The Lost Identitiy of Othello

The Lost Identitiy of Othello

Othello's identity in the Venetian society is his role as "the Moor". Few people use his real name when talking about him. When speaking the given quote, Othello is telling the Venetians how he won Desdemona's heart by telling her the story of his life, and he now retells it to the Venetians. This tale-telling is a way of employing the linguistic system to reshape for himself a new identity with more positive connotations than "the Moor" can offer. "The Moor" is an expression the Venetians connect to other expressions in the linguistic system which all have a negative value. Examples are such expressions as "old black ram...

The above excerpt is provided as reference only. The complete essay begins below.

When considering the identity of Othello, in Shakespeare's play Othello, it is beneficial to ponder the quote "I am not what I am.". Perhaps Othello finds his identity threatened by Desdemona's reaction to his tales. In order to understand this better, it is useful to note a quote from Pam Morris: Literature and Feminism, (Blackwell, 1993) where she discusses the resolution of the Oedipal crisis.

For Freud the outcome of the child's fear of castration is its submission to the reality principle and hence its entry into the social order. For Lacan this must coincide with the child's entry into the language system.....Language is thus the Law of the father; a linguistic system within which our social and gender identity is always already structured. (p. 104)

Othello's identity in the Venetian society is his role as "the Moor". Few people use his real name when talking about him. When speaking the given quote, Othello is telling the Venetians how he won Desdemona's heart by tel...

... middle of paper ...

... in himself he found it impossible that anybody else should do so. This insecurity proves his undoing. His positive self-image gone, he is left a choice between "the Moor" or nothingness. The moment Emilia realizes Othello is the murderer she reverts to calling him expressions connected to the negative image of "the Moor": "And you the blacker devil!...thou art a devil." (V, ii, 129, 131) He can't stand being this person, the only one society and the symbolic order can offer him. To construct his own identity has proven impossible. To be without an identity, a non-personn implies death. He chooses to free himself of this unwanted identity by stepping out of the social order and the language system by means of suicide.

Works Cited:

Shakespeare, William. Othello. The Complete. Moby (tm) Shakespeare. Online. Mass. Institute of Technology. Internet. 16 Nov. 1996