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Social status in the great gatsby novel
Social status in the great gatsby novel
Ethics and morals the great gatsby
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Tom Buchanan is very much like Daisy Buchanan in caring for himself only. Tom is a racist, arrogant, and an adulterer. Tom very proudly shows his racism, and does not care who knows. For instance, when Toms says, “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be- will be utterly submerged” (Fitzgerald 16). Tom Buchanan is very rude and he looks down upon people that are not in the same race as him. AS you continue reading, the reader will see: “Later in the novel, during his argument with Gatsby, Buchanan uses the ‘intermarriage between black and white,’ as a sign of the decay of various social and cultural institutions” (Lena 50). Tom does not respect people of different colors. Tom puts himself on a high seat: “And not only is Tom unable to relate directly to the world of nature he is also unable to relate directly to others outside his class and race” (Lehan “Civilization’s Going to Pieces” 86). Tom is very arrogant to different races, and people of different social standings. Within the novel we can see: “Tom’s violent attitudes towards those he deems inferior are not only evident in his, but also through sexist encounters with his wife Daisy, and his mistress du jour, Myrtle Wilson, an aspiring social climber” (Tunc 72). Tom himself even said, “Just last year. I went over there with another girl” (Fitzgerald 38). This statement in itself shows that Tom Buchanan is not a faithful husband to his beloved wife Daisy Buchanan. Once we see this we realize: “Thus when we think of Tom Buchanan as a power broker in this novel, we must realize that the system of power he manipulates is one that has come at the end of a long line of varying power systems” (Lehan “Civilizati...
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...ngs Every The Great Gatsby Buff Should Know.” 2013. Web.
"Careless People: Daisy Fay." The Great Gatsby: The Limits of Wonder. Richard Daniel Lehan. Boston: Twayne Publishers, 1990. 67-79. Twayne's Masterwork Studies 36. Twayne's Authors on GVRL. Web. 15 Apr. 2014.
Lehan, Richard. Civilization’s Going to Pieces. Boston: Twayne Publishers 1990. Print.
"Inventing Gotsby." The Great Gatsby: The Limits of Wonder. Richard Daniel Lehan. Boston: Twayne Publishers, 1990. 58-66. Twayne's Masterwork Studies 36. Twayne's Authors on GVRL. Web. 15 Apr. 2014.
“NJ, 'The Great Gatsby'." Back Stage, National ed. 3 Jan. 2013: 38. General OneFile. Web. 15 Apr. 2014.
Whitaker, Clare. “5 Things You Didn’t Know About F. Scott Fitzgerald.” 2013. Web.
Will, Barbara. "The Great Gatsby and the obscene word." College Literature 32.4 (2005): 125+. Literature Resource Center. Web. 15 Apr. 2014.
In The Great Gatsby, F. Scott Fitzgerald displays Tom Buchanan as a significant character in his novel. Being a former Yale football player, Tom is blonde-haired, muscular, typically referred to as a “brute of a man” (Boyne 12), and around thirty years old. He was raised in an extremely wealthy family and owns an extravagant mansion in East Egg. As a result, Tom believes he is superior over society and allowed to abuse his wife, Daisy. Looking through the eyes of arrogance and racism, Buchanan views the white race as dominate and feels as if it will be diminished if other ethnic groups and cultures become popular. Although he claims to love Daisy, he owns a secret apartment that contains another mistress awaiting him in New York City and only
Dillon, Andrew. "The Great Gatsby: The Vitality of Illusion." The Arizona Quarterly 44 Spr. 1988: 49-61.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
Gross, Dalton, and Maryjean Gross, eds. Understanding "The Great Gatsby": A Student Casebook to Issues,
Berman, Ronald. "The Great Gatsby" and Fitzgerald's World of Ideas. Tuscaloosa: U of Alabama P, 1997.
Forward, S. (2013) The Great Gatsby; following the dream The English Review. Volume 24 No 2. Journal
Fitzgerald, F. Scott. The Great Gatsby. Scribner trade pbk. ed. New York: Scribner, 2004. Print.
Batchelor, Bob. Gatsby: The Cultural History of the Great American Novel. Lanham: Rowman & Littlefield, 2014. Print.
Piper, Henry Dan. ed. Fitzgerald's The Great Gatsby: The Novel, the Critics, the Background. New York: Charles Scribner's Sons, 1970
SparkNotes Editors. “SparkNote on The Great Gatsby.” SparkNotes.com. SparkNotes LLC. 2002. Web. 9 Apr. 2014.
Rohrkemper, John. "College Literature." Allusive Past: Historical Perspective in "The Great Gatsby" 12.2 (1985): 153-162. JSTOR. Web. 16 Apr 2014.
Samuels, Charles T. "The Greatness of ‘Gatsby'." Fitzgerald's The Great Gatsby: The Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970.
Tom Buchanan is described as having a strong and repugnant presence. He was a star athlete at Yale and is restless after his glory days of playing there, “…had been one of the most powerful ends that ever played football at New Haven-a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterwards savours of anti-climax” (page 10). He is arrogant and seems to believe that he can have anything that he wants. Even though he has a wife and child, he has no problem with having a mistress on the side and does not care that others, including his wife, know about it. In addition, Tom is very self-absorbed and cares only about himself and his own desires. Tom was what Daisy’s family considered to be suitable for their daughter. That, along with his money, is mainly why she married him.
Tom Buchanan is Daisy’s rich, uptight, rude husband. He is a racist bigot and thinks the world revolves around him. Tom makes himself out to be a powerful man through
Hickey, Angela D. "Critical Examination: The Great Gatsby." Rpt. in Masterplots: Revised Second Edition. Vol. 5, Frank Magill, ed. California and New Jersey: Salem Press, 1996. 2651-2