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moral thesis statement the picture of dorian gray
symbolism in the picture of Dorian Gray
morality and ethics in the picture of dorian gray
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During the Victorian era the views of society were somewhat strict. Since it was the romantic period there was a sense of independence when it came to their personal views. But if anything was too exorbitant, it was either ignored or “socially” punished. To one’s surprise you may find that the morals and ethics presented in this book are not what you may expect at first. When morals and ethics are largely exhibited in a book it is usually to convey a way of thinking that is good, not one that is all about covetousness and self-preservation.“Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one’s mistakes.” (pg. 43).
Lord Henry is an example of the moral and ethical views given in the book. Though they are not actual views from real people, they do reflect the ideas of those in that time period. “Harry” as they called him was a man of deception, he may portray himself as one person but in reality is someone else entirely. At first glance Harry seems to be just another rich man who enjoys the benefits of his life, but as the story progresses you see that he is something completely different. He is a man that enjoys influencing people, his morals and ethics are those of someone with a more sinister demeanor. “There was something terribly enthralling in the exercise of influence. There was no other activity like it. To project one’s soul into some gracious form, and let it tarry there for a moment; to hear one’s own intellectual views echoed back to one with all the added music of passion and youth;...” (pg. 38).
Lord Henry’s morality is in some ways a reflection of Oscar Wilde’s idol, Walter Pater. Pater was a man of deep personal thought. Even ...
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...thing beautiful can fill the void he has, no amount of jewels or elaborate tapestries could fill what he was losing, and that was his morality. “One should absorb the colour of life, but one should never remember its details. Details are always vulgar.” (pg.102).
Dorian’s morals have little say in the decisions that were made. The decisions made in the moment are for his pure enjoyment, the thought of having fun and not worrying about the consequences has overtaken him. He doesn’t enjoy being around people just to be there, he only wants friends that can give him something, and once he has lost interest the are of no importance to him. “They say that you corrupt every one with whom you become intimate, and that it is quite sufficient for you to enter a house for shame of some kind to follow after.” (pg. 151).
Works Cited
The picture of Dorian Gray by Oscar Wilde
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
Throughout the novel “The Picture of Dorian Gray” the self titled main protagonist comes into contact with many unusual characters. All of these characters work together to shape the protagonist as well as the theme and plot of the story. “The Picture of Dorian Gray” tells many different secrets about mankind and how easily influenced humans are. Dorian was an extremely vain individual, who was mostly influenced by three people throughout the novel, who believed physical beauty was the key to life and happiness. Dorian was mostly influenced by two of his great comrades who in contrast influenced him from opposite viewpoints. The third influence was his immature lover. These three characters all worked together to change Dorians viewpoint on life as well as his viewpoint on each other. The actions and comments of these three characters shape the novel, theme that beauty is a combination of not only physical appearance but attitude and character.
and rich people in his town as well. His beauty charmed the world. Basil was
Monstrosity is not just defined by disfigurement, but also by the actions and obsessions of man. Most, if not all, tales of monsters often came about as exaggerations of sins and immoral actions. Others see men who become too obsessed with the idea of overstepping their own humanity and playing God as monsters in society. Frankenstein and The Picture of Dorian Gray reflect this idea. While the painting and the creation mirror the monstrous nature and the sin Gray and Frankenstein enact throughout the course of each novel, both Dorian Gray and Victor Frankenstein are the true monsters.
The concerns of Victorian England about the status of faith and manhood have left a deep mark in the literature of the period. The Picture of Dorian Gray and Dracula are good examples of this concern. In both books there is an emphasis in the corruption of the body and of the soul as maladies that haunt the greatness of England. The aristocracy is pointed as the social strata from where this decadence will spread. These books show a population of youth that lacks the guidance of parents and are apparently deprived of fertility as a consequence of the disorientation that reigns among them. This corruption is shown in conjunction with a lack of religious faith and an excess of sin that will result in the transference of England to the forces of evil.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
The Picture of Dorian Gray can be defined as a symbolic representation of a dialectic between two aspects of Wilde's personality. Dorian is an archetypal image by which both aspects are fascinated. This suggests that his behaviour symbolizes Wilde's unconscious (i.e. unacknowledged) attitudes. Dorian is characterized by his evasiveness and his obsession with objets d'art. For example, when Basil comes to console him about Sibyl's death, he is unwilling to discuss the matter. He does not want to admit the possibility that his behaviour was reprehensible. He tells his friend: "If one doesn't talk about a thing, it has never happened. It is simply expression, as Harry says, that gives reality to things" (107). Later, after murdering Basil, he again seeks to avoid acknowledging what he has done: "He felt that the secret of the whole thing was not to realize the situation" (159).
“Art is the most intense mode of individualism that the world has known.” The aesthetic movement dealt with the nature of art and the simple beauty that is encompasses. Wilde prefaces his novel, The Picture of Dorian Gray, with a reflection on the artist, the art, and the value of both. In Oscar Wilde’s novel, Wilde describes his part of the aesthetic movement and bases the events in the novel on his own experiences.
Some people think with a pen, some with a clay and many think using nothing. Oscar Wilde and Walter Pater are in the first classification. As it is obvious, nobody can control what they think and similarly, as they think with a pen, their ability of concealing their characteristics in those books are without no wonder poor. Oscar Wilde claimed in the preface of The Picture of Dorian Gray that "to reveal art and to conceal the artist is the art's aim" but art inevitably reveals artist since it is the mirror of artist's unreachable depths. And ý assert that whatever ý give birth is my child and resembles me. Thus artists are all parents and their children resembles them. So in this paper, I will try to scrutinize these resemblances between the parents Oscar Wilde and Walter Pater with their children The Picture of Dorian Gray and other works of Oscar Wilde and Marius the Epicurean.
In Chapter 1, Basil and Lord Henry manifest the dichotomy between Heaven and Hell, alluding to a future break of the harmony and duality of the novel’s moral conscience personified in Dorian Gray.
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
In this novel, Wilde had portrayed his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.
Oscar Wilde’s The Picture of Dorian Gray (1890) follows the story of Dorian Gray; a man gifted with exquisite natural beauty, whose vanity and obsession with his own youth leads him astray in a life of sin. As Dorian slowly loses his innocence, with the obsession of living hedonistically, his portrait suffers the punishment for his sins and growing age. Dorian himself remains untouched in age; however, the portrait reflects the loss of innocence in his pursuit of atheistic and hedonistic lifestyle. The thematic overtones explored in Wilde’s book discuss many issues of value, ethics, and vice. Although Wilde writes about the downfall of Dorian Gray due to obsession of beauty, it is important to note that Dorian himself only dies when his human