The Love Song of Alfred J. Prufock
The Love Song of Alfred J. Prufock is a tale of a lonely man caught between an imaginary world and a realistic world. Within these two worlds he searches for someone to appreciate his true values and not have to put on the social mask that everyone wears amongst crowds. In this passage he wants to know if his efforts to make conversation amongst female company would pan out into something more than a one-night stand. He has been to many parties before and knows that there is a certain type of personality conformity that goes along with the social atmosphere. He does not like putting on this social mask to attract women and just wants someone to understand and appreciate him. The repetition of phrases using the words "worth while" portrays a sense of confusion for Prufock. His only question seems to be if putting on this type of mask will bring him a sense of love. He feels that it would only cause him to be misunderstood: "Would it have been worth while, If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: "That is not it at all, That is not what I meant, at all. (lines 106-110)." He then realizes that he may not be the most elite man but he has something to offer to somebody if he had the chance: "No! I am not Prince Hamlet, nor was meant to be; (line 111)." He admits that he is not perfect and actually can be the furthest from at times: "At times, indeed, almost ridiculous—Almost, at times, the Fool. (lines 118-119)." He realizes that his time is slowly fading as he gets older and it depresses back into his fantasy world: "I grow old ... I grow old ...(line120).". Prufock has fantasies of mermaids singing The mermaids symbolize real women and how his feelings of rejection by them. Similar to real women he feels that they will reject him as well and will not sing to him: "I do not think that they will sing to me (line 125)." This passage and poem ends with Prufock falling out of his fantasy world and back into reality: "Till human voices wake us, and we drown (line 131)."
a man named Prufrock. Prufrock, at first glance, has a cool composure. He leads his
When our lives begin, we are innocent and life is beautiful, but as we grow older and time slowly and quickly passes we discover that not everything about life is quite so pleasing. Along with the joys and happiness we experience there is also pain, sadness and loneliness. Hemingway's "A Clean, Well-Lighted Place," and Eliot's "The Love Song of J. Alfred Prufrock" both tell us about older men who are experiencing these dreadful emotions.
J. Alfred Prufrock is a man who is destined to find the right women to with for the rest of his life. He always holds off finding the perfect women to another day, but time is ticking against him and he does not have much time left. In T.S. Eliot’s, “The Love Song of J. Alfred Prufrock” Illustrates Prufrock’s inability to interact with women in the coffee shop, fear of being turned down, and the significance of love and time. J. Alfred Prufrock’s life consists of sitting in a coffee shop every day desperately waiting for the perfect women to walk in. Prufrock is a very shy and awkward person who is lonely for his entire life.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
Love has many definitions and can be interpreted in many different ways. William Maxwell demonstrates this in his story “Love”. Maxwell opens up his story with a positive outlook on “Love” by saying, “Miss Vera Brown, she wrote on the blackboard, letter by letter in flawlessly oval palmer method. Our teacher for fifth grade. The name might as well have been graven in stone” (1). By the end of the story, the students “love” for their teachers no longer has a positive meaning, because of a turn in events that leads to a tragic ending. One could claim that throughout the story, Maxwell uses short descriptive sentences with added details that foreshadow the tragic ending.
