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Myth of Prometheus and the story of Frankenstein
Myth of Prometheus and the story of Frankenstein
Myth of Prometheus and the story of Frankenstein
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Recommended: Myth of Prometheus and the story of Frankenstein
The story of Mary Shelley’s Frankenstein is similar to that of a Greek tragedy and namely the myth of the titan, Prometheus. The characters as well as the plot are all similar between the two stories. Many have argued that Frankenstein is based on the Prometheus myth. I will attempt to show that there are many different parts of Frankenstein that are remarkably similar to the myth and draw a comparison between the two stories.
The story of Prometheus is similar in many ways to that of Frankenstein. In Frankenstein, Victor uses all of his acumen to create life. He had followed the ancient arts of the natural sciences and achieved something that no mortal had done before which is bring life into this world through scientific means. The problem is that he did this without the consent of God. He went against the will of God even though that was not his original intent. His act of playing God caused him to suffer greatly. His entire family was decimated by death in order to satisfy the creation’s desire to win his father’s love and support. Victor was meant to suffer for his decision to play God and bring something into this world that wasn’t meant to be created.
In the myth of Prometheus, Prometheus was a titan. They were the first major gods after the creation of life by the ancient gods including Chaos and Gaia. After a major rebellion in the heavens by the children of the titan Kronos, the titans were cast out of the heavens for the most part except for Prometheus. Prometheus helped the current gods led by Zeus to gain power. He eventually fell out of favor with Zeus as he attempted to help the human race on earth which Zeus loathed. Zeus wanted to start over with creation and was waiting for the human race to die out. Prome...
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...ein seems to follow that of the Prometheus myth to the letter. There was an idea to create/protect life, suffering was the result, and the suffering was followed by a release of bonds of the main character either physically or mentally. Frankenstein is simply a more modern Prometheus myth with various twists and more expanded plot. It was no accident that the comparison of Frankenstein and the Promethean myth was made. I believe that Shelley wanted to show that the choices we make have consequences. Even though there are altruistic reasons for doing something, we must be ready to accept whatever goes with it. Frankenstein is remarkably parallel to the Promethean myth in all senses of the word.
Works Cited
Hard, Robin. The Routledge Handbook of Greek Mythology. London: Routledge, 2004.
Shelley, Mary. Frankenstein. New York: Dover Publications, Inc., 1994.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
addressing Frankenstein as a monster. Victor does not desire anything to do with this “wretch”. After seeing the creature he has created, he “[passes] the night wretchedly. Sometimes [his] pulse beat so quickly and hardly that [he] feels palpitation of every artery; at others, [he] nearly [sinks] to the ground through languor and extreme weakness.” (59) Victor acts a coward; he does not face his mistakes and try to fix them. Instead he feels weakened by the disappointment of himself. On the other hand, Prometheus reacts differently to his challenges. Prometheus acts strong minded, he thinks before he acts and trusts nobody. After Prometheus grants the villagers with fire, he “[…] [warns] his brother to beware of any gift that Jupiter might send, for he knew that the mighty tyrant [can] not be trusted.”(4) Prometheus expects consequences for his actions, just as an army general expects an attack from the enemy. Prometheus acts brave in questioning authority and waits ready for battle, if Zeus retaliates for disobeying
A foil is when a characters differences contrast with another in order to show the main characters traits clearly. By using certain parts of their personalities, the reader sees the other characters opposing qualities. When an author uses foil in a novel the main character is thoroughly developed because the reader can gain more information about the characters own reactions. Mary Shelley’s use of foil characters in Frankenstein Or, The Modern Prometheus enhances the story greatly. Shelley’s way of comparing Victor, the Creature, Robert Walton and Clerval is what leads to the readers greater understanding of who Victor is. The most obvious foil throughout the novel is the Creature and Victor, child and father figure. Shelley uses their similarities
Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, Or, The Modern Prometheus. London: Penguin, 2003. Print.
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
Over two centuries ago, Mary Shelley created a gruesome tale of the horrific ramifications that result when man over steps his bounds and manipulates nature. In her classic tale, Frankenstein, Shelley weaves together the terrifying implications of a young scientist playing God and creating life, only to be haunted for the duration of his life by the monster of his own sordid creation. Reading Shelley in the context of present technologically advanced times, her tale of monstrous creation provides a very gruesome caution. For today, it is not merely a human being the sciences are lusting blindly to bring to life, as was the deranged quest of Victor Frankenstein, but rather to generate something potentially even more dangerous and horrifying with implications that could endanger the entire world and human population.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley’s Frankenstein does an excellent job at demonstrating the ideas and accomplishments of the enlightenment period. Shelly expresses these ideas and thoughts through the character of Victor Frankenstein who is an aspiring scientist seeking an intellectual challenge. Victor Frankenstein live s his hometown of Geneva and leaves in quest of a valued education in Ingolstadt. When Victor arrives at college he is lonely and finds himself in a new world in which he lives by himself. He than meets Mr. M. Waldman who is a chemistry professor. We can tell the Frankenstein is a representation of the Enlightenment and scientific period because he just like the earlier theorist Who is a Each character represents an important part of history such as the ideals of the scientific revolution, the embodiment of non- European ideals, and the scientific path that the Europeans would be taking in the future. The creation of Frankenstein itself is a symbolization of the progress of the enlightenment period. During this time the Europeans had just witnessed the scientific revolution where simple devices like the microscope and better telescopes were invented along with the advances of knowledge.
For my final project of the novel unit, I chose the novel Frankenstein written by Mary Shelley and first published in 1818. Frankenstein is a tale about an ambitious young scientist who in his practice oversteps the boundaries of acceptable science and creates a monster which destroys everything Victor Frankenstein loved and held dear.
...e that his creation may be, in fact, a monster, not just a creation. Frankenstein, throughout the entire novel, has free will and it was his foreseeable decision to go through with his efforts. Although his creation goes rogue, Frankenstein’s retribution far exceeds his “crime” committed. He did not deserve to lose so many family members and friends as well as his own life. Frankenstein portrays human beings as both ambitious and fallible. Victor’s dream of altering society through his creation of a new life form is tainted by his desire for glory, making his ambitions fallible by ignoring the consequences, exemplifying the characteristics of a tragic hero. Victor so badly desires to become “a creator,” but disappoints his own monster when he is unable to fulfill his responsibilities as a creator, ultimately, leading to his own death and the death of his creation.