In Charlotte Bronte’s Jane Eyre and George Bernard Shaw’s Pygmalion, it is quite evident that there are nonpartisan female protagonists. From Bronte’s mousy yet stubbornly autonomous Jane Eyre, to Shaw’s mouthy and determined Eliza Doolittle, it is obvious that these leading ladies are women who crave liberty. Throughout their respective stories, both Jane and Eliza change and grow into more confident individuals, while also gaining the freedom that they both so clearly want. Although a desire for self-improvement drives both Jane and Eliza to evolve into more confident women, they express their newfound independence in different ways.
Jane Eyre and Eliza Doolittle both evolve into strong, independent women. Jane becomes more independent by becoming self-aware of her personal faults and strengths. She learns that morality is far nobler than passion. (PD) Throughout her narrative, Jane recounts to the reader numerous bouts of her passion getting the better of her. An example of Jane’s passion is when she is confronted by Mr. Rochester’s proposal to stay with him as Adele’s governess and essentially stay with him to act as his mistress. She asks Rochester if he thinks she is “an automaton?—a machine without feelings?” and if he thinks that because she is “poor, obscure, plain, and a little” that she is “soulless and heartless.” She goes on to say that her “spirit” addresses his spirit and that they are equal. Up to that point, Jane had been riding on a wave of emotion, forgetting all thoughts of reason and logic, replacing God with Mr. Rochester in her eyes, and allowing herself to be swept away in the moment. However, once Jane confronts the reality of her situation, she does everything in her power to refuse Mr. Rocheste...
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...er’s attempts to lavish her with jewels and expensive garments for her wedding, and instead shows her unwillingness to be objectified, which is the strongest indication that she does not define herself by economic status or beauty.
She leaves also Mr. Rochester, which shoes her courage and independence because by doing this, she defies a man’s will and shows that she can break from the emotional power that Rochester wields over her.
Eliza asserts her independence by making important decisions by herself. When offered expensive and sumptuous gifts by Higgins, she willingly accepts them because she believes that she is worthy of receiving. In Act Five, she asserts her independence once and for all by telling Higgins that she will marry Freddy, thus showing that she is capable of choosing and making decisions for herself and doesn’t need a man’s help to do it.
Jane Eyre’s inner struggle over leaving an already married Rochester is the epitome of the new "lovemad" woman in nineteenth-century literature. Jane Eyre is the story of a lovemad woman who has two parts to her personality (herself and Bertha Mason) to accommodate this madness. Charlotte Bronte takes the already used character of the lovemad woman and uses her to be an outlet for the confinement that comes from being in a male-dominated society. Jane has to control this madness, whereas the other part of her personality, her counterpart, Bertha Mason, is able to express her rage at being caged up. As what it means to be insane was changing during Bronte’s time, Bronte changed insanity in literature so that it is made not to be a weakness but rather a form of rebellion. Jane ultimately is able to overcome her lovemadness through sheer force of her will.
With that being said, Jane is lost between following her passion and love for Mr. Rochester and her love for herself and reason. This is exhibited when Mr. Rochester attempts to explain everything to Jane and reassure her of his love for her. Jane tells the reader, "I wanted to be weak that I might avoid the awful passage of further suffering I saw laid out for me; and conscience, turned tyrant, held passion by the throat" (303). In addition to Jane’s moral dilemma caused by Bertha, Berthas appearance forces Jane to retreat to God.
Moglen, Helen. "The Creation of a Feminist Myth." Bronte, Charlotte. Jane Eyre. New York: W.W. Norton, 1987. 484-491. Print.
was raised by an upper-class family who resented her and did not want her, therefore
Throughout Jane Eyre, Jane searches for a way to express herself as an independent person who needs help from no one, yet she also wishes to have the love and companionship of others. Often times, Jane finds that she can have independence but no one to share her life with, or she can have the love of another at the loss of her independence. Jane's entire journey is based on the goal of achieving a seamless blend between independence and love, a mixture that rarely seems to go hand in hand.
Jane’s perspective of love is based upon a mutual understanding and equality. Jane’s equality in a relationship is derived from her desire of independence. Jane reveals her need of independence in her relationship with Mr. Rochester when she told him she would always call him master but she would not be inferior to him. Haiyan Gao asserts in her article “Reflection On feminism in Jane Eyre,” “Jane loves Rochester with all her heart and Rochester’s status and wealth make him so high above for Jane to approach, yet she never feels herself inferior to Rochester though she is a humble family teacher.” It is also notable that Jane does not pursue a relationship with Mr. Rochester with the intention of gaining money. Her love is solely based on equality and independence and not status, power, or property. As Heidi Kelchner proclaims in her article “Jane Eyre,” “Although she ranks far below Rochester in social rank and wealth, she feels equal to him in soul, understanding his true nature.” Jane has pure intentions in her marriage with Mr. Rochester as she believes he is her equal and true love. Jane proves that she seeks true love once more when she rejects St. John Rivers marriage proposal. St. John had offered Jane an invitation to become his missionary wife in India. Jane acknowledges that he does not seek marriage for love but instead for religious purposes. Therefore, Jane proposes an alternate plan that allows her to serve as a single, independent missionary and co-worker of John. As Heidi Kelchner affirms Jane’s thoughts in her article “Jane Eyre,” “As St. John’s wife, she fears she would be restrained, and always checked forced to keep the fire of her nature continually low.” She would not be degraded to an object but rather wanted to stand as a strong independent woman. Jane would not accept the humiliated marriage to please St. John’s wishes. She would continue to look for true love based upon
Passion and reason, their opposition and eventual bringing together, serve as constant themes throughout the book. "Unjust!--unjust! Said my reason...How all my brain was in tumult, and all my heart in resurrection!" (Bronte, 17) Jane's passions are uncontrolled because she is not using reason. We see the dangers of nature and passion tempered by reason in the scene in which Rochester almost marries. Jane must get over her overwhelming passion for Mr. Rochester or Jane runs the risk of losing herself. In this case, passion nearly gains a victory over reason. Jane nearly loses her own personality in her overwhelming love. "Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition" (Bronte, 247). In other words, the individual must attain a balance between reason and passion, not be dominated by one or the other.
