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The Journal of Vincent Van Gogh July 24, 1890~ As I work on this painting of the wheat fields, sadness overcomes me. I worry that Theo, my loving brother, and his family also suffers sadness because of me. Theo's condition seems to be worsening and I fear for his health. I have gone back to work on my canvases, and have given them my undivided attention. My sickness has taken so much of my life away from me that I suddenly have tried to make the time come back. How I long for its return, when I was able to work for hours, and paint to my hearts content. Maybe the crows will bring impending doom to me, as I sit to finish this painting. July 25, 1890~ Dr. Gachet has told me that I should throw myself into my works, to keep my mind off other things. My life is threatened by this sickness that I must surrender to. It is only odd, that my paintings come alive with frenzy in my fits of mad I feel creative and full of energetic possibilities. My brushes jump across the canvas as I paint the scenery of the world around me. I think of my friend Gauguin, and how my sickness made me mad in his presence. How must he think of me, when I tried to hurt him in my madness? How could I have thought to bring so much hate upon him and myself? And then I think of my madness and that thought of cutting my ear. Gauguin and I are a very different, with varied styles, but in the end Gauguin is a powerful and strongly creative man, one that I sincerely call my friend. I think back to the times of St. Remy and of Arles. There are memories of the little yellow house that I had bought and shared with Gauguin, and then to St. Remy and my fellow patients, these were times of sorrow and great joy. I think of times in Paris, where I was able to meet with Toulouse-Lautrec, Gauguin, Seurat, and other painters. My works were influenced by these painters. Their use of bright colors and their choice of subject matter altered my direction his. Thought I tried to use light and brightness, depression came to weight down on me. My attempts to work among the Parisian art community were in vain and I struggled to keep my sanity.
“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also favored in having the opportunity to see the Vincent Van Gogh/Antonin Artaud exhibition, The Man Suicided by Society. The exhibition captured Antonin Artaud’s text about Van Gogh’s, “exceptional lucidity that made lesser minds uncomfortable,” or better known as his mental illness that had a major effect on his artwork [Musee d’Orsay]. In this exhibition, Vincent Van Gogh’s works visually present his life experience having spent 9 years in a mental institution and the way his imbalanced mind played a direct role on the outcome of his artwork. The darkness of Vincent Van Gogh’s illness that had a major impact on his art, was a form of expressionism which led to a collection of works that both told his life story, and later, led to his own suicide.
Cybele Nader 201200844 28/04/2014 FAAH 229B: Birth of the Modern: Manet to Picasso Professor: H. Franses Term Paper Vincent Van Gogh. Vincent Van Gogh (30 March 1853 – 29 July 1890) was a Dutch post-impressionist painter. Unpopular at his time but still his own worst critic, he suffered from painful anxiety and mental illness, and died at the age of 37. It wasn’t until 1886 when he moved to Paris that he got acquainted with impressionism, which is why he went through a quick adaptation of the style.
By the age of 27, van Gogh had been in turn a salesman in an art gallery, a French tutor, a theological student, and an evangelist among the miners at Wasmes in Belgium. Vincent felt a strong emotional attachment to the miners. He sympathized with their dreadful working conditions and did his best, as their spiritual leader, to ease the burden of their lives. These early works evidence were dark and serious, sometimes crude. Unfortunately, this unselfish desire would reach somewhat obsessive proportio...
Vincent Van Gogh is celebrated today as the greatest Dutch painter, besides Rembrandt (“Vincent Willem”). Born in Holland on March 30, 1853, Van Gogh had five other siblings and two parents, and although his mother was an artist, he never bothered with art until much later in his life (“Vincent Willem”). Van Gogh had many shortcomings in his little and dismal time on earth and it was not until his late twenties, after all else had failed, that he gave art a chance. Thanks to the help of his older brother Theo, Van Gogh was able to put all of his emotions and mental worries into productive use, creating masterpieces that are sold today for millions of dollars (“Vincent Willem”). Although he is hugely successful today, Van Gogh had little to no fame in his lifetime and he struggled immensely with his mental state of mind for many years. Ultimately his mental illness (some believe there were more than one) lead to his untimely death, but his turbulent state of mind also helped him to create magnificent images that are revered as some of the greatest pieces of art of today.
