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The Metamorphosis character analysis Essay
the metamorphosis by franz kafka meaning
the metamorphosis by franz kafka meaning
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The Metamorphosis
The introduction gets the readers attention because of its plot movement and extreme details.
This particular introduction, unlike most other works contains the climax to the story. This paper will show the importance of these introductory lines. “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed into a monstrous vermin.” This line greatly moves the plot, more so than any other line. It is the climax of the novel, and everything following it helps build the conclusion of the story. The juxtaposition of “unsettling” and “dreams” is ironic, as dreams are peaceful and never unsettling, only nightmares are unsettling. Gregor has transformed into a “monstrous vermin.” The remainder of the first paragraph gives details of exactly what the monstrous vermin is.
His back is as “hard as an armor plate”. This metaphor shows the rigidity of his body. Gregor’s body has “arch shaped, a vaulted brown belly, and many legs.” As a result of this, he does not even know who or what he is. “What’s happened to me?” He knew it was not a dream. Kafka blends a short sentence about the realization that it is no longer a dream into a paragraph of long sentences to show how the idea of being a dream is chimerical.
His room is still a “regular human room.” In his room are lines of fabric samples, because he is a traveling salesman. Gregor had a picture hanging on his desk. It “showed a lady done up in a fur hat and a fur boa.” This picture, and the mention of him being a traveling salesman, show the extravagance of his family, while he is a common worker.
The weather is overcast, a symbol of Gregor’s despair. He looks out the window, in search of answers to his unanswered questions. He could hear the raindrops and was completely depressed. His depression portrays his feeling that he has no control over the future. He even has no control over himself. “In his present state, he could not get into that position. No matter how hard he threw himself onto his right side, he always rocked onto his back again.”
Kafka beautifully incorporates the climax into the introduction of his story in order to deeply involve the reader in the story.
Gregor constantly made serious efforts to be a part of his family mentally, even when he could not be physically. Kafka describes the image of Gregor “press[ing] his whole body against [the door]” in hopes of “hear[ing] any news....
One of the characteristics of a phobia is a feeling that is greater than the fear of a situation or object with an exaggeration of the danger associated with the said situation or even object. This persistent fear often leads to an anxiety disorder that leads an individual to develop mechanisms that ensure one avoids the object or situation that triggers the occurrence of the phobia. Phobias can have highly debilitating effects on an individual including the development of depression, isolation, substance abuse, and even suicide. Many people take phobia for granted however, it is clear that it has the potential to impair the quality of life for both the affected and the people around them. The fact that many of the phobias are manageable using
Through the use of intense, repetitive, detail-oriented, physical imagery, the narrator of this text situates the characters in a very realistic, physical realm. Such details as the “unpacked line of fabric samples,” the “pretty gilt frame” with the magazine picture, and the “raindrops hitting against the metal window ledge” immediately situate the changed Gregor in a world, not of ideals and lucid symbols, but of raw and imperfect physical facts (3). Thus, once informed of Gregor Samsa’s insect-like state, the reader finds it natural to contextualize this fantastic piece of information realistically. The straightforward, phy...
Conrad changes the environment to cause his protagonist struggles, and Kafka does the same but through internal contrasts. Kafka’s transformation of Gregor into a disgusting vermin causes doubt within him. These doubts place his family in a position where they lose any love and care they ever had in their son. On what should have been a normal morning, Gregor awoke and “found himself changed in his bed into a monstrous vermin” (Kafka 3). Gregor's surreal transformation forces him to doubt and deny anything happening around him.
The higher equality of certain animals was a major contribution to the general act of hypocrisy that takes place on Animal Farm. During the beginning of the novel, all the animals are equal and happy, but once the pigs gain total control, they decide to change the rules. : “All animals are equal, but some animals are more equal than others.”(90). This is hypocritical due to the sudden change of the animal’s views. During the beginning of the novel, all the animals are equal and agree upon equality as a group. After a while, the pigs begin creating rules that help to provide and advantage themselves. After the pigs make this statement, the other animals begin to see that Napoleon and his committee are very similar to their previous owner, Mr. Jones. While the pigs are living the simple life of relaxation, the other animals are doing slave labour to ensure that humans do not regain control of Animal Farm and ensuring that they don’t not lose control of their own lives.
Sadly, Gregor's family treats him like the beast that he truly has become. Seeing the damages as irreparable, they strip him of his worldly possessions and leave him in a "naked den fit for a beast." The struggle that he puts forth when his furniture is taken is symbolic of his struggle to return to human form.
