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Literature in English essay
Literature in English essay
The urban legend of la llorona
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A Guatemalan native, a male graduate student that I work with in my research group at the University told this story. He came from the countryside, living in a small village back home. According to him, the story of La Llorona, involving a weeping woman, arose sometime in the 1700s and became well known both at school and home. Some claimed to have actually seen the weeping woman. Some disregard it as unscientific and implausible. No one is sure of the exact origin of this urban legend. This story was told to me and another graduate student in our research group while sitting in lab waiting for the experiment results. The story began as we started sharing our own background and the culture of our own countries when the storyteller decided to make a little shift and started to tell a story told to him by his older cousin--the story of La Llorona: It all began with a young hidalgo (a member of the minor nobility in Spain) falling in love with a beautiful but lowly girl, María. Some years ago, the young hidalgo fell in love with María. María had a casita--a little house--where the young hidalgo would visit and bring his friends. In almost every way, they shared a happy life together. Eventually, María bore him two or three children. Everything was well except that their marriage was not blessed by the church, as his parents knew nothing about the arrangement. When his parents found out about María, they would not allow him to marry her and would not accept her as his wife nor her children as their grandchildren. They went on and urged him to marry a more suitable lady to give them grandchildren; this "suitable lady" was also a member of the minor nobility in Spain, also very beautiful. At some point in time, he ga... ... middle of paper ... ... walk outside late at night, you might just hear her crying! Works Cited Figueredo, Maria L. "The Legend of La Llorona: Excavating and (Re) Interpreting the Archetype of the Creative/Fertile Feminine Force", Latin American Narratives and Cultural Identity, 2004 Peter Lang Publishing, Inc., New York. pp232-243. "History-Guatemala." Columbia Encyclopedia, Sixth Edition, 2005. http://www.encyclopedia.com/html/section/Guatemal_History.asp. "La Llorona Commercial Takes Hispanic Creative Honors." Hispania News-The Hispanic Community's Newspaper. 2002. October 9th. http://www.hispanianews.com/archive/2002/10/09/14.htm. Villanueva, Alma Luz. "La Llorona/Weeping Woman," Weeping Woman, 1994. Tempe, Arizona . pp 1-7. West, John O. "The Weeping Woman: La Llorona", Legendary Ladies of Texas, 1994 Texas Folklore Society. Nacogdoches, Texas. pp 31-36.
Doña Guadalupe is a woman of great strength and power, power and strength which she draws from her devout faith and her deep and loving compassion for her family, and power and strength which is passed down to her children. “‘Well, then, come in,’ she said, deciding that she could be handle this innocent-girl-stealing coyote inside. On going into the long tent, Salvador felt like he’d entered the web of a spider, the old woman was eyeing him so deliberately” (360). Doña Guadalupe is a very protective woman, which is extremely speculative when it comes to her children, this is especially true when it comes to boys, because she has not gone this far only for all of her hard work to be ruined by a no good boy. This shows how protective she is, she loves her family, and especially her kids so much that they themselves must pass her test before being able to pass on to her children. “The newborns were moving, squirming, reaching out for life. It was truly a sign from God” (58). Doña Guadalupe is also a very devout and faithful person. She sees God in everything and in everyone and by that fact, what she sees and who she sees is true, and she tries to be a model of clairvoyance for the family. “Doña Guadalupe put the baby’s little feet in a bowel of warm water, and the child clinging to his mother. He never cried, listening to her heartbeat, the same music that he’d heard from inside the womb” (57). Finally, Doña Guadalupe is very passionate which allows for a great model upon which her children follow. This further shows how she is clearly th...
Malintzin was an indigenous woman of Nahua who, despite all odds, thrived throughout the Spanish conquest of the Americas. The story of Malintzin is beautifully and elegantly portrayed in Camilla Townsend’s novel, Malintzin’s Choices. Townsend discusses the life of Malintzin and debunks the myths associated with the era of conquest, as well as signifies the grandeur manifested within her time period. In determining Malintzin’s unique characteristics which allowed her survive and prosper throughout the conquest of mexico, one must assess the social, political, and psychological feats depicted through Malintzin’s journey. The traits that led to Malintzin to her uttermost success prevailed through: her intelligence, her charm and beauty, her loyalty, and her courage. Thus, the life of Malintzin does, in fact, represent a story that should inspire and exhilarate those who espouse for the ideals of growth and prosperity.
...Marina, Cortes Translator." Women in World History : MODULE 6. Roy Rosenzweig Center for History and New Media, n.d. Web. 3 Mar. 2014. .
