The Madina Collection of Islamic Art at the LACMA
Introduction
The Los Angeles County Museum of Art (LACMA) announced recently that it had acquired “the remarkable Madina Collection of Islamic art. The collection contains works of various media dating from the late 7th through 19th centuries from the vast areas that comprise the Islamic world, from Southern Spain to Central Asia” (Los Angeles County Museum of Art, 2005). While the museum already had quite an extensive collection of Islamic art, this particular exhibit truly adds the collections as a whole.
The Madina Collection of Islamic Art
The first item to be examined is a bowl from the 14th century, from either Egypt or Syria (Los Angeles County Museum of Art, 2005). It is ceramic, fritware and is underglazed-painted (Los Angeles County Museum of Art, 2005). It is 10 and ¾ inches in diameter. The design is very symmetrical and incredibly colorful in its green and cream along with black lines. Without knowing what the design symbolizes one could imagine that it is very much an Islamic design, and appears to be religious or spiritual in content. There is a Mandela presence to the design, with very strong lines and striking elements. http://collectionsonline.lacma.org/mwebcgi/mweb.exe?request=record&key=8533
The next piece to be examined is cup from the 13th century, from Greater Iran. This cup is “Silver, gilded, chased and punched” and measures “3 7/8 x 4 5/8 in. (9.84 x 11.75 c...
The object pictured above belongs to a group of artifacts known as incantation bowls, demon bowls, devil-trap bowls, or simply magic bowls. They were crafted by the first millennia Anno Domini people of Mesopotamia and are found, perhaps exclusively, in modern day Iraq. They can be dated as early as 3rd century AD and as late as 8th century. The majority date between 400AD and 700AD. Known pieces in public collections number around 2000 with several times that number likely to exist in private collections. (Saar 2) This report will expand on these statements as well as explore incantation bowls’ production, their function, and what little is known (or provided) of the particular bowl from the Kelsey museum. First, however, we’ll look at the historical setting of the location and era.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
LA County Museum of Art (LACMA) The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
The Warka Vase is a uniquely large piece that was laboriously built, and carefully decorated. The images on the Warka Vase are significant and have iconographic meanings unique to the Uruk people and the cult of Inana. The images reference common practices in cuneiform and iconography of the time and place the Warka Vase was made and can be cross compared with other pieces from the time to understand the symbolism of this brilliant piece of art. To understand who is in the images, what they are doing and how they relate to one another may bring unique insight to the practices of the cult of Inana.
Dreams are not just empty ideas, they give people ambition, and it is the pursuit of that ambition, which shapes a person. However, society instils an illusion about what can be achieved. Dreams can be tied to identity, but they can be good or bad. The Great Gatsby [F. Scott Fitzgerald] and Shattered Glass [Teresa Toten] share the similes in which both main characters dream of finding themselves and reach their end goals, through pressure and love. Both authors imply that dreams should be verified that they are possible before you start following them, otherwise they can ended up deadly.
vol. 31, New Haven, Conn., Department of Antiquities of the Government of Iraq and the American Schools of Oriental Research, p. 133 (# 56). 1965,
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Gardner, Helen, and Fred S. Kleiner. "Chapter 1: South and South East Asia Before 1200." Gardner's Art through the Ages: Non-western Perspectives. Boston: Wadsworth/Cengage Learning, 2010. 1-31. Print.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
The Oriental Institute featured an exhibit focused on the development of ancient Middle East Pioneers to the Past: American Archaeologists in the Middle East 1919–20 January 12 - August 29, 2010. And this was the exhibit I found most intriguing and most i...
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Dreams are one of the hardest accomplishments to achieve in life today, But they are also
Flood, Finbarr B. "Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum." The Art Bulletin (2002):
of all Islamic lands.”1 Although this is a highly dynamic art, which is often marked
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