Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Love song for j alfred prufrock themes essay
"The Love Song of J. Alfred Prufrock." flashcards
"The Love Song of J. Alfred Prufrock." flashcards
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Love song for j alfred prufrock themes essay
Lonely Manifestation The poem called “The Love Song of J. Alfred Prufrock” was written during the early 1900s and was published in 1915 (Longxing). The poem was one of the modernistic works written by one of the well-known authors named T. S Eliot. Modernism, a type of writing written in the early 1900s after World War I, focuses on the negative aspects of reality (Pearce). Since Eliot wrote the poem during the modernism era, the poem portrays the loneliness, failure, and depression of a man’s life. The poem is about a man named J. Alfred Prufrock who does not know how to talk to women because of his lack of confidence. The poem “The Love Song of J. Alfred Prufrock” is the essence of a modern man because Prufrock is a man who feels lonely in a …show more content…
Although he wants to fall in love, he fails to tell a woman how he feels because he does not want to be denied in front of other people. For example, he states, “And when I am formulated, sprawling on a pin/When I am pinned and wriggling on the wall/Then how should I begin” (823) and he thinks about how other people will judge him by his unattractive looks. Since Prufrock’s insecurity stays on his mind, he focuses more on what other people think instead of what he should think about himself. He feels trapped within his own body and only thinks about how unsuccessful his life is. Since he is so uncomfortable within his own body, he does not even give a woman the opportunity to love him. Prufrock wants to escape life of humanity, so he dreams. Even though his dreams are unhappy just like his life, he wants to stay in his dreams because he knows when he wakes up he has to live in the destruction of humanity. People’s unhappiness and rejection during this time period led people to feel depressed. Since Eliot wrote the poem to portray the destruction of life during the modernistic time period, he wanted to show how nothing about life really mattered to the people
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." The Norton Anthology of English Literature. Ed. M.H. Abrams. New York: Norton, 1996. 2459-2463.
Most likely intentional, the entire poem can be considered a metaphysical conceit designed to create pathos: Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying alone as the objective correlative for Prufrock’s anxiety of choice and consequent despair.
For example in the poem he says, “…Time to turn back and descend the stair, With a bald spot in the middle of my hair- [They will say: “How his hair is growing so thin!] My morning coat, my collar mounting firmly to the chin, My necklace rich and modest, but asserted by a simple pin- [They will say:” But how his arms and legs are so thin!”]…” This quotation is an example of Prufrock overthinks situations. He wants to go to the party and ask a question but cannot stop thinking about if he will be judged by the people at the party because of his hair balding and thin body. But a typical person today would acknowledge the fact that the people who will attend the party will be concerned with the party they are attending rather than minor details on him. This is another instance where Prufrock is not typical of people today. People today do tend to over think things but Prufrock takes it to another level with overthinking about things normal people wouldn’t and allows it to affect each choice he makes even the simplest ones in his
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
"The Love Song of J. Alfred Prufrock" is one of the most influential poems of the twentieth century (Williams 49). It is certainly not a love song like any that had been written before. The second and third lines shock the reader because of their unusual imagery that would be out of place in a traditional love poem, describing the setting sunlit sky as looking "like a patient etherised upon a table" (Eliot 3). This "etherised" outside world is the key to understanding all of Prufrock's views. He is afraid of the increasingly industrialized and impersonal city surrounding him, and he is unsure of what to do and afraid to commit to any particular choice of action (Mays 112). Paralysis is the main theme of "The Love Song of J. Alfred Prufrock."
Henceforth, the cycle is revealed; Prufrock professes an intention, hesitates in paranoia at the prospect of achieving it, and then retreats into self consciousness upon contemplating what society would think of him, and his 'thinning hair' as he did it. This fact incites one to wonder if Prufrock, who repeatedly asks himself, "And how should I presume?" is trapped by and within his own mind, as it continues to engage in the aforementioned cycle. It is within this 'thinning hair' and these 'thin arms and legs' where Prufrock's inhibitions, and consequently the crises he finds himself in, are rooted. Only a man in a mid-life crisis could be so shaken by a bald spot, so unnerved by silent comments aimed at his 'thin arms and legs' (which leads one to envision his torso to be the opposite) by a society which fuels its oppression of Prufrock with his own self-consciousness.
Eliot and Kafka characterize their respective characters as having negative self-images, a prior lack of success, and as being fundamentally lonely. Prufrock views himself as undesirable, and his self-image seems to grow worse with age. While Prufrock has the chance early on to make something of his life, he sits in a room, presumably one in which there is a display of artwork, and “the women come and go / Talking of Michelangelo” (ll. 13-14). Prufrock goes by unnoticed next to what could be the beautiful works of Michelangelo. It can especially be presumed that he feels inadequate next to the Statue of David, a sculpture for which Michelangelo is famous. As time goes on, his feelings of inadequacy increase when he begins to fear what others will think of his aged appearance, for “They will say: ‘How his hair is growing thin!’” and “They will say: ‘But how his arms and legs are thin!’” (ll. 41, 44). Prufrock’s lack of self-confid...
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrock's dichotomy lies in not only his fear of socilisation but also the underlying misconception that he can change the SORDID State his life is in. On the one hand, Prufrock says "And indeed there will be time...yet for a hundred indecisions and for a hundred visions and revisions..."meaning that he is under the impression that he still has a chance to make his life the way it was in his dreams. The unfinished statement "I am Lazarus, come from the dead/ come back to tell you all, I shall tell you all-..." explains this. Some of his dreams/"illusions of grandeur"(Solo, 104) are of the sort that contain "arms that are braceleted and white and bare..." (women) while others are the more general type, just simple wishes to belong to the modern society "I have known the eyes already, known them all: --..." The other hand, the one that drags him back to reality and his current state of solitude also reflects his self-consciousness and the "dark[er] side" ( Vader, 226) of his fear to become successful in life with the possibilities of failure looming in the background, such that his life has little time left "I have seen the eternal Footman hold my coat, and snicker/ And in short, I was afraid." Prufrock is also afraid of the confrontation between himself and others, mostly women which, ironically, he is in constant pursuit of ("do I dare? Do I dare?")
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
Prufrock’s insecurities make him feel like an outsider. “In the room the women come and go talking of Michelangelo.” He wants to approach the young
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.