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
The Women of Colonial Latin America serves as a highly digestible and useful synthesis of the diverse life experiences of women in colonial Latin America while situating those experiences in a global context. Throughout, Socolow mediates the issue between the incoherence of independent facts and the ambiguity of over-generalization by illustrating both the restrictions to female behavior and the wide array of behavior within those restrictions. Readers of varied backgrounds will come away with a much deeper understanding of the challenges and opportunities that defined the lives of the diverse women of the New World ruled by Portugal and
Nevertheless, Cisneros’s experience with two cultures has given her a chance to see how Latino women are treated and perceived. Therefore, she uses her writing to give women a voice and to speak out against the unfairness. As a result, Cisneros’ story “Woman Hollering Creek” demonstrates a distinction between the life women dream of and the life they often have in reality.
Print. The. Fernandez, Lilia. "Introduction to U.S. Latino/Latina History. " History - 324 pages.
... This just shows how frightening this beast is, and the most frightening part is not knowing what it is. Stories far away from Central America just show how widespread this beast could be, it is truly amazing that it has made its way all the way to England and Illinois. Lastly, even though some people might not believe in this legend, it should definitely be considered and never dropped because one day something horrible could happen and everyone would be very clueless. This beast is amazing at doing what it does, and after all these stories, one can conclude that this creature is real.
In the year 1520 European women begin arriving to the New World; all these women were treat as minors and became adult at the age of 25 years old. At this time or before women were destined to get marriage. Marriages were controlled by fathers, fathers would make sure that the husband choose to their daughters were equal or better in economic matters. The issue of “inequality” of course, rarely arose on the top elite level, but to middle or low level classes it was a major issue. According to one of the stories of Tales of Potosi called The Strange Case of Fulgencio Orozco people from low classes pass throughout many difficulties to arrange a marriage for their daughters; in this story a Spanish man who lacked in economic matters experience many complications trying to organized a marriage for his daughter, he never obtain a good marriage for his daughter and finally became crazy, lost his faith in God and died. Cases like this one occur around all Spanish America in low classes; marriage was an economic contract that almost always benefits top elite level class.
...wler-Salamini and Mary Kay Vaughan, eds Creating Spaces, Shaping Transitions: Women of the Mexican Countryside, 1850-1990 Tucson: University of Arizona Press, 1994.
Isabel Allende’s novel, Eva Luna, amalgamates many of the techniques and conventions associated with the picaresque tradition, magical realism and bildungsroman in order to present a critique of dominant Eurocentric ideologies of the patriarchy and oligarchy in 20th century Latin America and to valorize the voices and experiences of the marginalized and oppressed. A prominent aspect of Eva Luna which acts as a vehicle for the novels critique of the patriarchal oligarchy are the numerous motifs and symbols utilized throughout the novel. The manner in which Allende introduces and develops symbols and motifs throughout the novel functions to set up a number of oppositions which portray a sense of loss of freedom and expression under the oppression of the colonizing oligarchy, illustrate the superficiality of oligarchic power and align the reader with expression over silence and transgression above oppression.
As a Mexican woman myself, I understand the expectations and representation many assume us to be. We grow up in households that breed us into becoming good housewives and mothers who can multitask. Our main roles models are the women who hand these traits down generation after generation. In Castellanos “Once Again for Sor Juana”, there are three main archetypes protruding to depict Mexican description of femininity. Two of the three go well hand in hand, as the other falls into the category, yet signifies something greater. Each of the three women represented the women in Mexico and the absence of a voice. Each of them representing a symbol and influence.
Juana Ines de la Cruz was a self-educated Mexican nun and writer who lived during the second half of the seventeenth century. Born to a lower-class family, Juana’s mother had her sent to Mexico City as a child with the hopes that the city would provide greater opportunities for her clever and talented daughter. Juana quickly gained a position serving the family of the Mexican viceroy at the time. The viceroy, recognizing Juana’s giftedness, provided the girl with the means to educate herself. As a teenager, in order to continue her life of study, Juana joined a convent where she assembled an impressive library and spent years writing everything from plays to poetry.
It is effective, the fear installed in the youth prevents them from immoral conduct, the adults are given a vivid picture of the consequences of neglecting their children and the duty as a parent is created, driven by fear of being punished. This tool uses fear as a trigger for the key understanding of how to live life morally. Fear is probably one of the most powerful emotions, it has been used for ages in order to teach human beings of morality. Think of the medieval times when someone commit an immoral act such as let’s say stealing an apple from the market, the arm that they used to steal with would be cut off as punishment, leaving them to be unable to steal with that arm ever again or to simply die from bleeding to death. This is another way of creating an understanding of ethics in society by using fear as a tool, the person would think more than twice upon stealing knowing they could forever lose their arm or die, that apple would not look as worthwhile to the person and they would refrain from stealing. That is the idea behind the popularity of this legend, La Llorona is just another way of demonstrating the importance of ethics in life and the fear is an important aspect as to why the myth is popular and why it is effective still to this