Wilder even uses great detail to have the reader understand that. The use of a character such as the Stage Manager is wonderful because the audience no longer has to feel disconnected from the play but can have a direct connection. Not only through themes such as life, love, marriage and death but through a character itself. This allows for greater focus and thought. Wilder again encourages us to not take life for granted and encourages us to learn and appreciate what life is about.
The actions and dialogue the characters make must be fluid and have a purpose. The playwright entices the audience with the different aspects to captivate their attention and keep it throughout the play. In The Illusion, Tony Kushner provides vivid details of the characters’ actions through dialogue. The actions characters perform absorbs the audience’s attention and leaves them wanting to see more of what will happen next to the characters. Although all aspects provided by the playwright are essential, action is the most riveting.
And indeed, it proves to be relevant and intimate to a modern audience, with its applicable themes and endearing characters. In directing a play of such mannerism, one would have to consider many factors affecting the overall effect of the play, and how it brings forth its true message and intentions. Hence, I have chosen to direct Act 3 Scene 1, as well as Act 2 Scene 3. The reasons why I have chosen the above scenes, is so as in Act 2 Scene 3, Sir Toby, Sir Andrew, Maria and Feste portray a kind of platonic love, that can be applied to a modern audience. In addition, Malvolio is shown forth as the typical puritan, who is the wet blanket for every party and discourages any kind of fun and disorder.
The audience participation worked very well as it kept them alert at all times and meant they were watching something a bit different to what they were used to. I think we fulfilled our aims that we set out to do in the beginning as it defiantly left the audience wondering as many of them after the show asked me what was in the box. And i can receive as well from the laughter throughout the piece that our other aim of getting them to sympathise with Al was successful as well, they wouldn't laugh at someone they didn't relate to and feel a certain warmth towards. From this project i have realised that you do need a varied group of actors as each can bring in their own certain skills and make a successful piece of theatre, you also need to approach it with an open mind and be willing to try things you might not at first like the sound of. The best thing to do is try because if you don't try things you will never get anywhere.
Despite the consideration of the plot and it’s subject of social change, points like theater music, logistics, actors and actresses, scriptwriting and many more help build up a successful play. According to the book "Theater, The Lively Art", the plot, the actors, costume, set design, music and many more are titled as elements of theater production that are “common to all theater. These elements are present and used whenever a theater production is done, and without them, an event ceases to be theater and becomes a different art form and different experience". These elements are essential building blocks of a production which come together to create a whole theater masterpiece. It creates a feeling of unity and harmony when used all together however, when one element fails all other aspects are affected.
The etymology of the word agony is directly linked with the word protagonist, each being linked with the idea of a contest, a gathering, and leadership. By this definition, Maria Irene Fornes has created a single entity as protagonist in her play Fefu and her Friends. However, many dramas tend to follow the action and leadership of two people, if not more. The central ideas and actions in theatre do not always revolve around a single entity, and the struggle is not always limited to one person. This much is evident in plays such as Beth Henley's Crimes of the Heart, when three sisters struggle against personal demons as well as societal ones.
The Nurse is the first character on stage; subsequently, she starts off the play by giving the audience the information needed to get into its disposition. The Nurse leads the au... ... middle of paper ... ...s killing us!” (p.56). This contrast between the two views enhances the audience’s understanding of the play. In the play Euripides skillfully uses the Chorus, the Nurse, and the children to help the audience feel compassionate, relate and understand her. Although these characters are presented separately, in the end they support each other for the most part, although they represent different side of views at others.
For example, he challenged Ms. Sun in the beginning of the play resisting her idealistic request for live theatre. One would suggest that he was one of the characters most influenced by the expertise of Ms. Sun and the play along side of the other characters. He later found interest in doing
Laux speaks to the women with the idyllic views of matrimony and she may be trying to issue a warning to them, or to teach them a lesson about how she feels. This is important to the narrator especially as she repeats the word “again” in the question she asks at the end of the poem. The juxtaposition of the free bird to the housewife constricted to a cluttered room is an important image and helps the reader see the differences between the two. Laux’s metaphor for the female condition is made clear by the end of the poem and is an attempt to make the reader question what the narrator has that women all over the world are so eager to partake in. Works Cited Laux, Dorianne.
Acting can be a very versatile profession. It is way for many people to refine themselves. Performing is not only about getting into a role but understanding the extent of one’s imagination. There is a lot of preparing that goes into a performance than just reading a few lines. Acting is a paradigm.