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The stucture of hamlet
The representation of Hamlet
The representation of Hamlet
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Life is a very delicate thing. In Sunday School this past Sunday morning I heard a man speak on how the fragility of our lives is relatable to that of sheep. The man said once he heard one of his sheep coming around the corner of his barn and jumped out to scare it, literally instantly killing it with fear. We are not always as tough and superfluous as we think we are. In William Shakespeare’s Hamlet, Hamlet often finds himself much closer to death than he once thought. Hamlet creeps closer to death in Act V through three circumstances: Ophelia’s death, Laertes’ challenge to a duel, and the King’s foolish plans to get rid of Hamlet.
First, Hamlet becomes close to death through the passing of his loved one, Ophelia. Hamlet has no idea when the Act opens that not only is Ophelia dead but he’s standing right next to her grave. Just moments before her body is carried onto the scene, in fact, Hamlet jokes with a skull about her. He says, “Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favour she must come.” (scene I, line 179) He unknowingly jokes wit...
...sulted her when he knew that her father and his uncle were watching and taking notes. In addition, I do not understand why Hamlet waited until now to reveal his true feelings about Ophelia. Her death was probably what caused him to realize that he was unable to save her by telling her to leave the castle, instead he unhinged her sanity.
Vowing revenge upon his Uncle/Dad, Hamlet begins to mentally falter and eventually, is in. such a wild rage that he accidentally kills Polonious believing him to be his father. Hilarity ensues. & nbsp; Ophelia, Hamlet's love interest, commits suicide/dies (that's up). for debate elsewhere) after going slightly mad at the impact of her.
This encounter is essential to the plot, in that it provides for Hamlet's return from England and sets the stage for Hamlet's discovery of Ophelia's death. It brings Hamlet from the state in which he was able to easily arrange for the deaths of Rosencrantz and Guildenstern to one in which he can feel deep sorrow at the loss of Ophelia. It further grants him a better perspective on the nature of death and on his own fate. Its sharp focus on death further serves to prepare the audience for the conclusion of the play. Up to this point, Hamlet has been an active agent in trying to fulfill his destiny as prescribed by his father's ghost. His actions were disorganized and his goal continually foiled. For example, his attempt to control the situation renders him incapable of killing Claudius when he is at prayer, since Hamlet wishes to manipulate the circumstances of Claudius' death so that he is "about some act that has no relish in't" (III, iv, 91-2). The lesson of the graveyard is that death is inevitable, not contrived. Having learned this lesson, Hamlet is a more passive agent of his own fate and the plot resolves itself. The ...
From past experiences in ones life, whether it be the death of a long aged gold fish to a deceased elder, one knows the pain and suffering that goes on afterwards. For one to finally move on and continue life without a tear in their eyes may take a while, yet having that immense step means to put the emotions aside and live life. Hamlet's father was murdered, and he soon sees his mother move on so quickly and marries his uncle, to continue being the queen. Hamlet's love for his father does not fade away within a two month span like his mother; he refuses to accept the fact that his father was killed, instead of a natural death. Because of this, Hamlet does not know what to do with his life. He mentions "O, that this too too sallied flesh would melt,/ Or that the Everlasting had not fixed/ His canon `against self-slaughter" (129-132). Immediately does Hamlet questions the existence of his own life, as he feels the need to melt and disappear, ultimately referring to suicide. The problem we face...
From the beginning the play, Hamlet is upset about the marriage of his mother to his father’s brother, remarking that Queen Gertrude “married – O most wicked speed: to post / With such dexterity to incestious sheets, / It is not, nor it cannot come to good” (Shakespeare 1.2.156-158). But, it is not until the ghost of Hamlet’s father tells Hamlet that he was murdered by his own brother that Hamlet plans to enact revenge. Throughout the play, Hamlet is shown to be content with the idea that his actions will most likely end in his death. In some of the drama’s most famous lines, Hamlet
After the death of Old Hamlet and Gertrude’s remarriage to Claudius, Hamlet feels extremely angry and bitter. “How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!” (1.2.133-134). Due to the death of his father, he is already in a state of despair and the lack of sympathy that his mother has towards his sorrow does not aid him in recovering from this stage of grief. “Good Hamlet, cast thy knighted colour off, / And let thine eye look like a friend on Denmark” (1.2.68-69). Hamlet is struggling to accept the fashion in which Gertrude is responding to the death of Old Hamlet; she seems quite content with her new life with Claudius, which is a difficult concept for him to accept as after the d...
