The Central Conflict, Climax and Resolution in “The Minister’s Black Veil”
This essay will analyze Nathaniel Hawthorne’s “The Minister’s Black Veil” to determine the central conflict in the tale, its climax and partial resolution, using the essays of literary critics to help in this interpretation.
In the opinion of this reader, the central conflicts – the relation between the protagonist and antagonist (Abrams 225) - in the tale are an internal one, a spiritual-moral conflict within the minister, the Reverend Mr. Hooper, and an external one with the world at large represented by the congregation. Wilson Sullivan in “Nathaniel Hawthorne” tells where the author got the idea of a conflict between good and evil:
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The minister replies that the veil could be a “sign of mourning.” Elizabeth contends that the veil could be construed as a sign of “secret sin” and should be removed for “the sake of your holy office.” This dialogue, the longest in the entire story, add layers of information regarding the temperament and motivation of the main character. Mr. Hooper responds with the comment that “if I cover it for secret sin, what mortal might not do the same?'' This answer supports the earlier rationale of spiritual-moral motives behind the veil. Elizabeth, suspecting mental disease, cries some tears; and while her eyes are “fixed insensibly” on the veil, “its terrors fell around her.” The minister, sensing that Elizabeth is on the verge of terminating their relationship because of the aura of mystery surrounding the sable veil, makes the plea: “O! you know not how lonely I am, and how frightened, to be alone behind my black veil. Do not leave me in this miserable obscurity …show more content…
. . .” Within the reader the suspense builds as the climax approaches. Will the minister lift his veil at the hour of his passing? When the parson faintly utters the ambiguous words, ``[M]y soul hath a patient weariness until that veil be lifted,'' there is a brief hope within the reader that the veil will come off. But no, Reverend Hooper was only referring to the veil of eternity. The visiting divine expresses the sentiments of all those present when he mutters: ``with what horrible crime upon your soul are you now passing to the judgment?'' Amazingly, and unrealistically, the author endows his dying character with the strength to respond at length from his deathbed regarding his moral-spiritual conflict:
What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black
Mr. Hooper the minister’s is perceived to be a “self-disciplined man”. When he was wearing the veil people in his village believed that he went insane and is guilty of a dark and terrible sin. “He has changed himself into something awful, only by hiding his face” (1253).The author explains how Mr.Hooper would wear a mask to hide his sins and face which cause people to believe he was awful. The veil becomes the center of discussion for all of those in the congregate the mask all the people wore around others to hide their sins and embraces there guilty. Elizabeth in the story ends her relationship with Mr. Hooper because he will not remove the veil that he's wearing. The veil actually symbolize for the puritans belief that all people souls are black from
Minister Hooper is a very good man, believes solely in Christ, and throughout the story we come to see how his views on religion reflect his humanity and humility. In “The Minister’s Black Veil,” Minister Hooper dons a black veil that causes an eruption of gossip in his community. The townspeople do not have any clue as to why he is wearing this black veil and see it as scary and devilish. The people in the community believe that Minister Hooper is wearing the veil to cover up a horrible sin. This may not be the case, however, because he may be wearing it as a symbol of his faith.
In “The Minister’s Black Veil” Mr. Hooper shocks his townspeople by putting a veil permanently on his face. The veil is a paradox of concealment and revelation (Carnochan 186). Although it is concealing Mr. Hooper’s face, it is made to reveal the sins in society. The townspeople first believed that the veil was being used to hide a sin that Mr. Hooper had committed. Mr. Hooper says that the veil is supposed to be a symbol of sins in general, however the townspeople ignore the message and still focus on his sinfulness. The townspeople know that they have sinned, but they use Mr. Hooper as their own “veil” to hide their sins. Because the townspeople are so caught up on his sins, they fail to figure on the message behind Mr. Hooper’s action and
At the outset of the tale, “The Minister’s Black Veil,” the sexton is tolling the church bell and simultaneously watching Mr. Hooper’s door, when suddenly he says, ``But what has good Parson Hooper got upon his face?'' The surprise which the sexton displayed is repeated in the astonishment of the onlookers: “With one accord they started, expressing more wonder. . .” The reason is this: “Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath” is a black veil. The 30 year old, unmarried parson receives a variety of reactions from his congregation:
Mr. Hooper in “The Minister’s Black Veil” puts on a veil to symbolize “those sad mysteries which we hid[e] from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them” (Hawthorne 310). From the moment the townsfolk see the black veil they become very frightened and intimidated by Mr. Hooper, the citizens felt that “the black veil seemed to hang down before his heart” (Hawthorne 308). People became very frightened even the “most innocent girl, and the man of hardened breast” (Hawthorne 312) Mr. Hooper puts this crape on as a “symbol of a fearful secret between him and them” and because of this society chastises him and makes him out to be a...
Nathaniel Hawthorne is known for some of his well-written literary pieces. Some of Hawthorne’s literary works is the “The Minister 's Black Veil” and The Scarlet Letter. Within these literary pieces, Nathaniel Hawthorne uses symbolism to shape the perspectives of the community members on how they see an individual wearing the symbol and how the person wearing the symbol feels externally and internally within. Symbols can mean many things, it may or may not change over time. It’s up to one to let a symbol define them or not, it they allow
For many years, there has been an ongoing fight between employers and employees pertaining to employee rights. The main thing that they have fought about is computer and email monitoring.
"The Minister's Black Veil" is an allegorical narrative in which the agents of setting, symbols, characters, and actions come in a coherent way to represent non-literal and metaphorical meanings about the human character. The black veil is without doubt the most important symbol used in the story. It comes to represent the darkness and duality of human nature, adding thereby a certain undeniable psychoanalytical angle to the short story. The black veil represents the sin that all men carry secretively within their heart as M...
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The minister’s friends and neighbors are so upset by the veil because the veil becomes a wall between himself and his congregation. The first response is one of curiosity which then turns in suspicion. They cannot understand the meaning for the wearing of the black veil and in turn the people become very uncomfortable around him. The veil and it color ...
In “The minister’s black veil” The black veil Mr.hooper puts on is to prevent people from spying on his private life. The veil symbolized that human nature is blinded by sins and they way the town treated him after he started wearing the veil shows that there faith is blind they couldn't understand where he was coming from. “ Mr. Hooper's conscience tortured him for some great crime too horrible to be entirely concealed, or otherwise than so obscurely intimated. Thus, from beneath the black veil, there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which
Hooper delivers his sermon, which is about how everyone has a secret sin that acts as a barrier between themselves and the others around them, with a black veil covering his face, “each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought.” (106). The message of his sermon, paired with the veil, causes the townspeople to feel as if Mr. Hooper can see their individual secret sins and expose them to the public, which, in a Puritanical society, makes one vulnerable to public punishment or ostracism by the community. Due to their fears of having their Christian facades shattered and their subsequent sinful natures revealed, the townspeople alienate the minister. This reflects hypocrisy in the sense that their fears come from knowing they are essentially living double lives, which causes more hypocritical behavior to arise in the form of treating their minister in quite the opposite way one should treat a human being, especially one who serves the church in such a high position. Furthermore, on his deathbed, Mr. Hooper points out the townspeople’s hypocrisy when he exclaims, “Why do you tremble at me alone? Tremble also at each other. . . .I look around me, and, lo! on every visage a Black Veil!” (118). Through this exclamation, he is trying to urge the townspeople to reveal their secret sins and stop hiding under a
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