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For this synthesis, I am choosing to write about “The Minister’s Black Veil” by Nathaniel Hawthorne and “A Rose for Emily” by William Faulkner. I am choosing these specific passages because of their tone and narratives. These two short stories are written near a century apart yet still share an unceasing ominous and sepulchral tone throughout. The focus of death surrounds each story but the purpose of writing each is different and is obtained with different and quite contrary narrators and narrative voices. “The Minister’s Black Veil”’s purpose is to leave the reader questioning while “A Rose for Emily” has a purpose of surprising the reader. It can be argued that Hawthorne’s use of narrative voice is more effective than Faulkner’s when it comes to telling the story and this is what I intend to prove throughout this essay. …show more content…
This can be presumed because of Hawthorne’s upbringing in a Puritan family and his references to this same time period in his other works such as “Young Goodman Brown” (1835) and “The Scarlet Letter” (1850). This story tells the tale of a town terrified reaction to their minister, Mr. Hooper, who had “Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil.” (Hawthorne 331). The town does not take well to this choice and rumors being to stir about it acting as a symbol of Mr. Hooper being “under the consciousness of secret sin” (Hawthorne 335) or having something to hide. Hooper repeatedly dismisses these accusations but continues to wear the layers of crape upon his face. Time goes by, Mr. Hooper ages, becomes ill, passes away, and is buried, all with this same mysterious black veil still draped upon his
Faulkner, William. “A Rose For Emily.” Literature Reading, Reacting, Writing. Kirszner, Laurie. Mandell Stephen. 4th edition. Sea Harbor: Harcourt College Publishers. 2001. 87-94
We take a trip back to the lovely Puritan era to understand the content matter of Hawthorne’s The Minister’s Black Veil. In this tale, Reverend Hooper, a young, unassuming, and unremarkable minister in everyway, suddenly dons a black veil, to the shock and mystery of the small town he preaches in. He becomes a pariah with his insistence to remove it, and loses his following and even his fiancee. He insists even on his deathbed to keep the veil into the grave.
Many times in life things are not as they seem. What may look simple on the surface may be more complicated deeper within. Countless authors of short stories go on a journey to intricately craft the ultimate revelation as well as the subtle clues meant for the readers as they attempt to figure out the complete “truth” of the story. The various authors of these stories often use different literary techniques to help uncover the revelation their main characters undergo. Through the process of carefully developing their unique characters and through point of view, both Edith Wharton and Ernest Hemingway ultimately convey the significant revelation in the short stories, “Roman Fever” and “Hills Like White Elephants” respectively. The use of these two literary techniques is essential because they provide the readers with the necessary clues to realize the ultimate revelations.
In New England Men of Letters Wilson Sullivan relates the purpose of Hawthorne’s veiled image:
How many readers have considered that the utter simplicity within the Nathaniel Hawthorne short story, “The Minister’s Black Veil,” might be an expression or reflection of the utter poverty within the life of Hawthorne? It is the purpose of this essay to clarify this issue.
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
William Faulkner claims it’s the writer’s duty to focus on the universal feelings of love, honor, pity, pride, compassion, and sacrifice. Unfortunately, modern writers no longer concern themselves with “the problems of the human heart in conflict with itself” (Faulkner). These authors only wish to illustrate the story, thinking the lesson lies in the conclusion. However, the greater morals remain with the characters’ responses to these adversities, so the story is only a vessel in which the “universal truths” are conveyed. Using the emotional appeals of the story, the author must “help man endure by lift his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past.” All people have felt and understand these emotions, but by ignoring them, modern writers have not left a “scar” on readers. Faulkner hopes to enlighten these young writers so that they continue the meritorious work of helping man to endure. Without Faulkner’s standard of good literature, all emotion will be lost in modern informative literature.
Nathaniel Hawthorne made out his life a source of inspiration. Every event that happened in his life made him think of a way to write about it. The Scarlett Letter was written after his mother died, and it focused on his society and it was used as a strong accusation against the Puritan Americans (Gollin 2605). His works were the results of long-term contemplations of humans and the society of his time, The Minister’s Black Veil is an example of this. A story about a man who decides to walk around his town cover in a black veil that symbolizes sin, and more importantly, “how the guilt we hide from one another and about the dangers of self-absorption” (Gollin 2604). Every major event in his life brought a new theme to his writings and that made it stand out. Just like Irving, he decided that he wanted to pursue of life full of
The corruption of hidden sin and guilt is exemplified by the late Gilbert Parker who once said, “In all secrets there is a kind of guilt… Secrecy means evasion, and evasion means a problem to the mortal mind.” Nathaniel Hawthorne, one of America’s major authors, often wrote about the harsh realities of human existence such as sin, redemption, and morality. In “Minister’s Black Veil,” the main character, Reverend Hooper, wears a veil over his face during his sermons. Though his sermons are very powerful, a feeling of fear and mystery is evoked in the congregation and often in everyday life due to the strange veil that he refuses to remove. On his deathbed, miraculously, Hooper still has enough strength to resist his veil being lifted; his eyes forever covered, he dies with the veil. Hawthorne uses symbols of the black veil to portray hidden sin, guilt, and peculiar shame attaching to sin in Puritan beliefs.
This essay is an in-depth analysis of A Rose for Emily by William Faulkner and The Yellow Wallpaper by Gilman and makes use of various secondary sources.
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
William Faulkner takes us back in time with his Gothic short story known as, “A Rose for Emily.” Almost every sentence gives a new piece of evidence to lead the reader to the overall theme of death, isolation, and trying to maintain traditions. The reader can conclude the theme through William Faulkner’s use of literary devices such as his choice of characters, the setting, the diction, the tone, and the plot line.
In their short stories “The Dead” by James Joyce and “A Modest Proposal” by Jonathan Swift, the author sought to express the disgruntled emotions felt by young men and women of their era. Both authors use commentary and powerful language to justify the emotions felt during this time. They express their displeasure with society, in the case of Swift’s “A Modest Proposal” and the strife of expectations of a man in Joyce’s “The Dead”. The author’s use of tone in both stories reflects the feelings each felt and themes each attack display the emotional state of society of their time.
This paper focuses on the role of the narrative in the funeral elegy. To start, the concept of the narratee has been most deeply explored by Gerald Prince from a narratological perspective. Narratology is primary concerned with narrative patterns in fiction. In this regard, any attempt to apply the terminology commonly used in reference to fiction (and prose) to poetry seems problematic. One has to account for the differences or the similarities between the genres in order to put the discussion of the narratee in the elegy into its proper perspective.