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of mice and men literary analysis
essay on poem analysis
basic elements of analyzing a poem
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John Clare’s “The Mouse’s Nest” introduces the setting of the story in the first line, “the hay.” All of the 14 lines have ten syllables; some lines are in iambic pentameter, which contains an unaccented followed by an accented stress. This consistency of the rhyme indicates the steady life of the rural life Clare presents. The “a” sound of the simple words “grass” and “hay” seems to be similar in meaning, which reflects the simplicity of life in this rural environment. The observer’s point of view seems to be close when he sees the ball of grass. But in line 2, he “passed and went away,” indicating a shift in perspective as if there is nothing going on. The assonance of “as” and “passed” highlights the observer’s ignorance, as if his focus is not on the grass ball anymore. The repetition of “and” in line 3 and 4 suggests that the speaker continues with his reactions to the things around him. In line 3, the partial rhyme of “ed” of “looked,” “fancied” and “stirred” emphasizes the action of the speaker. He seems to acknowledge something when he looks and ignores the grass nest a moment ago; this “something” catches his attention. As he “fancied something stirred,” this suggests that the observer is curious about something and seems to draw the reader into his world. In line 4, there is an answer to the observer’s curiosity as the word “and” leads the line again to support the parallel structure of these three lines. The “and” in the middle of line 4 with the “and” in the beginning as an internal rhyme contributes to this parallelism. Clare continues to emphasize the verbs end in “ed” with “turned” and “hoped.” The observer is anxious when he anticipates a “bird.” He does not seem to pay attention to what is going on around him mu... ... middle of paper ... ...turn” in the last two lines. Clare presents a different impression from the rest of the poem as indicated by a period before these two lines. The natural life of the farm is disrupted by the water, pebbles, and the cesspools in line 14. The “cesspools glittered in the sun” is an unusual image because normally cesspools are dirty tanks, but here is is “glittered.” Clare might illustrates the idea that one person might see something beautiful that the other does not; there are always different points of view. As the observer watches the mouse and interacts with the environment, he becomes involved in shaping the world. Life is unexpected and keeps changing; the life of nature may be different from human life. The last line and the sonnet(presents love and appreciation of both world) suggest that they can be unified just as the “cesspools” are unified with “glittered.”
The Cone Gatherers written by Robin Jenkins covers many topics. The two topics I shall mainly focus on are the eventual insanity of Duror the gamekeeper and also his evil towards Calum and Neil, the two cone gatherers. As I read the book, I discovered that Duror was an evil and disturbed human being who was driven to insanity by his hate towards the cone-gatherers.
The story by Somerville Ross, “Philippa’s Fox Hunt” was set in Ireland. A recently married couple Mr. and Mrs. Yeates were featured adapting to a new environment. The new place was characterized by new social activities that were not common in their previous residence. They had to learn new skills such as riding horses and hunting. Mr. Yeates who narrated the story described his life after marriage and how events had shaped his marriage. At the very beginning I was able to pick an element of symbolism; a newly married couple will naturally start a new life and similarly in the story the couple ventured into a new society where almost everything was new just in the same way when two people get married to each other.
From the combination of enjambed and end-stopped lines, the reader almost physically feels the emphasis on certain lines, but also feels confusion where a line does not end. Although the poem lacks a rhyme scheme, lines like “…not long after the disaster / as our train was passing Astor” and “…my eyes and ears…I couldn't think or hear,” display internal rhyme. The tone of the narrator changes multiple times throughout the poem. It begins with a seemingly sad train ride, but quickly escalates when “a girl came flying down the aisle.” During the grand entrance, imagery helps show the importance of the girl and how her visit took place in a short period of time. After the girl’s entrance, the narrator describes the girl as a “spector,” or ghost-like figure in a calm, but confused tone. The turning point of the poem occurs when the girl “stopped for me [the narrator]” and then “we [the girl and the narrator] dove under the river.” The narrator speaks in a fast, hectic tone because the girl “squeez[ed] till the birds began to stir” and causes her to not “think or hear / or breathe or see.” Then, the tone dramatically changes, and becomes calm when the narrator says, “so silently I thanked her,” showing the moment of
The theme of concurring through fear and believing in the light of success is tied to the personification because the father acknowledges that the voices he listens to have restricted him throughout his entire life, which has caused a battle of depression within himself. The symbol of desolation is displayed in the story; the father reaches a point where he can no longer live a life filled with misery, and therefore, commits suicide to escape his pain. MacLeod combines numerous coordinating conjunctions, specifically “and” (228), to join words together, and since it’s the narrator’s thoughts; it would be reasonable for the sentences to run-on longer. A simile in the sentence, “his blue eyes flashing like clearest ice beneath the snow that was his hair” (228), is to implicate an image for the readers of the father’s colorful eyes. At the beginning, there is color in the passage that shows his father is an ordinary man that has feelings and wants happiness. However, the next sentence, “his usually ruddy face was drawn and grey” (228), shows a shift in the atmosphere; considering there is no longer color in the setting. When the narrator describes his father working, the color in the scene disappears to show his hatred of being a
The poem begins by establishing that the speakers’ father has had more than enough to drink. “The whiskey on his breath/ Could make a small boy dizzy.” These lines (1, and 2) help in the development of the poem because they set ...