In present time, Vincent van Gogh is probably the most widely known and highly appreciated person of postimpressionism. During his brief lifetime, Vincent’s work went almost unknown to this world. His work now hangs in countless museums throughout the world and is considered priceless. His work became an important bridge between the 19th and 20th centuries.
Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...
Art is a severe Goddess, who in return for her smiles demands many sacrifices. No one did more to please her, and no one was so insufficiently rewarded as Van Gogh. Several times the blows that she dealt him were painful enough to make any reasonable man resign. Only fanaticism and faith in her would permit one to leap the abyss between reality and desire. With cruel, merciless method, art asked from Van Gogh everything. It was a loan that multiplied with time and was never paid back. It haunted him within the recesses of his soul, it flirted with him and raises his hopes, it took away from him everything that was dear, and when it could finally take no more, it decided to take his life.
In the summer of 1881 Vincent Van Gogh asked for his cousin’s hand in marriage and was turned down. He was very insistent on seeing her and took action on this by holding his hand in a flame and holding up the words “Let me see her for as long as I can keep my hand in the flame” (Wikipedia, Letter 193 from Vincent to Theo, The Hague, May 14, 1882).
While Vincent van Gogh is known as one of the most famous Dutch painters, next to greats such as Rembrandt, his life was filled with poverty and as well as struggle with mental illness. Many of those who have heard of Vincent van Gogh aptly remember him as the impressionist painter who cut off his own ear. This essay will cover the artist’s childhood, artistic career, and death and will serve as a comprehensive review of Van Gogh’s life.
What drove Vincent Van Gogh, born March 30,1853, to his mental illness and suicide? Could it have been the many things he tried, but failed at in his life? He failed in many different careers, in love, and even his artwork. Van Gogh sold only one painting his entire life. Because of his mental illness, he was considered a crazy person.
Vincent van Gogh was a poor artist in 19th century Europe that was constantly tortured by psychiatric issues. Van Gogh was born in Zundert, Netherlands on March 30, 1853. His father was a pastor and raised him with a very religious lifestyle and he originally set out to be a pastor himself. He was fired from his preaching job because of his intensity and fierceness and decided to be an artist. His many disorders eventually got the better of him and he was admitted to the St. Remy mental institution where he did the much of his art. After his release in May of 1890, van Gogh fell into deep depression and eventually committed suicide in July of that year. In my opinion van Gogh’s importance was shown through his different use of color that was looked down upon by the critics of the time but led to a new style of Post-Impressionism at the end of the Impressionistic era. Also, his large amounts of paintings, over 2,100, portray a large amount of subjects which virtually anyone can relate to. Finally, his importance is verified in the sheer price of his paintings, the most expensive, Portrait of Dr. Gatchet, was sold for 82 million dollars.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
Vincent van Gogh’s development in stylized representations of nature, created by the application of dark colors, bold lines, and thick paint all show an expressionistic view of the natural world as seen through the eyes of the artist. While we will never find a definite answer for whether or not Vincent van Gogh intended for Wheat Fields with Crows to be any indication of his suicide, we continue to draw on conclusions of what this painting really meant. Even though we can say with certainty that this was not Vincent van Gogh’s last painting, the subject matter and formal elements suggest that it probably was - intended or not - some indication of van Gogh’s unhappiness.
My book report is about Vincent Van Gogh, as portrayed in the 1934 biographical novel Lust for Life by Irving Stone. Vincent Van Gogh was a Dutch post-impressionist painter, who is most well known for his contributions to modern art. The novel covers a ten year period in Van Gogh's life, eventually leading up to his suicide in 1890. Within the book report, I will discuss Van Gogh's personality, his mental problems, and his relationships. I am going to be comparing the novel to the 1990 film, Vincent & Theo, directed by Robert Altman.
In the year of 1866, Van Gogh had gone to Paris to join his brother Theo. Theo was the manager of Goupil’s gallery at the time. During the time in Paris, Vincent Van Gogh was studying with Cormon. Later on, Van Gogh had met Piarro, Monet, and Gaug...