The Oriental Contingent by Diana Chang
The twentieth century was an awesome time in the historical backdrop of relocations that happened the world over. In this century individuals recorded development starting with one place then onto the next. The developments were required by the quest for greener settlements of life. Individuals of the Asian birthplace relocated to the U.S. what's more, gotten themselves torn between their own way of life and the American practices. This two opposite compels one of inventiveness and the other recently discovered, was battled by the Chinese era that was brought up in the American foundation. This skirmish of thought drove Chinese Americans to an inside feedback between what they are by birth and what nature
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She chooses the sentiment desire that is from one of the young ladies against her Chinese American partner. Dianna delineates Connie as having sentiments in being less to Lisa in acting like unique Chinese. Connie is to a greater extent a man that permits faultfinders to influence her by being easygoing. This accommodation makes her give way notwithstanding when her own birthplace and society is in question. She feels less and goes not to grasp that her character is one among different societies. The idea of our otherness and our distinction. It is dependent upon us to emerge and own our …show more content…
This dress restores Connie's certainty. Connie handles this and feels opportunity has given her way of life mate and self-definitely makes her vibe the glow of race to meet her own particular family. Connie's own feeling of having a place was incited by the dress and further re-invigorated when Lisa continued to start talk by presenting herself furthermore knowing the other individual. In any case, their contact, to Connie uncovers that the individual she wanted to be kinfolk is isolates from the dress. Everybody in the gathering expects that these two ought to be acquainted with each other. Connie's suspicion comes from the way that they share
Tachiki, Amy; Wong, Eddie; Odo, Franklin, eds. (1971). Roots: An Asian American Reader. University of California, Los Angeles Press.
This leads him into the next scene when he arrives at her house in a “gold jalopy.” Instantly, Connie is attracted to the car and worries about her appearance to the stranger at the door. However, she also experiences doubts and precaution because she is home alone and a stranger is approaching her house. This is her first experience with someone arriving to her house and does not have any exper...
In the story “Where are You Going, Where Have You Been?’ Connie does not have a good relationship with her relatives. Her family relationship is unhealthy. Her mother says demeaning things to her like “Stop gawking at yourself, who are you? You think you’re so pretty?” (Oates qtd. in Kirszner and Mandell, 453 ). Or
Being sexualized by the boys around her, Connie is self-conscious and finds her worth in beauty. The story even states, “She knew she was pretty and that was everything” (Oates 422). She is concerned about her appearance and what others think of her because she has been taught that she lacks any value outside of physical beauty norms. Arnold Friend, even tells Connie, “...be sweet like you can because what else is there for a girl like you but to be sweet and pretty and give in?” (Oates 432). Between this coaxing and the consistent message about the importance of beauty, Connie is nearly forced to conform to this mentality, which displays the lack of respect for young females as human beings. This in turn leads women to self-degradation as they are consistently viewed as sexual
Connie is revealed to be immature and vain from the beginning. She has a “quick nervous giggling habit” of craning her neck to glance into mirrors and checking other people's faces to see if her own face is fine (Oates 584). She is illustrated as having a two-sided personality. She smirks and laughs “a cynical and drawling laugh” at home, but she is high-pitched and nervous everywhere else, and speaks in a “high, breathless, amused voice” that has people doubt her sinc...
Through the story it is mentioned that Connie doesn't have a good relationship with her family. Connie’s relationship with her mother is ruff to say the least. Her mother mocks her and states “ Stop gawking at yourself. Who are you? You think you're so pretty?”(199)
Oates makes it very clear that Connie is very concerned about her looks and associates all hope and happiness with the way she looks and the attention she will receive because of what she wears and how she acts. Within the first sentence of the short story, Oates introduces readers to Connie by saying, “Her name was Connie. She was fifteen and she had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people 's faces to make sure her own was all right” (Oates). This quote displays Connie 's longing for self perfection. Readers can infer that because Connie is constantly being put down by her family, she feels that she needs to look elsewhere for attention, and resorts to perfection as a way to get attention from other people, particularly older boys. Connies underdeveloped psyche also plays a role in this. A major reason for Connie 's promiscuous actions is her distant relationship with her
She feels like she must fill the void her father left in her life due to him never being there. “Their father was away at work most of the time and when he came home he wanted supper and after supper he went to bed” (126). Her father did not fulfill the role of a strong male figure in her life so she is looking elsewhere. If Connie’s father had shown her the love she craved, then she might not have fallen into Arnolds trap. Arnold plays off the void in her life by convincing her he will love her. “I'll have my arms tight around you so you won't need to try to get away and I'll show you what love is like, what it does” (133). He tells her he can save her from the boring, dejected life she is currently living in and that with him, nothing will ever be boring. Arnold tells Connie “your daddy’s house is nothing but a cardboard box I can knock down anytime” (136). He knows that Connie’s relationship with her dad is dull, and barren just like a cardboard box, and he will break it down to save
Connie's haughtiness additionally portrayed as Connie would raise her eyebrows at these old objections and look directly through her mom, into a dark version of herself as she was comfortable minute: she knew she was pretty one out there and that was everything.Her absence of regard and discourteousness toward her family, particularly her mom and sister, is indicated with her state of mind, "...Connie wished her mom was dead and she was dead, and it was everywhere. "She influences me to need to hurl once in a while," she grumbled to her friends. She had a high, short of breath, interested voice that made all that she said sound somewhat constrained, regardless of whether it was true or not."