In Franz Kafka's The Metamorphosis, Gregor Samsa's sudden transformation into a cockroach is appalling to all that encounter him, but none attempt to cure him of his affliction. The acceptance of his condition by Gregor and those around him highlights the underlying existentialist and absurdist perspective within the characters' attempt to come to terms with this circumstance. In the face of this dramatically absurd metamorphosis, Gregor does not blame a higher power, nor himself. As time wears on, he not only refrains from questioning his transformation but, at times lavishes in it and embraces it. His adjustment, and the adjustment of his family members, is not one of questioning his new life, but rather attempting to accept it for exactly what it is. In this way, Gregor and his family, particularly his father and sister, epitomize rationalization and freedom of choice in the face of absurdity.
The pigs of Animal Farm used their relatively high intelligence to their advantage. In chapter 6, the pigs clearly altered the “seven commandments” to say “No animal shall sleep in a bed with sheets,” (p.79). This allowed them to take up residence in Mr. Jones’s house, a privilege only granted to them. The pig’s ability to read and write, and other animals’ lack of such knowledge widens the gap of “equality” between the species of Animal Farm.
The story, Metamorphosis, is an unusual story to say the least. The very first sentence one meets the main character, Gregor Samsa. This sentence really shows how different this story is when compared to other books in this class. Throughout the story the author, Franz Kafka, wants the reader to sympathize with Gregor. ‘When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed’ (87), is the first sentence, and already the author wants the reader to feel sympathy for Gregor. This is no dream either, he is really a bug, and Kafka makes sure there is no confusion. This is just one of many examples that I will discuss where Kafka wants the reader to sympathize with Gregor.
It is very difficult to make a set definition of what a monster is. Monsters may look frightening, have unnatural body proportions, or even a dark and evil aura. We often see monsters as ghosts, werewolves, vampires, or artificial creatures, but it is still hard to say exactly a monster is. I believe monstrosity is made within the eye of the beholder. “Monsters” are what you make of them. Most “monsters” are just different and unique and that’s what makes them monstrous- because they are different from what people perceive as normal. That is how Gregor is turned into a monster in The Metamorphosis.
Ralph Waldo Emerson said “What lies behind you and what lies in front of you, pales in comparison to what lies inside of you.” “In a Good Man is Hard To Find” the Grandmother expresses herself as a lady of upmost standards. In actuality, she lives as a Grandmother from the old South whose mouth runs on its own. The Metamorphosis includes Gregor Samsa a self-proclaimed family man who tries to take on all of the responsibilities in the Samsa household. His way of living seems great for everyone, but at the same time does not seem necessary. In A Good Man is Hard to Find” and The Metamorphosis, The Grandmother and Gregor despite being completely different, also share very similar qualities. They differ in values, but in the same way they are irresponsible and nuisances to the people around them.
After attaining his readers attention Kafka goes onto describing Gregor’s new physical state. It is thus established that Gregor is the main character of the story. Gregor’s new body ‘which was as hard as armour’ can be seen as a protecting net for him; possibly preparing him for his troublesome future.
There are three kinds of phobias: simple phobia, social phobia, and panic attacks. Simple phobias, also called specific phobias, are fears of a specific thing, such as spiders or being in a closed place. Most simple phobias develop during childhood and eventually disappear. Specific phobia is a marked fear of a specific object or situation. It is a category for any phobias other than agoraphobia and social phobia. The categories of specific phobias are 1. situational phobias such as: fear of elevators, airplanes, enclosed places, public transportation, tunnels, or bridges; 2. fear of the natural environment such as: storms, water, or heights; 3. animal phobias such as: fear of dogs, snakes, insects, or mice; 4. blood-injection-injury phobia such as: fear of seeing blood or an injury, or of receiving an injection. (Wood 520).
Anxiety is a normal reaction to stress. Every person experiences some form of anxiety in his or her lifetime. Anxiety helps us deal with tense situations like using our flight or fight reaction, study harder for an exam, or keep focus on important deadlines. Anxiety can be useful until it gets to the point of interfering with everyday life. Some people explain it as not being able to shut the anxiety off. When anxiety becomes an excessive, irrational dread of everyday situations, it becomes a disabling disorder (National Institute of Mental Health, 2009). Each year, anxiety disorders affect about 40 million American adults age 18 years and older (National Institute of Mental Health, 2009). There are five major Anxiety Disorders they include Generalized Anxiety Disorder (GAD), Obsessive-Compulsive Disorder (OCD), Panic Disorder, Post-Traumatic Stress Disorder (PTSD), and Phobias.
Phobias are irrational fear to a person, place or object and they are classified as an anxiety disorder. There is a term for every phobia imaginable. Phobias affect approximately nineteen million individuals, with the fears ranging from blood to women and every thing in between. The symptoms one experiences when suffering with a phobia include profuse sweating, headaches, extreme nausea and a variety of other physical symptoms.