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ovid metamorphoses transformation
comparing the roles of the gods in virgil’s, aenid and ovid’s metamorphoses
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Ovid’s wrote the Metamorphoses during an important time period in Roman history. Ovid is growing up during the last days of Julius Caesar’s reign and the beginning of Augustus’ new reign as Emperor. This period marked great change, or metamorphosis, in Roman ideology. Although it was not obvious to the average person until many years later, genius’ like Ovid understood the change that Roman society was going through. At this time, Ovid was already a highly successful poet, writing erotic poetry. However, there was a genre Ovid had not yet established his dominance. This genre was epic poetry, dominated by Virgil and his work, the Aeneid. Ovid took this opportunity to write an Epic poem that would rival Virgil’s Aeneid, and explore the theme of metamorphosis, drawing from the Heraclitian paradox that the only thing constant in the universe is change. Ovid weaves together 250 myths and legends from both Greek and Roman history, and tweaks some of them to his purpose, creating interesting twists on the classic stories that are already well-known by everyone. In fact, many of his tweaked versions of the stories became the standard version that are still told today. In the Metamorphoses, Ovid presents women and the gods differently than his contemporary Virgil, reflecting his motives and the society in which he was living in.
The gods in Ovid’s Metamorphoses share some similar characteristics with those in the Aeneid, however, most of their characteristics differ greatly. The first character to look at is Jupiter, also known as Jove, God of Heaven and king of the Roman gods. In the Aeneid, Jupiter takes on a much different role than he does in Ovid’s Metamorphoses. Jupiter of the Aenied, for example, acts more how you would expect the...
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...d stands up to the wrongdoing of Tereus, showing that Ovid believes in a more positive view of women, rather than the negative view portrayed in Virgil’s Aeneid. Ovid’s Metamorphoses reflects how he feels about Roman society. His work represents a shift in Roman culture, a shift in how the citizens view the gods, and a shift in the relationship between men and women.
Ovid’s Metamorphoses is an epic poem to say the least. Ovid takes what had already been established by Virgil, and by incorporating the context of the culture he was living in, was able to create a contrasting poem that, in my opinion, is much more enjoyable to read that the Aeneid. Ovid’s ideas contrast Virgil’s, without being disrespectful to his work or lessening the significance of what Virgil accomplished. Ovid simply wanted to write something better. For me, it is easy to say he did exactly that.
Sophocles' Oedipus Tyrannus can be argued that it is related loosely to Rita Dove's The Darker Face of the Earth. This comparative and contrasting characteristics that can be seen within both plays make the reader/audience more aware of imagery, the major characters, plot, attitudes towards women, and themes that are presented from two very different standpoints. The authors Sophocles and Dove both have a specific goal in mind when writing the two plays. In this paper I will take a closer look of the two, comparing and contrasting the plays with the various elements mentioned previously.
Heath, J. (1991). Diana's understanding of Ovid's Metamorphoses. Th classical Journal , 186 (3), 223-243.
There were two major rape narratives in the Metamorphoses: one in Book I, when Jupiter rapes the nymph, Io; and one in Book II, when Jupiter rapes Diana’s follower, Callisto. After the first instance, Ovid sympathizes considerably with Io. First, he addresses her with the title “fleeing girl” (Ovid 9), which gives her the characterization of being innocent and unwilling towards Jupiter. In addition, after the rape, Io is turned into a heifer then taken away from her home to be kept in captivity by Argus, which makes the readers sympathize with her because she is being held against her will for being the victim of rape. Lastly, Ovid conveys sympathy for Io when she looks into a river and sees that she is a heifer and becomes “terrified of herself”
The depiction of the Greek and roman myths are given unique insights from different authors. The Hymn to Demeter and Ovid's Metamorphosis provide and insight to Demeter's love for her daughter, Persephone, and explores its affect on the surrounding environments. The theme of separation and isolation is present in both of these myths, however, in Ovid's Metamorphosis, he symbolizes the environment in important events, has characters playing different roles, and empowers female deities.
Ovid wrote the Metamorphoses nearly two thousand years ago and Dante wrote Purgatorio 1600 years after that - two pieces of literature that dealt with topics which transcend humanity's perceived reality. Each piece of literature attempts to arrive at a truth concerning the essence of human existence, Dante seeks answers within the confines of Catholic dogma while Ovid approaches existence from a paganistic perspective. This demonstrates two very different approaches to the same exact query. Mankind has questioned the existence of a metaphysical realm for generations and consequently shapes the nature of the supernatural world.