The most important death that happens in "The Tragedy of Hamlet Prince of Denmark" is the Death of King Hamlet. His death sets in motion all corruption, tragedy, and deaths that follow. Once King Hamlet is dead his son, Hamlet, goes crazy plotting his revenge against his uncle, because of Claudius's deceptive ways Hamlet starts to feel betrayed by his closest friends. This includes Ophelia, Daughter of Polonius, who eventually is driven to insanity following the death of her father, and how Hamlet's leaves her accusing her of lying to him and betraying their love. "So fast they follow. Your sister's drown'd, Laertes." (The Queen 4.7.165) the death of Ophelia affects Laertes to the point that he changes Hamlet to a dual to the death. Laertes and Claudius plan to poison hamlet to kill him, but instead of poisoning Hamlet the queen is the one who ends up drinking from the cup with poison and dying. The death of Hamlet's mother distracts him long enough for Laertes to cut Hamlet behind his ear poisoning him with the tip of his blade. Hamlet quickly strikes back striking Laertes with his poisned blade bonding them both to their deaths.As Laertes struggles to stay alive he tells hamlet the truth about Claudius's corrupted plan to kill Hamlet. This drives him to finally seek revenge for his parents. He forces Claudius to drink the poison and watches him die as his mother, Laertes, and himself die with
Sadness is the first emotion that is usually related to death. In the play, Hamlet does not try to disguise his sorrow after his father’s murder. This sadness is intermingled with disgust for the others around him who moved on with their grief and criticized him for continuing to mourn. After being criticized by Gertrude and Claudius, Hamlet chooses to talk to open space to reveal his feelings (1.2.129-158). Hamlet clearly shows the sadness in his heart, as well as the idea of bitterness. He continually attacks his mother’s quick grieving: “O God, a beast that wants discourse of reason / would have mourned longer” (1.2.150-151). This sadness continues in his fake madness, seeping into conversations that show his need for escape. In a confrontation with Polonius, Hamlet ends the con...
...e tension from Ophelias death and the ever-increasing tension and complexity of the plot. It is also an important milestone for Hamlet as he comes in terms with the fact that death is the ultimate equalizer and later in the scene Hamlet imagines how that even Alexander the greats body would of turned into dust, which could have been used to make loam, and that loam could have been used to plug a beer-barrel. This readies Hamlet to die in the final scene, knowing the death is universal, equalizing and more importantly, that everyone dies.
It also brought Hamlet to reality with Ophelia’s death, as he resumes discussions with Yoricks skull, he jokingly says “Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favor she must come. Make her laugh at that.” (170) revealing how one wastes so much time putting make up on their face, to mask over the inevitable aging process; and how ones fate lies within the very ground we stand on at this moment, no matter how great one is. To further his terms with the death of Ophelia, he is shown the spot Ophelia will be buried in, a few plots away. Showing that her death, is and will be treated just as everyone else will. While the gravedigger tells hamlet much earlier in the play “"not for ever with they vailed lids/ Seek for thy noble father in the dust" (1.2.70-71) and reminded that "your father lost a father” in other words there is no time to mourn the dead, as death is much like a chain, and putting quite bluntly he expresses its best to really just move on. Shakespeare reveals this as a turning point for Hamlet, as he realizes the commonness of death, and the value of life itself, and begins to ponder about his own mortality and destined fate. While quite a morbid outlook on the matter, it does reveal truth to Hamlet, and forces Hamlet to take a more humorous toll on the matter
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
From this play we learn of the difficulty associated with taking a life as Hamlet agonises as to how and when he should kill Claudius and furthermore whether he should take his own life. Hamlet being a logical thinker undergoes major moral dilemma as he struggles to make accurate choices. From the internal conflict that the playwright expresses to us it is evident that it can kill someone, firstly mentally then physically. The idea of tragedy is explored in great detail through conflict where the playwright’s main message is brought across to the audience; Shakespeare stresses to his audience the point that conflict be it internal or external it can bring upon the downfall of great people and in turn have them suffer a tragic fate. It is Shakespeare’s aim to show us the complexity of man and that moral decisions are not easily made.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Keys to Interpretation of Hamlet & nbsp; William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions.