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Hamlet feelings throughout book
Shakespeare portrayal of women hamlet
Hamlet feelings throughout book
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The Need for Men
The author of Hamlet portrayed the women of the play as reliant on the men in their lives. The queen, Gertrude, relies very heavily on having a man in her life. Ophelia obeys her father throughout the beginning of the play. Because of this, Ophelia willingly sacrifices her relationship with Hamlet to please her father. Hamlet shows us that the queen and Ophelia needed one common thing, a man to rely on.
The queen depends on having a man in her life. Women usually become heartbroken after their husband passes away. After the king dies, the queen immediately turns around and marries her husband’s brother. Hamlet claims she married Claudius “within a month” (Meyer 1459). The queen immediately goes with another man after her
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Mabillard wrote “She is incapable of defending herself” (Introduction to Ophelia). Ophelia can not protect herself from her fate. Later in the play, the queen interrupts the king and Laertes to explain to Laertes that his sister has drowned. The queen states “your sister’s drown’d, Laertes” (Meyer 1529). She continues by explaining. She says “herself fell in the weeping brook” and “her garments, heavy with their drink, pull’d the poor wretch from her melodious lay to muddy death” (Meyer 1529). She fell into the water and didn’t get up. Elaine Showalter adds that “she drowns in a surfeit of feeling” (Showalter). She explains that Ophelia had drowned in her feelings before she actually drowned. Ophelia drowned because she no longer had someone telling her what to do or how to live her life.
While they are carrying Ophelia to her grave, Hamlet does not know that it is Ophelia. He asks Horatio “who is this they follow?”(Meyer 1534). When he figures out that it is the fair Ophelia, he leaps into the grave with Laertes not far behind. They fight for a while before they are pulled apart. Hamlet admits “I lov’d Ophelia: forty thousand brothers could not, with all their quantity of love make up my sum”(Meyer 1536). Hamlet loved Ophelia, even if he didn’t always show it. He continues by explaining his love for her. Hamlet explains that his love is greater than everyone else’s love
He allows his true feelings and emotions to pour out at her grave for the last time before she is buried and gone forever: “I loved Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum,” (V.i.285-87). Regardless to the amount of love Ophelia’s brother had for her, Hamlet claims that he loves her more than Laertes ever could. Similar to the symbolism in his letters, he expresses his abundant love for Ophelia and how she is the girl he truly cares about. The prince comes straight out with his feelings and does not act insane during the funeral, he is simply being honest straight from his heart. Now that she is gone, Hamlet cannot protect her and has no reason to hid his true emotions towards
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Shakespeare’s Hamlet is set in the late middle ages, in Denmark. A time in history when women were not respected and thought of as the inferior sex. There are two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders herself to the cruelty of those around her, and sacrifices her sanctity to please and conform
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
In the play Hamlet, Ophelia’s downfall is dependent on love. Being one of the two women in the play, Ophelia lives in a very male dominated society. When the ties are broken between her relationships with the significant men in her life, it breaks Ophelia to
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
Throughout Shakespeare 's play it is clear that Ophelia and Hamlet were lovers but it is not entire certainty whether Hamlet loved Ophelia at the present time. His declaration of love in the written play could have been seen as an indication of his madness. In the film version Hamlet is seen hiding in the bushes while Ophelia 's funeral begins and once he discovers it is her he is overcome with grief to the point where Horatio has to hold him back (Hamlet). The pain on Hamlet 's face is apparent as well as his sanity. Another example of their relationship is in act 3 scene 1 after Hamlet finished his soliloquy he says the line “the fair Ophelia” (Shakespeare 4.1.97) while reading the play I assumed he said this line when he addressed her, and that he was pleasant to her until his madness took over and he became rude. In Doran’s adaptation however Hamlet spoke the line “the fair Ophelia” before she even saw him, he was speaking to himself with a tone of love and affection. Additionally, Hamlet remained pleasant to her until he turned and noticed the security camera (Hamlet). It was only then that Hamlet began to act mad and unpleasant towards Ophelia. This version gave a new depth to Hamlet’s madness and strengthens the idea that he was simply
The queen states, “There is a willow grass askant the brook That shows his hoar leaves in the glassy stream. Therewith fantastic garlands did she make of Crowflowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do “dead men’s fingers” call them. there on the pendant boughs her coronet weeds clambering to hang, an envious sliver broke, When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like awhile they bore her up, Which time she chanted snatches of old lauds, As one incapable of her own distress Or like a creature native and endued Unto That element. But long it could not be Till that her garments, heavy with their drink, Pulled the poor wretch from her melodious lay To muddy death (Shakespeare 126). Ophelia wa seen by the brook picking flowers to make the crowns of flowers, when she fell. It is said she just let the brook take her along the stream, meaning she let herself drown. This death devastated the kingdom, but more so to Laertes and
This final act of the play surely sums up the love that Hamlet had for Ophelia. Dramatically, Hamlet jumps into the grave of Ophelia. Distraught with grief for her, Hamlet confronts her brother, Laertes, telling him that he loved her even more than a brother loves a sister. Hamlet cries out to Laertes “I loved Ophelia. Forty thousand brothers could not, with all their quantity of love, make up my sum” (Shakespeare, Act IV, scene I, lines 285-287). Although it was too late for Ophelia to hear Hamlet’s true feelings expressed once again, this does show that Hamlet’s love was not madness, but genuine affection. Pouring out his heartfelt emotions, Hamlet says he loved her so much he would do anything for
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
William Shakespeare incorporates many themes and ideas into his play, Hamlet. Of the multiple important ideas, one potentially overlooked is the role of women. Only two of the characters in the play are female. Their lines are scarce, but hold huge importance in relation to the progression and plot of the play. Ophelia, the implied lover of Prince Hamlet, and Queen Gertrude, his mother, do not appear significant, but their actions and characters allow for other events to unfold. Gertrude and Ophelia are manipulated and belittled. In their weak will, they end up betraying Hamlet. Observing their manipulation by other people, Hamlet is able to justify and go through with his actions.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.