Ovid's Metamorphoses is an example of chaos versus order. I think that is what makes it hard to follow. There is just so much chaos moving from one book to another with barely a transition. I think what the anti-epic is trying to show is that everyone has flaws.
Though not the focus of epic poetry, the female characters of this ancient genre play a central role, as they have a great influence on the male heroes they encounter. In a genre which idealizes manliness and heroism—that is, acts of courage, strength, and cunning— women are set in opposition to these ideals and therefore less respected. At the same time, women who attempt to take on more “masculine” roles are vilified. Here, antagonist is defined as anyone in opposition to the hero’s goals. Female agency—their free will and ability to wield power—is directly related to their role in epic poetry; that is, the more agency a female character has, the more antagonistic of a role she plays. This agency is often enacted through sexuality or supernatural
The difference between the way Homer and Ovid present the gods and their relation to human being is that in Homer, the gods are more tough on the humans than in The Metamorphoses. In The Iilad, some gods were focused on returning Odysseus home while some were trying to stop him in his tracks. This story also focuses more on environment and symbolism because of the way the story is written. In Metamorphoses, the gods seem to care more about human beings. They show stronger emotions towards them. You can see this through all of the theme changes that occur in the story. They penalized people who were wicked and reward those that were piety. Metamorphoses set the tone in Book I, when the gods punished Lycaon for trying to kill Jupiter in his
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
...the god based upon conflicting traits of fear, deceit, and lust. Zeus' main characteristic is power in both Greek and Roman mythology. However, when Ovid's Metamorphoses is compared to Hesiod's Theogony, Juno's power is limited. Ovid's lack of respect and belief about Jupiter is apparent in his writings, which portray Jupiter as fearful, cunning, deceitful, and lustful. In opposition, Hesiod views Zeus as fearless, intelligent, and certainly not lustful. Zeus' characteristics in the Theogony are reflected from Hesiod's belief about the god to be much more than a worthless myth to the Greeks. Instead of mocking and disrespecting the all-powerful god of Greek and Roman mythology, Hesiod respects Zeus as the most powerful god.
In many ways, judging and comparing Vigil’s Aeneid and Ovid’s Metamorphoses is inevitable because each of the writers lived at roughly the same time in history, both sought to create a historical work that would endure long past their mortal existences, and while each man was ultimately successful in their endeavors, they achieved their desired goals in vastly different ways. That being said, the epic poem by Ovid is superior because unlike Virgil, whose epic poem utilized a character centered narrative steeped in historical inferences and a theme that celebrated the moral virtues of Greek and Roman society, Ovid defied tradition by creating an intricate narrative that looked
This anti-epic certainly does not follow the adventurous theme of the epic. There is no protagonist hero to focus on unless you visualize the god's prey as the hero in his/her escape. The assembled writings seem to be more of a recording of the misdeeds of the gods. It appears that Ovid wanted to write about the desires of gods and people instead of a great adventure.
The ancient Roman tale known as the “Rape (or seizure) of Sabine Women” depicts women, taken against their will by Roman captures and married to Roman men. These women later, intervene in a battle between their new husbands and their angry brothers and fathers. The ancient tale depicts Roman ideology and practices of marriage. It shows how a bride was transferred from living under her father’s jurisdiction to being ruled by her husband. The capture of the Sabine women, the war that follows, and the final truce brought upon the Sabine women themselves are direct relation to the separation of a young bride from her maternal family, the transfer of authority, and her beginning in her new family. The tale is told by two philosophical figures of Roman history. Livy, whom writes about the events in 30 B.C.E and Ovid whom rights about them nearly a generation later1. Both have different views on the event, its meaning, and its relevance. The two men also share the same thoughts in regards to their view masculinity and power.
There are many gods that play a role in the Aeneid. The main ones are Jupiter, king of all deities, Juno the divine antagonist of Aeneas’ destiny and Venus, his mother and his main protector. There are also the lesser gods such as Neptune, Aeolus, and Mercury, who serve as instruments for the main gods to meddle in the events of the story.
Mandelbaum, Allen, trans. The Metamorphoses of Ovid. By Ovid. San Diego: Harcourt Brace & company, 2008.