reflect on the conflicts of human nature they reveal.
Works Cited
Oates, Joyce Carol. Contraries: Essays. New York: Oxford UP, 1981.
"Where Are You Going, Where Have You Been?" 1966. Celestial Timepiece: Joyce Carol Oates Archive. Ed. Randy Souther. Dec. 1996. San Francisco. 10 Dec. 2000. <http://storm.usfca.edu/ ~southerr/wgoing.html>
Reader Response Essay - Joyce Carol Oates's Where Are You Going, Where Have You Been?
Ugur, Neslihan Guler. "Self-destructive forces in Oates' women." Studies in Literature and Language 4.3 (2012): 35+. Literature Resource Center. Web. 24 Feb. 2014.
...understand the universal language. Even though the hero did not learn how to make lead to gold he had learned the universal language before he had even realized he had. His intelligence proved that you don’t have to lock yourself in a room to study; you should instead look at you problem and try to solve it by comparing it with reality.
Joyce Carol Oates is known for stories that have an everlasting effect on readers. Oates writing style was explained best herself, “I would like to create the physiological and emotional equivalent of an experience, so completely and in such exhaustive detail, that anyone who reads it sympathetically will have experienced that event in his mind” (Joslin 372). Oates’ short story Where are You going, Where have you been? perfectly fits the description of her work by placing the protagonist of the story Connie in a very uncomfortable situation with the antagonist Arnold Friend. The story focuses the aforementioned Connie and Arnold, Connie is 15 year old girl who loves the spotlight and all the attention that comes with it. Her beauty and vibrant
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother’s whishes. A very arrogant and selfish girl that in her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience.
The conflict in the novel that most intrigued me was between Santiago and himself. Throughout the novel he almost gave up hope of ever finding his treasure. When he was robbed in the market place...
The subjugation of women is a key theme across my three chosen texts, Othello, The Great Gatsby and Wuthering Heights, that is presented both subtly and obviously through forms of physical, sexual and mental denegation. As a subtler example of subjugation, each woman is ultimately controlled and manipulated by a male figure, whether it be through Othello’s suppression of Desdemona upon believing she is unfaithful, Heathcliff’s domination over Isabella or Tom Buchanan’s economic control of Daisy via his financial stability within a class defined society. This confirms Evelyn Cunningham’s perception that, “Women are the only oppressed group in our society that lives in intimate association with their oppressors”, notably in the way that women’s roles are dictated and restricted by the domineering, patriarchal men in their lives, however there are still aspects of female rebellion in each of the texts.
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
Oates, Joyce C. "Where Are You Going, Where Have You Been"" N.p., n.d. Web. 20 Apr. 2014.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Oates, Joyce Carol. Where Are You Going, Where Have You Been? Backpack Literature. Upper Saddle River, New Jersey: Pearson Education, 2010. Print.
Oates, Carol Joyce. “Where Are You Going, Where Have You Been?." Kirszner and Mandell. 505-516. Compact Literature. Boston: Wadsworth,2013,2012,2007. Print.
In a nutshell, Connie regrets her risky business with two personalities and the resultant attentions, which were also provoked due to her contact with the false environment (Oates 120). Arnold's penetrating threat finally causes Connie to feel exhausted and not able to be resistant to his aims. Therefore one could regard Connie as a girl in a woman's body because she is not able to act and react reasonably in crucial moments. In addition, one could regard Joyce Carol Oates' short story as an insistent warning of the unpredictability's of life.
...ed by many scholars as his best work. It is through his awareness of the merit, the definitive disconnectedness, of nature and man that is most viewable in this poem. Throughout this essay, Frosts messages of innocence, evil, and design by deific intrusion reverberate true to his own personal standpoint of man and nature. It is in this, that Frost expresses the ideology of a benign deity.
The first two obstacles that Santiago faces are that his father tells him he can not do something that he wants to do and that he wants to pursue his personal legend, but he does not want to hurt those that he loves. For example, Santiago’s father said, “The people who come here have a lot of money to spend, so they can afford to travel. Amongst us the only ones who can travel are shepherds.” Everyone is told by their parents and friends that everything we want to do is impossible. Since Santiago did not have money to spend to travel his only choice was then to become a shepherd to fulfill his desire. T...