He keeps the lighthearted, joking tone throughout the poem. He explains how he could snore as loud as a bullhorn and Fergus would only sink deeper into his sleep, (Fergus is their son). The speaker explains how his son sleeps through loud noises, but as soon as he hears heavy breathing he comes running into their room. This continues to show us the playful tone the speaker uses in the poem. The conflicts that are dramatized in this poem is every time the couple tries to make love their son comes in to interrupt. The poet wrote this poem in free form or free verse. “For I can snore like a bullhorn/ or play loud music/ or sit up talking to any reasonably sober Irishman/ and Fergus will only sink deeper into his dreamless sleep/ which goes by all in one flash” (Kinnell 668 Lines 1-5) this line shows that there is no rhyme or rhythm in the poem and also the humorous tone of the speaker. “But let there be that heavy/ or stifled come-cry anywhere in the house/ and he will wrench himself awake/ and make for it on the run- as now, we lie together” (Kinnell 668 Lines 6-9) this line explains to the reader how the child seems to sleep through almost anything but, once he hears heavy breathing he is awake and
...traditional desires of love, the narrator portrays the idea that nature is more valuable than typical materialistic things eg; ‘spend it not on flowers...but.. Sky and a grass ditch’ many similes, oxymoron’s, metaphors are used in the poem alongside enjaments to suggest that the narrator hasn’t enough time, her treasure is time. The short sentences used are pauses to perhaps show how the narrator is stressing time. ‘like treasure.. limbs gold’ is a simile used which refers to the richness of spending time with someone. Compared with ‘Of Mice and Men’ George and Lennie don’t have the luxuries of being good friends but make the most of things ‘guys like us.. no family...you got me.. i got you...’ however oppositely Lennie is overwhelmed by his dream to have rabbits and the alfalfa-materialistic things he thinks by achieving this dream himself and George can be happy.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
Do you know what it’s like to be separated from your family and you have no one else to help you?
...e the heron both literally and figuratively add to the sense of wonder in the tone of the passage. In the poem by Mary Oliver, the diction used to describe the heron is completely different. The words "gray", "hunched", "clutching", and "scant" give the poem a desperate, unpredictable view of nature. The tone is dreary, begrudging, and almost helpless. Diction truly can take hold of the tone of a work and steer it in whatever direction it wishes.
In the poem, Mouse, the first message is that the man and the mouse are similar in many ways. When the plow destroys the mouse’s house, the man apologizes to the poor mouse and watches it run away. He realizes that their lives are similar when he begins to think longer about what happens.
The first literary device that can be found throughout the poem is couplet, which is when two lines in a stanza rhyme successfully. For instance, lines 1-2 state, “At midnight, in the month of June / I stand beneath the mystic moon.” This is evidence that couplet is being used as both June and moon rhyme, which can suggest that these details are important, thus leading the reader to become aware of the speaker’s thoughts and actions. Another example of this device can be found in lines 16-17, “All Beauty sleeps!—and lo! where lies / (Her casement open to the skies).” These lines not only successfully rhyme, but they also describe a woman who
My first and immediate explanation for the poem was an address from one lover to a loved one, where distance became a factor in their relationship. The lover has it far worse than the desired partner and the solitude builds nothing but longing for this person at a time when his love is the greatest. He says " What have I to say to you when we shall meet?... I am alone" with my head knocked against the sky”. He further asks, “How can I tell if I shall ever love you again as I do now?” There is uncertainty because he is wondering over the next encounter with his loved one. He says, “I lie here thinking of you” and is compelling when he wants the loved one to see him in the 5th stanza and what love is doing to his state of mind. He is hopeless and expresses it by asking questions he is unsure of, conveying his troubled state. Williams enforces imagery along with sound effects to demonstrate the despair of the man in a realm that is almost dreamlike with purple skies,spoiled colors, and birds. Stating he is alone and that his head collides with the sky may underline the man’s confusion. He also uses imagery in the “stain of love as it eats into the leaves”, and saffron horned branches, vivid and easy-to-imagine images that captivate the reader. The line stating “a smooth purple sky” and this stain which is “spoiling the colours of the whole world” easily formulate a very distinct picture. Through consonance words like “eats” and “smears with saffron” become fiercer in the eyes of this lover as they cancel out a “smooth sky”.
3. The first stanza has an observative tone to it. The narrator is telling their observation of a spider, plant, and a moth. The tone turns cynical in the third line where the narrator describes the moth as a “rigid satin cloth.” It describes its fragility when compared to a satin cloth but the rigidness conflicts with it frailty as well. The second simile that compares the subjects of the poem to a witches’ broth turns into a disgusting connotation.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.