...nd the re-union of Mr. Rochester and Jane Mr. Rochester can finally be in the relationship he always desired, but at the cost of his hand and eyesight; adding even more to his suffering, but at least now he has his true love to be by his side.
Jane grows up distinguishing her personality and voicing her unbiased opinion, but in McFadden-Gerber's opinion, Jane remains the same orphaned female in constant discord with elders and supervisors. Ms. Eyre is a heroine who refuses to blend into the traditional female position of subservience and who stands up for her beliefs. In the beginning, Jane at first de...
Charlotte Bronte’s novel Jane Eyre embraces many feminist views in opposition to the Victorian feminine ideal. Charlotte Bronte herself was among the first feminist writers of her time, and wrote this book in order to send the message of feminism to a Victorian-Age Society in which women were looked upon as inferior and repressed by the society in which they lived. This novel embodies the ideology of equality between a man and woman in marriage, as well as in society at large. As a feminist writer, Charlotte Bronte created this novel to support and spread the idea of an independent woman who works for herself, thinks for herself, and acts of her own accord.
Similar to many of the great feministic novels of its time, Jane Eyre purely emerges as a story focused on the quest for love. The novel’s protagonist, Jane, searches not only for the romantic side of love, but ultimately for a sense of self-worth and independence. Set in the overlapping times of the Victorian and Gothic periods, the novel touches upon both women’s supposed rights, and their inner struggle for liberty. Orphaned at an early age, Jane was born into a modest lifestyle, without any major parent roles to guide her through life’s obstacles. Instead, she spent much of her adolescent years locked in imaginary chains, serving those around her but never enjoying the many decadences life has to offer. It is not until Jane becomes a governess that many minute privileges become available to her and offer Jane a glance at what life could have been. It is on her quest for redemption and discovery that she truly is liberated. Throughout Charlotte Bronte’s classic novel Jane Eyre, the story’s protagonist Jane, struggles to achieve the balance of both autonomy and love, without sacrificing herself in the process.
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.
Jane's true love for Roshester becomes appearant during her walks with him at Thornfield. Jane is affected by him so much that "[her] blanks of existance were filled up; [her] bodily health improved; [she] gathered flesh and strenght" (160). She felt like his "presence in a room was more cheering than the brightest fire" (166). When Blanche - a new woman in Rochester's life - came along, Jane began to grow jelous, which reveals how much she actually really loves Rochester. She begins to hate herself saying "he is not of your order: keep to your caste, and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised (184). With the presence of Blanche, Jane begins pointing out her insuficiencies and the things she hates about herself. This clearly expresses jelousy, and how much she is actually in love with Rochester.
Jane Eyre is a classic English novel which follows the development of a young woman in the mid 1800's. Jane grows to be a smart, self supporting, independent woman. This becomes a struggle for her as she was brought up to live in the lower-class. Throughout this novel, Jane tries to show that class and gender should not affect personality. This novel explains Jane’s struggle against societal expectations of class and of gender.
Tremendous spirit. The enviable trait that Jane Eyre from Charlotte Bronte’s Jane Eyre possesses is what stimulates her to achieve self-actualization despite the fact that she is a woman. True feminism isn’t as violent as a handful of vicious extremists claim it to be. The accurate definition of feminism is “the doctrine advocating women’s social, political, civil, educational and all other rights as equal to those of men.” Women of Charlotte Bronte’s era did not have basic rights such as the aforementioned. The feminist movement in the Victorian Era had only just begun and Jane Eyre was far ahead of her peers. Published in 1847, the bildungsroman novel of Jane Eyre was an intricate one, with subtle feminism carefully woven in it, particularly through the actions and thoughts of Jane Eyre, the protagonist. Her quest for self-worth and identity lead her to overcome the various stigmas that women in that era were faced with. These ambiguities reflect the tensions real Victorian women of faith experienced in trying to meet multiple often conflicting demands in their lives. Such challenges were complicated further by the fact that 19th century Evangelical Christianity- attentive to the realities of sin, sorrow, sacrifice, and loss- was no easy creed for women and men. (Lamonaca) Jane Eyre’s battles for authentic love, good reputation and indifferent attitude towards social classes dominated English women’s lives. The heroine tackles gender roles and breaks all the mannerisms of the time to inject an early dose of feminism in the English audience. Jane’s transformation from naïve child to independent woman stunned the public and gave women the inspiration to make their own decisions and defy the norms of their era.