Upon first reading “The Struggle to Be an All-American Girl”, it seemed to be about a young girl of Chinese descent struggling to make it through her new school, the Chinese school, and adapting to the life her mother envisioned for her. However, with further reading and understanding, the essay digs deeper into an American girl of Chinese ancestry, who is trying to find out who she is and how she is trying to move past her Chinese culture to adapt into the American way of life but other people will still recognize her as Chinese.
... find it is hard to appreciate my own Chinese customs because I am lingered to the sweet domineering customs of America. Much like Stephen and Pucha, I feel as though if I could just be more American in the way I act, dress, eat and talk, I will be happy. However, having been fortunate enough to grasp such patterns, perspectives and problems through these novels and through lecture, I feel enlightened, although the preservation of Asian culture and custom and the fear of its extinction is still a very real issue in the Asian American community today. Hopefully one day we will be able to strike a balance between cultures and live in harmony.
Connie’s desire for attraction from an older man is altered when she realizes this man’s intentions are not respectable. When Arnold shows up at her house, she no longer felt desire but fear instead and immediately feels dizzy. Oates uses dizziness to portray Connie’s internal conflict. There’s the side of her that craves the attention of an older man but when she realizes this isn’t like her daydreams, she becomes alarmed and feels faint. The realization makes her more vulnerable and causes her to give in to the man’s demands. Throughout the entire text, there’s been confusion between fantasy vs. reality. Although Connie works hard to present the appearance of being a mature woman who is experienced with men, her encounter with Arnold reveals that this is only a performance. When confronted upfront, her mature, adult persona is diminished as calls for her mother’s help. Although Connie does experiment with sexuality, such as when she goes into the alley with Eddie, she is afraid of becoming an adult. When Arnold Friend figuratively takes her by force into adulthood, she resists and proves to herself that she is not ready for
Amy Tan’s “Fish Cheeks” describes Tan’s upbringing as a Chinese-American caught in between two cultures. In “Fish Cheeks” Tan’s crush Robert and his family were invited to Tan’s house for Christmas, Amy was embarrassed of Robert’s impression of her Chinese relatives, cuisine, and culture (Tan 110). Tan’s situation is not uncommon as millions of first generation Americans encounter similar situations while living within two cultures. Albeit the extreme embarrassment Tan endured throughout the encounter, she contends that her mother taught her a valuable lesson in appreciating her Chinese culture (111). Ultimately, Tan's purpose was to implore first generation Americans to embrace both of their cultures, in spite of its unique traditions (Tan
Connie has the need to be viewed as older and as more mature than she really is, all the while still displaying childlike behavior. She shows this childlike behavior by “craning her neck to glance in mirrors [and] checking other people’s faces to make sure her own was all right” (Oates 323). This shows that Connie is very insecure and needs other people’s approval. Although on one side she is very childish, on the other side she has a strong desire to be treated like an adult. This longing for adulthood is part of her coming of age, and is demonstrated by her going out to “bright-lit, fly-infested restaurant[s]” and meeting boys, staying out with those boys for three hours at a time, and lying to her parents about where she has been and who she has been with (Oates 325, 326). “Everything about her ha[s] two sides to it, one for home and one for anywhere that was not home” (Oates 324). Even her physical movements represent her two-sided nature: “her walk that could be childlike and bobbing, or languid enough to make anyone think she was hearin...
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew