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Japanese society and culture
The cultural meaning of suicide
Japanese society and culture
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Japanese culture is very different from culture that many Americans are use too. The differences, some large, some small are ones that really need to be looked at closely. In Japanese culture the idea of suicide is often embraced in an effort for enlightenment. When Chikamatsu creates a piece of art littered with tragedy he shows the duel between a society unwilling to change and an individual who is changing and leaving the path of the social norm. The work of Chikamatsu is an art, the majority of his work being that of a puppet show, when dealing with a puppet show it is, imaginably, difficult for the audience to see how the characters are changing and leaves little room for the character to develop both mentally and physically, however, Chikamatsu is able to penetrate into the true nature of things and makes the audience feel as what is happening is real. That being said Chikamatsu is able to take the audience on a ride, through scenes where the reader feels the sorrow, the pain, the love of the characters and are able to relate and sympathize for the characters in which they are watching develop. Chikamatsu forces characters to their final demise by portraying their battle of human nature against their social and personal obligations.
Suicide is defined in the Merriam-Webster dictionary as “the act of killing yourself because you do not want to continue living.” However, Chikamatsu gives a very different meaning to it. Yes, in essence it is still how it is defined in the dictionary but the reason behind it bears much more weight. According to the American Religious Identification Survey (ARIS) 76% of Americans would consider themselves to be part of the Christian faith. According to the Roman Catholic Church, suicide betrays ...
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Gerstle, C. Andrew. "Love Suicides at Amijima." Circles of Fantasy: Convention in the Plays of Chikamatsu. Cambridge, MA: Council on East Asian Studies, Harvard University, 1986. 136-54. Print.
Heine, Steven. "Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse." The Journal of Asian Studies 53.2 (1994): 367-93. JSTOR. Web. 30 Mar. 2014. .
Kosmin, Barry A., and Ariela Keysar. "American Religious Identification Survey." Summary Report. Trinity College, Mar. 2009. Web. 16 Apr. 2014.
"Suicide." Merriam-Webster.com. Merriam-Webster, n.d. Web. 24 Apr. 2014. .
Fallows, James. "After Centuries of Japanese Isoation, a Fateful Meeting of East and West." {Smithsonian} July 1994: 20-33.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
Masatsusu, Mitsuyuki. 1982. The Modern Samurai Society: Duty and Dependence in Contemporary Japan. New York: AMACOM.
The idea of “Outliving Oneself” depends on the concepts of trauma and most importantly the self, in a situation where said trauma obliterates the self for an indefinite amount of time. Brison presents the self in three interwoven parts: the embodied self, the self as narrative, and the autonomous self. Any of these parts of self depend largely on the individual’s society, culture, and interactions with other people. The embodied self represents the self in conjunction with the physical body, which our society separates from the self, to intimate a soul or personality, and also assigns genders to certain traits. Trauma dissolves this separation of body and mind because violence brings the traumatized to face their own mortality. They have to see their body as an object because their assailant treats it as an object. Trauma is so damaging because the self cannot exert any power whatsoever; the interaction between the assailant and the victim, essentially a social situation, robs the victim of a voice, because the assailant ignores it, a personality, because it is of no consequence to the assailant, and a self, because the assailant uses the body as an object, and the body plays a more central role in the interaction than the self does. Brison quotes Cathy Winkler in saying a rape is a “social murder,” because the rapist’s part in the interaction defines the victim through their actions that take away the victim’s sense of self. Any control that the victim felt over their body gets taken from them by the rapist. The consequences of this trauma include a loss of control over physiological functions, such as emotion and incapacitation from anxiety; the body and mind are out of balance, which leads the victim to be stigmatized by societ...
Savas, Minae. "Feminine Madness In The Japanese Noh Theatre." Electronic Thesis or Dissertation. Ohio State University, 2008. OhioLINK Electronic Theses and Dissertations Center. 11 Mar 2014.
