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african american stereotypes in the media
african american stereotypes media
black american stereotypes in media
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Images people once thought of as funny and humorous are now thought to be very hurtful and racial. Over eighty years ago, The Mammy was thought to be one of the most enduring images of the African-American woman. The Mammy grew out of slavery and the location of black women in the entanglement of social relations in a biracial slave society. The boundaries have been defined of the acceptable and unacceptable black female behavior. However, since time has elapsed the image of the Mammy has turned into a very negative one. It has become a difference of whites and blacks, for blacks it is apart of who they are and where they have come from and for the whites it is an image that is used in entertainment productions. The Mammy has a very unique physical appearance, has justified the racist economic system and has become an important staple of literature and television. Is she a simple depiction of an African American housekeeper or is she a racist stereotype perpetuated throughout popular culture from the times of slavery?
First, the Mammy image is one that will never be forgotten. Her physical presence suggests bodily strength and power, evidenced by her ability to work hard yet show no signs of fatigue. She is usually very fat, very dark, and wears a bandanna and a beaming smile as a sign of how much she enjoys her oppressed position. The Mammies appearance dignifies who she is and what she represents. Developed after the World War I, the Mammy became the historical figure of the African American woman (Rhodes). She became a symbol of “oppressive social relations based on race, gender, and class,”(Thomas).
One of the most important aspects of the Mammy figure is her submissiveness and docility. The Mammy was a slave who posed no threat to the White family or to the power structure of slavery. She is conventionally valued for her reassuring gentleness, as an armed warrior. Along with a mop in her right hand, she holds a weapon in her left hand. She is someone who will do what she is told to do. She is very easy to be taught certain skills and will follow through to the fullest extent. She is the faithful, asexual, obedient, servant happy to serve white people and care for their children. She could sometimes be strong-willed, domineering and bossy, but she is easily put in her place by a glance or a ve...
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...d controlled through radio and television in today’s society. Seen in such roles as The Beulah Show, she was played by such women that others would pay attention to. Throughout time the Mammy has become both a representation of an African American housekeeper and a racist stereotype.
The Mammy, a power to be reckoned with as well as a figure to respect.
Works Cited
Bogle, Donald. “Losing the Race: Self Sabotage in Black America.” Primetime Blues: African Americans on Network Television 05 March 2001: 520. eLibrary. College of the Canyons Library, Santa Clarita, CA. 16 April 2002
Edwards, Bob and Joshua Levs. Southern Women and Memories of Slavery, Part One. Morning Edition 28 December 1998. eLibrary. College of the Canyons Library, Santa Clarita, CA. 16 April 2002
Rhodes, Chip. Slave in a Box: The Strange Career of Aunt Jemima.” The Journal of American History 15 December 2000. Proquest. College of the Canyons Library, Santa Clarita, CA. 16 April 2002
Thomas, Sabrina Lynette. “Slave in a Box: The Strange Career of Aunt Jemima.”
Transforming Anthropology 15 December 2001. Proquest. College of the Canyons Library, Santa Clarita, CA. 16 April 2002
The Mammy stereotype however comes from the Deep South to make slavery appear as beneficial for blacks and demonstrate that blacks enjoy being subservient to whites (Bronstein). Not only does this stereotype have racist connotations, it further shows how deeply ingrained slavery was in American culture and the inequality that existed during this
Deborah Gray Whites book shows a side of slavery containing black women that wasn’t unmasked. Though the mythologies of Mammy and Jezebel didn’t quite match up to the everyday lives of female slaves, there is still a great deal of difference of being a slave women then a slave man or white woman.
When settlers first came to America, lobster was considered a poor man’s food. The lobsters were so abundant at that time that many people felt that they were competing with them for space on the shore. The settlers felt that the lobster had no nutritional value. At that time both Native Americans and settlers used the lobster as fertilizer for their fields and as bait to catch other fish. Lobster was so disdained that it was given to prisoners, indentured servants, and children. This was such a common practice that in Massachusetts many servants and prisoners had it put into their contract that they could not be fed lobster more than two times a week.
Throughout the course of my life I have heard conflicting statements about stereotypes. From a young age I was taught that there are no truths to stereotypes, that they are unfair beliefs and generalizations pertaining to a certain group of people. Contrary to what I was taught, I have also heard there is always some truth behind stereotypes. So which is it? Well the HBO television series The Wire has only made answering that question harder. The series has an abundance of characters that seem to fit and defy particular stereotypes. In this essay, I argue that the character Kima Griggs in the television series The Wire has managed to find a balance between fitting and defying the stereotype known as the “mammy”. First, I explain how Kima being
Collins, Patricia Hill. "Mammies, Matriarchs, and Other Controlling Images." Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. New York: Routledge, 2000. 89. Print.
Lillian Smith provides a description of the typical black woman and the typical white woman "of the pre-1960's American South" (Gladney 1) in her autobiographical critique of southern culture, Killers of the Dream. The typical black woman in the South is a cook, housekeeper, nursemaid, or all three wrapped up in one for at least one white family. Therefore, she is the double matriarch of the South, raising her own family and the families of her white employers: "It was not a rare sight in my generation to see a black woman with a dark baby at one breast and a white one at the other, rocking them both in her wide lap" (Smith 130). The southern black woman's duties extend far beyond rearing children, as she also serves as a family counselor, confidant, and nurse for the entire white family (Smith 129) and her own if time permits. She can do all this and more because she is strong, wise, and insightful in all areas of life (Smith 119). In short, the southern black woman is the cornerstone of the southern, domestic life. The white woman in the South has an equally important role. The southern white woman is responsible for maintaining southern social order, better known as Southern Tradition.
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I believe David Foster Wallace’s aim for writing this piece was to explain his reasoning for killing and eating animals and to understand other people’s views on the issue as well. This is apparent throughout the writing. Wallace starts out by giving his personal description of the Maine Lobster Festival. He describes how it takes place July 30th through August 3rd, thousands of people come to the festival every year, its broadcasted on live television by CNN, and about 25,000 fresh lobsters are eaten over the course of the festival. Additionally, he goes into the biology of the lobster such as the scientific name and evolution. Leading up to this, he states the question for writing this piece, “Is it alright to boil a sentient creature alive for our gustatory pleasure” (p.9 Wallace)?
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Harriet Jacobs’ Incidents in the Life of a Slave Girl is one of the few narratives depicting the degradation’s endured by female slaves at the hand of brutal masters. Jacobs’ narrative is sending a message to women to come together and end the unfair treatment all women are subjected to. By bringing images of slavery and the message of unity of women to the forefront, Jacobs is attempting to end the tyranny over women perpetrated by men and the tyranny over blacks perpetrated by whites. Integrity and agency are ideals that Americans have fought for over the years. Jacobs reshapes these ideas and makes decisions and takes full reposibilities for her actions to become the ideal and representative image of womanhood.
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