T.S. Eliot’s breakthrough poem “The Love Song of J. Alfred Prufrock” is expertly crafted to have a complex structure with various hidden themes. The poem acts as an inner monologue for the titular character, appearing as lyric-narrative poetry. However, it does appear to lean towards a lyric poem, with the hazy plot consisting of Prufrock describing what his life has been like, in retrospect to speculating on what is to come next. The monologue throughout is melancholy in nature, with Prufrock dwelling on issues such as unrequited love, his frail body, his looming demise, and a dissatisfaction with the modernist world. Eliot uses a variety of metaphor within the poem to showcase Prufrock’s indecision, between being unable to fully live, while
For Eliot, poetic representation of a powerful female presence created difficulty in embodying the male. In order to do so, Eliot avoids envisioning the female, indeed, avoids attaching gender to bodies. We can see this process clearly in "The Love Song of J. Prufrock." The poem circles around not only an unarticulated question, as all readers agree, but also an unenvisioned center, the "one" whom Prufrock addresses. The poem never visualizes the woman with whom Prufrock imagines an encounter except in fragments and in plurals -- eyes, arms, skirts - synecdoches we might well imagine as fetishistic replacements. But even these synecdochic replacements are not clearly engendered. The braceleted arms and the skirts are specifically feminine, but the faces, the hands, the voices, the eyes are not. As if to displace the central human object it does not visualize, the poem projects images of the body onto the landscape (the sky, the streets, the fog), but these images, for all their marked intimation of sexuality, also avoid the designation of gender (the muttering retreats of restless nights, the fog that rubs, licks, and lingers). The most visually precise images in the poem are those of Prufrock himself, a Prufrock carefully composed – "My morning coat, my collar mounting firmly to the chin, / My necktie rich and modest, but asserted by a simple pin" -- only to be decomposed by the watching eyes of another into thin arms and legs, a balding head brought in upon a platter. Moreover, the images associated with Prufrock are themselves, as Pinkney observes, terrifyingly unstable, attributes constituting the identity of the subject at one moment only to be wielded by the objective the next, like the pin that centers his necktie and then pinions him to the wall or the arms that metamorphose into Prufrock's claws. The poem, in these
“The Love Song of J. Alfred Prufrock” is hardly a love song at all. That irony is clear in that the narrator’s voice is anxious, self-conscious, and depressed. It seems he has wasted his life or that life was wasted on him, and he regrets not being born as a creature that lives on the bottom of the sea. The very last lines of the poem,
The Lovesong of J. Alfred Prufrock, a poem created by the late T.S. Eliot was a poet in the 20th Century (when Europe was at its peak of industrialisation) and this is considered to be one of his highly regarded pieces alongside The Wasteland. This poem is a monologue of the persona of J. Alfred Prufrock, (the speaker of the poem) a middle aged man, intellectual and described with little self-confidence with himself who has problems in dealing with self-image and anxiety. He’s a solitary man who is achingly shy and has little courage, when isolated, he isn’t subjected to a social lifestyle and this halts him when it comes to speaking with a female. The title to me is ironic, Eliot titled it a ‘Lovesong’, therefore, the language used in the poem cements a theme of pessimism, as hardly anything is written on love.
After reading “True Love” I have concluded that Szymborska is trying promoting true love to the people who don’t believe, by stating the positive aspects to make people live a happier life. In the poem “True Love” by Wislawa Szymborska, it is obviously talking about true love such as how it happens, and when people are in love or a relationship. She uses a continuous form of sarcasm of people who do believe in true in love, and those who do. This making her a believer, creates an argument about the belief of “true love”. She promotes it by speaking from both sides of the argument including the people who don’t know exactly what true love is. Another method she uses is by expressing how true love happens, involving the emotions and impacts that it can create on a person’s life.
Handler 356-7. " The Love Song of J. Alfred Prufrock" is one of the most influential poems of the twentieth century (Williams 49). It is certainly not a love song like any that has been written before. The second and third lines shock the reader because of their unusual imagery that would be out of place in a traditional love poem, describing the setting sunlit sky as looking "like a patient etherised upon a table" (Eliot 3). This "etherised" outside world is the key to understanding all of Prufrock's views.
In "The Love Song of J. Alfred Prufrock", written by T. S. Elliot in 1917, J. Alfred Prufrock makes the reader privy to his innermost thoughts on an evening out. Prufrock wants to lead the reader to an overwhelming question, raising expectations, but he is a bitterly disappointing man; he never asks the question. He lacks self-esteem, women are intimidating to him, and he is too much of a coward to ever be successful with women. The title is "The Love Song,", not "A Love Song." So whenever Prufrock is around women, he behaves the same way. He always has and always will. Because of his inability to change he will die a lonely man.
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” the author is establishing the trouble the main character, Prufrock, is having coming to terms with middle age. He is deeply distressed over the fact that he is growing old, and feels that the prime of his life has passed him by. His preoccupation with time throughout the poem characterizes his fear of aging. He is a man experiencing a mid-life crisis, brought about by his perception of aging and his own feelings of inadequacy.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that Prufrock lives in.
considered to be a groundbreaking forefather of what has become the Romantic genre. His poetry and even paintings have been distinguished as ¨Pre Romantic¨ due to his aid the development of the Romantic Period.