The Love Suicides at Amijima recounts the tale of two disastrous sweethearts, Jihei, a wedded unsuccessful vendor of business Osaka, and Koharu, a wonderful mistress for whom he has gotten a lethally exceptional affection fascination, and from whom his adoration is responded, however an affection which can never be satisfied because of his marriage and family and her obligated status as a paid courtesan. He tries to control his overwhelming energetic affection for Koharu; in fact some portion of him wishes simply to satisfy what society expects of him as a husband and father. Torn between the two restricting universes of obligation (giri) and enthusiastic private craving (ninjo), Jihei is constrained again and again to reject his home and family. Like some other human
Life and death are dualities. These two immaterial forces culminate into a beautiful and tenuous composition creating an awareness of abject mortality that indirectly contributes to the breadth and depth of human existence. This existence or being is marked by an incessant love of life, influenced by the pervasive knowledge of eventual death. The characters in Mrs. Dalloway endeavor to grasp the meaning of both life and death through the act of resistance and/or acceptance of the impermanence of human existence as it relates to them personally and to those around them. Nietzsche’s interpretation of the themes of life
The subject of death and dying can cause many controversies for health care providers. Not only can it cause legal issues for them, but it also brings about many ethical issues as well. Nearly every health care professional has experienced a situation dealing with death or dying. This tends to be a tough topic for many people, so health care professionals should take caution when handling these matters. Healthcare professionals not only deal with patient issues but also those of the family. Some of the controversies of death and dying many include; stages of death and dying, quality of life issues, use of medications and advanced directives.
Yukio Mishima’s Temple of the Golden Pavilion, set in postwar Japan, gives way to a reflection of the postwar experience both the representation of military aggression and in use of symbolism of beauty, loss, and destruction. A story about Mizoguchi, a young, stuttering acolyte’s obsession with beauty lends itself to the conflagration of the Temple of the Golden Pavilion, based loosely on a true story about the Kinkaku-ji.
...er continue living in an unjust and cruel world, even though they are capable of taking the easy way out. He brings the question of the afterlife for the main reason why humans don’t commit suicide.
What is death? What makes death such an avoided subject? According to Merriam-Webster’s Dictionary, death is defined as: the permanent cessation of vital functions; the end of life. So maybe we fear death and death’s process because the thought of life ending is unbearable or because we know little about the dying process and naturally, as humans, we fear the unknown. These all may be true and in most cases probably are. But if one was to take a look at death and the process and consider the true meaning of that very moment in one’s life, maybe we would view it differently and maybe, just maybe, see life itself in a whole new way?! Marie de Hennezel, in her book Intimate Death defines death as . . . “our life’s culmination, it’s crowning moment and what gives it both sense and worth” (xi). She sheds light on the positive side of death, the part no one thinks about or acknowledges. And she shows us that death can in fact make us see how amazing life can be. In his book, The Body Silent, Robert Murphy shares with us the changes in life and actions of society when faced with the process of death.
From the interactive oral presentation on the Japanese vs. Western Social norms, I have learned a tremendous amount on how Mishima incorporated traditional Japanese and western influences in the novel to portray the loss of traditional Japanese culture within the Japanese society.
Japanese suicide continues to gain interest and concern throughout the world. More and more people are searching for answers. Suicide preventionists are trying to solve the financial problems by looking to allow Japan’s people second chances within jobs, diminish the idea that suicide can be honorable which came from Seppuku, and make an effort to follow the White Paper. It is important to understand that in Japan, as in every other society, cultural factors greatly intersect with more universal factors and can push someone over their limit.
Deathly acts such as murdering, homicide, and genocide are acts that are associated with anger, pride, and even jealously, but none compare to the actions of suicide which are associated with sadness, grief, pain, that encircle and bound the victim, such so that he cannot see a way out. Furthermore, suicide is cause by many factors; some aspects are detectable, while others are not. In addition, suicide are caused by many elements including; emotional, physical, and psychological (genetics) they are also different in retrospective to age and gender. Lastly, there are many reasons and aspects to suicide, and while others are easy to tell why, others are not.